Sometimes we get a little lazy with our scanning. You already know that. A couple of years ago we shared the cover and two pages from an issue of The Lowdown and discussed the murder trial of Dr. Sam Sheppard. In that issue were some other interesting pages, particularly of German actress Elke Sommer. We had made her our very first femme fatale way back, so we always thought she was amazing, but we gained a new appreciation for her after watching her in Deadlier than the Male. Really, scientists should double-check that global warming didn’t start in 1967, because that’s how hot she is in that movie. Anyway, we realized The Lowdown’s photos of Sommer might not have appeared online before, so we decided to take care of that today. What are those naughty secrets about her, you ask? The Lowdown says she was a swinger before she got married.

And speaking of global warming, we also wanted to share a couple of pages in which The Lowdown tries to cast doubt on the cancer causing properties of cigarettes. Reading the article, we’d venture to say that the debate was at about the same place as that over global warming today. Here’s a choice line from the piece: “Air pollution by gasoline vehicles and industrial gasses are a more likely cause of lung cancer." Here'sanother one: “Blaming lung cancer on cigarettes may actually be retarding research into the real causes of the disease.” And what the heck, here’s one more: “Smoking shows no statistical link to the rates of still birth, abortion and birth complications.” So there you have it—conclusive proof. The alarmists were wrong then, and they’re wrong now.

Here’s a random little something we ran across at an auction site, a duotoned cover of Picture Show from today 1968 with Elke Sommer. No interiors, but we thought we’d share it anyway because Sommer has been on our minds since we watched her in Deadlier Than the Male a couple of weeks ago. She really has to be seen to be believed in that. More from Sommer later.

 

Every time we see a cover of the Japanese celeb/cinema magazine Movie Information/Movie Pictorial we find ourselves thinking how cool they look. It’s a publication that goes all the way back to the early 1950s, and it had a few different periods, graphically speaking, but for some reason we always preferred these clean, colorful late-1960s early-1970s covers. So we thought we’d upload a few fronts and backs we’ve found over the years and see if you agree. As far as the name goes, we usually see the magazine referred to in English as Movie Pictorial, and in fact the back cover does say that, obviously. But the front cover writing definitely says “Movie Information.” So there you go. But we’ve actually turned screwing up these translations into a fine art, so we won’t be heartbroken if we’re wrong. Anyway, see below. And FYI, the girl in the scuba tank is Barbara Bouchet, so she’s on three covers. The scuba image is a promo shot from Voyage To the Bottom of the Sea. You can see two more front covers here and here.

Above, a nice Japanese poster for the 1967 crime thriller Deadlier Than the Male, with Elke Sommer and Sylva Koscina. We uploaded a couple of promo shots from this production a long while ago, and you can see them here and here.

It isn’t easy being a bottom-rung tabloid. National Examiner proves that point on this cover from today in 1964 on which they use a photo of Elke Sommer that was taken six years earlier, and which we showed you last month. But since Examiner was not a respected publication, using out of date modeling photos was the best its editors could do. By the 1970s, the magazine would no longer bother trying to tap the celeb market, and instead focused on sex. See a typical example here. 

High was one of seemingly a thousand men’s magazines that came into being during the 1950s, making the scene in 1958, funded by the Ohio-based publishing company Periodical House. Basically, it's indistinguishable from countless other publications of its ilk, but sometimes these otherwise unremarkable mags contain photos of someone who later became a star. In this November 1959 issue that star-to-be happens to be German bombshell Elke Sommer, referred to as Elke Sommers. Sommer appeared in five European films in 1959, but probably none had been seen in the U.S. when High printed her photos, which we suspect were shot a year previously. That would have made her eighteen when she posed, and she looks exactly that young, a pure ingenue unknowingly on the precipice of lasting international fame. See below.

The above issue of the venerable National Police Gazette from July 1969 stars German bombshell Elke Sommer, who is described as “Hollywood’s No.1 Nudie.” In the interview, Sommer reveals that when she paints on a hilltop outside her Beverly Hills house she does so naked. The reason? "It's the best way to get a tan all over." She also states that she thinks film nudity is fine as long as it isn’t done for purely erotic purposes. Very interesting, considering she had already posed—purely erotically in our opinion—for Playboy magazine, and would appear nude in men's magazines several more times. The photos in panel two (at top) are from Sommer's 1963 war drama The Victors, and as happened often in those days, even though she did not appear completely nude in the finished film, she performed the scenes that way. Which of course means the excised frames ended up in various people's pockets, and soon became public. Whether this was an accident or a publicity technique is impossible to say, but we suspect the latter. In any case, it's clear Gazette editors had an uncensored shot. Back then they had to cover Sommer's naughty bits, but we don't, and you can see the uncovered version, along with another image from the same scene, just below. Elsewhere in this issue you get Aristotle Onassis, Jake LaMotta, Denny McLain, the hidden sex problems of American husbands, and more. 

Above is German actress Elke Sommer, looking her stunning best in two scans from Belgium’s Ciné-Revue that we stumbled across in an online forum. The issue was published forty years ago today, during a period when the magazine was upping its skin quotient. In this case, they wisely chose photos by Angelo Frontoni, who was one of the foremost glamour photographers of the day. Ciné-Revue still exists, more or less, as Ciné-Télé-Revue. We’ve been meaning to do an entire feature on the publication, because it has a tangled history we haven’t quite puzzled out yet. It definitely began in Belgium during the mid-1940s, but also published in France for a time. Also, there was another Ciné-Revue published in France back in the 1920s, but we aren’t sure if it has the same provenance as the one above. We’ll figure all that out later, now that these great images have reminded us to do so. 

Below, five covers of the Mexican humor and celebrity magazine Ja-Ja circa 1960s, and featuring the lovely Virna Lisi (not Lissy), Tongolele, Elke Sommer, Eugenia San Martin, and Senta (not Santa) Berger. 

The other day we realized that nearly all of our femmes fatales released records at some point, so we have a megapost of sleeves below representing a fraction of these multi-talented women’s musical output. We’ve heard most of the music, believe it or not, and while its quality varies, we do suggest you check out both Marilyn Chambers and Reiko Ike—their simulated orgasms are quite pleasing to the, er, ears.