End of the line—Brando's place.
Above, a striking West German poster for Endstation Sehnsucht, which you know better as A Streetcar Named Desire. Admit it. You've heard of it, you know who Tennessee Williams is, but you haven't seen it (or seen or read the much racier Pulitzer Prize winning play it's based on). A famous critic once explained that a good book teaches you how to read it. The same can apply to movies. You have to let yourself be immersed in A Streetcar Named Desire. The first twenty minutes you might be tempted to give up. But once the dubious southern accents and style of the production settle into your head, you'll find a movie well worth watching, with a nice performance by Marlon Brando, who was comfortable in his role of the beefcakey Stanley Kowalski after having played it on Broadway. A Streetcar Named Desire is over the top—and over the needed running time, in the opinions of many—but it's an involving experience. After its U.S. premiere in September 1951 it rolled into West Germany as Endstation Sehnsucht today the same year.
The only rehabilitation going on here is by the poster artist.
Above you see a striking color poster for the Roger Corman produced women-in-prison flick Women in Cages, one of the many sexploitation epics filmed in the Philippines during the 1970s. For an entertaining ninety minutes on that subject, by the way, you should watch the documentary Machete Maidens Unleashed. It's the final word on the chaos of Philippine movie production and covers everything from Savage! to Apocalypse Now. Women in Cages is one of the earlier Philippine women-in-prison flicks, coming after The Big Doll House.
Despite the fact that the poster is signed R. Engel and dated '72, it's actually a piece of modern pulp made within the last several years. The person behind it is German artist Rainer Engel, who put it together borrowing the DVD box cover art from Subkultur-Entertainment's 2013 re-issue of the movie, which in Germany was called Frauen hinter Zuchthausmauern. We ran across the re-styled poster on the artist's website, decided his mock-up beats the hell out of the 1971 original art, and thought it was worth sharing.
When we wrote about the film a while ago we said we thought it was a bit much. Specifically, it's relentlessly grim. Of the trilogy that includes The Big Doll House and The Big Bird Cage this middle entry is the one that forgot the first rule of the 1970s women-in-prison genre—the movie should be absurd and fun. When it isn't—i.e. when it shades into depressing realism—you come away wondering if there's something wrong with you for having watched it in the first place. You can read our post on the film here, and you can visit the artist's website here.
Hey solider—ever made it in a smoking ruin with the stench of death in your nostrils?
We don't know if there were enough prostitution-in-the-ruins novels written during the postwar period to qualify as a sub-genre, but it seems to us we've seen quite a few of them. We highlighted Scott Graham Williamson's Torment around this time last year, and now we have another—Erika, aka Fräulein, by James McGovern. The book revolves around a woman who is tricked into becoming a prostitute in divided Berlin before finally finding Mr. Right and escaping. She's named Erika Angermann, a symbolic name if ever there was one, hinting at what the men in her life put her through. Erika aka Fräulein was a hit when published in 1956, and became a 1958 movie with Dana Wynter and Mel Ferrer. The book is bit obscure today, but was well regarded in its time. We'll look into how many novels like this are out there and if there are enough maybe we'll put together a group post.
Gemser makes a movie out of spare parts.
In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.
Traffic mishaps reach an all-time high.
Below, assorted paperback covers pairing mortal danger and automobiles, including many examples from France, where the theme was particularly popular. Thanks to all the original uploaders on these.
Humans aren't highest on the food chain anymore.
Above, a West German poster for Joe Dante's groundbreaking werewolf movie The Howling, which we discussed in detail back in May. We found the art on this promo rather weird and thought it would be a worthwhile share. The movie premiered in West Germany as Das Tier—The Animal—today in 1981.
If dance is the hidden language of the soul—dance on.
The above images are a bit more frank than usual for us, but they're also uniquely artful and we had to share them. They show two slighty different shots of Eugenia Leezbinski, who was an obscure dancer of the Jazz Age, ahead of her time in terms of grooming, and a personification of the Martha Graham adage that the body says what words cannot. The photos survive because they were two of many made by famed lensman Arnold Genthe, a German photographer best known for his exposures of San Francisco's Chinatown, the 1906 San Francisco earthquake, and his portraits of famous people. His exposures of the lovely Leezbinski are dated on the rear—today, 1928.
Gold may fill the pockets but it can also empty the soul.
We wanted to show you a bit more work from German artist Rolf Goetze. We settled on this West German poster for the quasi-western drama Treasure of the Sierra Madre because the film premiered in West Germany today in 1949. This is Goetze at his best. For that matter, it's Humphrey Bogart, Walter Huston, and John Huston at their best too. That isn't just our opinion—Walter Huston won a Best Actor Academy Award for his performance, and John Huston won both Best Director and Best Screenplay. If you're not familiar with the film, we'll just tell you it's a cautionary tale about the lust for riches, and it contains this classic and oft-mangled quote: “Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges!” More Goetze poster work to be seen here and here.
All jerks and no play make Linda a very dull movie.
Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.
Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.
It could have been worse. They could have flown United.
This chaotic West German poster for Der söldner des syndikats caught our eye for a couple of reasons. One was its sheer garishness, and the other was because the unknown artist depicted diminutive Mickey Rooney all swoll up like a Marvel Comics superhero. It just screams cheeseball classic, so we had to check out the film, which is known in English as 24 Hours To Kill. When a plane makes an emergency landing in Beirut the flight crew learns that one of their number (Rooney, decidedly un-swoll and unheroic) is hunted by a criminal smuggling syndicate he's double crossed. The repaired plane leaves in twenty-four hours, and the crew decide to protect Rooney until that time. Abandoning him is out, because he's a pal, and going to the police is out, because they'd be stuck in Beirut for days or weeks, thus making the syndicate's job easier.
So the plan is to protect Mickey Louse for a day and then jet—if they can manage it. What follows is a series of botched abductions worthy of Raiders of the Lost Ark, ornamented with location shooting in Byblos, Baalbeck, Casio Du Liban, and a Beirut long since reshaped by war and bulldozed for high rises and privatized resorts. Those locations possibly make the movie worthwhile all on their own, and other beautiful sights are provided by co-stars Helga Sommerfield and France Anglade. A minor ’60s thriller, this one feels like a television movie, which means the level of tension is not nearly high enough. Nor the level of action—there's more on the poster than in the film. But even if the art misleads, the movie is entertaining enough. Made in English by the West German production company Grixflag Films Ltd., Der söldner des syndikats premiered in West Germany today in 1965.
Intimidating movie poster Mickey. Not very intimidating movie Mickey.
The headlines that mattered yesteryear.
1966—Sinatra Marries Farrow
Superstar singer and actor Frank Sinatra marries 21-year-old actress Mia Farrow, who is 30 years younger than him. The marriage lasts two years.
1925—Mein Kampf Published
While serving time in prison for his role in a failed coup, Adolf Hitler dictaes and publishes volume 1 of his manifesto Mein Kampf (in English My Struggle or My Battle), the book that outlines his theories of racial purity, his belief in a Jewish conspiracy to control the world, and his plans to lead Germany to militarily acquire more land at the expense of Russia via eastward expansion.
1955—Disneyland Begins Operations
The amusement park Disneyland opens in Orange County, California for 6,000 invitation-only guests, before opening to the general public the following day.
1959—Holiday Dies Broke
Legendary singer Billie Holiday
, who possessed one of the most unique voices in the history of jazz, dies in the hospital of cirrhosis of the liver. She had lost her earnings to swindlers over the years, and upon her death her bank account contains seventy cents.
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