Hollywoodland May 26 2014
DARK COMPANION
He wasn’t very tall, but he cast a long shadow.

Above, Humphrey Bogart in a promo shot from 1941’s High Sierra, a movie that examines the futility of greed and violence (at least for those with no power or connections). It was more or less the fortieth film Bogart had made, and further cemented his bankability before he truly broke out as a leading man later the same year with The Maltese Falcon. Also, you can once again thank W.R. Burnett—he wrote the novel and collaborated on the screenplay.

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Vintage Pulp Nov 13 2013
LESS MARSEILLAIS
Passage to Marseille has plenty of message but not enough movie.

We’ve seen nearly every Humphrey Bogart movie but had been warned away from Passage to Marseille. We finally watched it last night and the haters were right—it’s substantially below standard. You have Casablanca director Michael Curtiz at the helm and Casablanca alumni Bogart, Claude Rains, Peter Lorre, and Sydney Greenstreet in front of the camera, along with the lovely Michèle Morgan in the female lead, but all their combined efforts cannot elevate this clumsily written propaganda piece. Curtiz is not to blame—his direction is functional and James Wong Howe photographs everything beautifully. Likewise, Bogart manages his role adequately, Lorre and his emotive brow are put to ample use, and Rains dons an eyepatch and permafrown to bring some gravity to matters.

But Passage to Marseille is just a badly written film. Where Casablanca used patriotic sentiments adroitly (who can forget the way the singing of the French national anthem “La Marseillaise” both roused the audience and advanced the plot?), Passage to Marseille flounders under the weight of cheap nationalism and sticky sentiment. It enjoys a decent rating on many review websites but we daresay that’s mainly due to Bogart bias (wherein even his bad flicks like Chain Lightning and Battle Circus have good ratings). We love the guy too, but no actor in history has batted 1.000, and this movie was a clean whiff. As propaganda it doubtless got the job done, but as a film we suggest consigning it to a dusty, unreachable shelf. Passage to Marseille premiered in Sweden as På väg mot Marseille today in 1944. 

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Vintage Pulp Oct 18 2013
A BIT OF BOGART
Need a model for your bookcover? We’ve got a recommendation.

This cover for Joli brin d’amour has Humphrey Bogart on it. Right? No doubt about it, that’s him. The guy turns up everywhere. Joli brin d’amour, which means something like “pretty bit of love” or maybe “nice bit of love,” (French speakers, help us out with this one) was published in 1960 by Editions de Lutèce as part of its Les drames de la vie series. As far as we know, it was not written by the famous French author of adventures and fairytales Comtesse d'Aulnoy, aka Marie-Catherine Le Jumel de Barneville, but we can’t identify the actual author (assuming D’Aulnoy is a pseudonym). No artist credit either. We’ll see if more info turns up later.

Update: We got a response from Miga almost immediately, who wrote:

"Since you asked for help, I'm not a linguist or anything but in my opinion the more appropriate choice would be "pretty bit of love." The way I understand English, pretty is more used in the sense of beautiful, good looking, etc. As for nice it can apply to appearance but it seems to be used more in the sense of personality like kind. I can assure you, however that "petit brin d'amour" refers to exterior look and that petit is not a qualificative of  love. Hope this helps!"
 
Thank you, Miga, for clarifying that for us. Much appreciated. 
 
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Hollywoodland Jun 19 2013
CIRO HOUR
Everybody who was anybody was there.

This photo made today in 1954 shows American singer/actress Abbe Lane posing outside Ciro’s nightclub in West Hollywood, California. Lane had begun in show business as a child actress, but became world famous after she married bandleader Xavier Cugat and began fronting his group as a singer. Although this is a famous photo, one you can find elsewhere on the internet, we thought it was worth posting anyway, not just because of Lane, but because supper clubs like Ciro’s really don’t exist anymore. Ciro’s, which by the way was unrelated to the many famous Ciro’s that existed in Europe during the Jazz Age, from its opening in 1940 to its closing in 1957 was a favorite spot of screen personalities, singers, producers, and writers, a place where the night’s meet-ups and trysts were reported in the next day’s gossip columns. Below you see Lane and Cugat, Charlie Chaplin with Paulette Goddard, Lane onstage fronting Cugat’s rumba band, Cary Grant with Betsy Drake, Lucille Ball with Desi Arnaz, Jr., and others. 

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Vintage Pulp Jun 10 2013
ILLUSTRIERTE CLASSICS
Bad luck and trouble in post-war Germany.

We’re back to the West German publication Illustrierte Film-Bühne today, supplementing our post from two months ago. These examples are all from American dramas or films noir produced during the 1940s and early 1950s, but which premiered in West Germany later, typically 1954 or after. You can see the earlier IFB collection here.

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Hollywoodland Mar 27 2013
A SHOW OF HAND
I just got this a-maz-ing manicure. Nice, right?

We stumbled across this recently. It’s a promo photo of Humphrey Bogart made for his 1951 crime drama The Enforcer. The image was used on a great Israeli poster for the movie, as well as an almost-as-good Spanish promo. We showed you both of those, among others, a few years ago. If you haven’t seen them maybe click back there and take a look. They’re well worth a glance.

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Hollywoodland Nov 27 2012
TO HAVE AND HAVE MORE
Sometimes a kiss is not just a kiss.

The above promo shot was made for Humphrey Bogart and Lauren Bacall’s 1944 thriller To Have and Have Not, in which he played a cynical boat captain and she played a tough girl with a heart ready to be given to the right man. It was set in French Martinique, and it’s one of our favorite old movies. Certainly not in the same league as Casablanca, which is the phenomenon it was trying to recreate, yet it was faster, funnier, and far less grandiose, all of which work in its favor. Haven’t seen it? Rent it. Or better yet—in the spirit of Bogart’s rum running character Capt. Harry Morgan—pirate it. Arrr.

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Vintage Pulp Aug 13 2012
THE DEVIL IS IN THE DETAILS
Beat the Devil flopped in 1954 but today is appreciated as pioneering camp cinema.


We’ll tell you right now that we are not neutral when it comes to John Huston’s Beat the Devil. We love it. It has Humphrey Bogart, Peter Lorre, Gina Lollobrigida, and the exquisite Jennifer Jones, so we loved it immediately. If only audiences had felt the same. The movie was such a flop that not only did it lose money, but its copyright went unrenewed, causing it lapse into public domain. But keen observers, after they got over being misled by the promotional campaign into thinking the movie was a standard Hollywood adventure, soon realized that what they had on their hands was something new—a camp satire bringing together some of the most distinct voices of 1950s cinema. And we mean voices literally. You have Humphrey Bogart with his famous lisp, Gina Lollobrigida with her vampy Italian drawl, Jennifer Jones trying on an English lilt, Peter Lorre with his trademark Germanic-accented sniveling, and more. The accents are your first clue that the movie is going to be all over the place.

The plot concerns a group of raggedy adventurers who hope to buy uranium-rich land in East Africa. Problem is, they need to get there. Seems straightforward enough, but the cosmos itself is aligned against them—cars fail, boats sink, betrayals ensue, information gets garbled, and just about any other obstacle you can imagine appears. But Beat the Devil isn’t slapstick. It’s satire, which means it isn’t funny in a conventional way. In fact, maybe there isn’t a real laugh in the entire movie. Yet you have to smile when Marco Tulli introduces Peter Lorre’s character O’Hara as O’Horror, you have to marvel at Jennifer Jones’ crazy accent that sounds like an English version of Bogart’s lisp, and you have to watch with heightened interest during her famous calesthenics sequence, in which she has an entire conversation with Gina Lollobrigida while doing... well, we don't know what she's doing, but it looks like this. 

Despite these and other charms, Beat the Devil is polarizing. Bogart declared that only phonies liked it. Huston, on the other hand, was well aware of its uniqueness and even told Jennifer Jones—who had already been nominated for four Academy Awards and had won once—that Beat the Devil would be one of her most remembered roles. True enough. The French and Dutch language poster you see above is for the Belgian release, and was put together by S.P.R.L. Belgique. Beat the Devil opened in France today, and Belgium this month in 1954.

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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Hollywoodland Apr 3 2012
DAS BOGART
Everything I’m not made me everything I am.

There’s no shortage of Humphrey Bogart images out there, but this is a particularly good one, showing the distinctive scar on his upper lip. Scarred, kind of short, not amazing looking, and with a lisp, he still became the greatest star in American history. The shot is from Germany’s Das Magazin, and it appeared this month in 1949. 

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History Rewind
The headlines that mattered yesteryear.
September 02
1967—Nation of Sealand Established
The Principality of Sealand, located on a platform in the North Sea, is established under the rule of Prince Paddy Roy Bates. Proving that paradise is a pipe dream as long as humans are involved, Sealand has already endured a coup, a war, and a hostage crisis since its formation.
1973—J.R.R. Tolkien Dies
British fantasy novelist J.R.R. Tolkien, author of The Hobbit and The Lord of the Rings trilogy, dies at the age of 82.
September 01
1902—French Go to Moon
Georges Méliès' Le voyage dans la lune, aka A Trip to the Moon, is released in France. It is the first science-fiction film ever made.
1939—Germany Starts World War II
Nazi Germany, along with the Soviet Union and Slovakia, attack Poland, beginning the chain reaction that leads to war across Europe.
1972—Fischer Beats Spassky
In Reykjavík, Iceland, American Bobby Fischer beats Russian Boris Spassky and becomes the world chess champion. The match had been portrayed as a Cold War battle, and thus was a major propaganda victory for the United States.
August 31
1948—Mitchum and Leeds Snared in Drug Raid
Actor Robert Mitchum and actress Lila Leeds are arrested in a Hollywood drug raid and convicted of criminal conspiracy to possess marijuana. Mitchum serves 43 days in jail, but in 1951 the conviction is overturned when it is exposed as a set-up. The entire episode has zero effect on his popularity. Leeds, conversely, becomes a heroin addict while behind bars and is never able to rekindle her career.
1997—Princess Diana Killed in Accident
Princess Diana dies after a car crash in the Pont de l'Alma tunnel in Paris, along with Egyptian jet-setter Dodi Al-Fayed, and driver Henri Paul, who loses control of the car while attempting to elude paparazzi. Despite lengthy resuscitation attempts, including internal cardiac massage, Diana dies at 4 a.m. local time. Her funeral six days later is watched by an estimated 2.5 billion people worldwide.

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