Vintage Pulp Dec 15 2017
WEISS GUY
Tarzan gets fully dressed but remains king of the naked jungle.


A killer ape, eh? Since the film opens with crocodiles getting axed to death—in real life—killer humans is more like it. Well, these old African wilderness flicks are never kind to animals, whether chimps, big cats, or what-have-you. The point of the croc massacre is that they're sick and have to be put down. Nobody can understand what's wrong with them, but it turns out an evil white scientist is testing bioweapons on wild animals. Wait—did we single him out as white? The distinction is meaningless, since everyone in the film is white or white-ish. That's what happens when deepest, darkest Africa is in reality a backlot in Simi Valley. In any case, someone needs to figure out why the crocs are sick. Who can do it? Why Jungle Jim, of course, played by Johnny Weissmuller. After years running around in a loincloth as Tarzan he got chubby enough that his body needed to be covered, so he slid into a new role as the khaki-garbed, pith-helmeted Jim, and for thirteen films did more or less the same things he did in twelve Tarzan films except yodel and swing on vines. The killer ape of the title is actually an ape/man hybrid, played by 7'7'' ex-wrestler Max Palmer in a pimp's fur coat and a putty nose. He lurches around uprooting trees like a one man lumber company and absorbing bullets with no ill effects. But though he's bulletproof, he isn't Weissmullerproof. Really, who among us can claim to be? The man subdued an entire continent, so certainly one pimped out wrestler isn't going to offer much resistance. Killer Ape is preposterous, but at least it has numerous unintentional laughs. It premiered in the U.S. today in 1953.

Stand back everyone. When I strip down to my fifteen-year-old Tarzan loincloth you don't want to be anywhere downwind, trust me.


So I had wardrobe trim this coat to expose my knees. Even during my wrestling days these sweet babies were my calling card.


Cut! Max, the camera is over here to your right. Can we get a hairdresser to trim the man-ape's bangs, please?


The name is Jungle Jim! Call me Junk Food Jim one more time! Just once! I dare you!


You know, even with this highly authentic costume I'm still not feeling very African. Maybe some cornrows.


It's about this long, give or take. I know that sounds like every man's dream, but size also brings real issues with it.


Hah hah, no, you're light as a feather, Carol. A feather that's been packing in high calorie Columbia Pictures catering for a few weeks, but still feather-like.


Just like you, Tarzan, I wear nothing under my costume. When I sit on your big ugly head those bristly things on your eyes will be my nuts.

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Femmes Fatales Mar 8 2013
TIGER WOULD
He hasn’t taken revenge for his friend the leopard yet, but soon… very soon…

Back in the day, one sure ticket into the movie business was to be a star athlete, which is exactly how Anita Lhoest was noticed by Hollywood. After she became the U.S. national 100 meter and 400 meter freestyle champion the producers came knocking. But in the end she made only one movie—Captive Girl—in which she played opposite another former champion athlete Johnny Weissmuller. The photo above is a promo for Captive Girl, with Lhoest aged nineteen. It dates from 1950. 

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Vintage Pulp Dec 4 2011
SEPIA TONES
The Goddess of Fire goes to Hollywood.

Some treasures are more valuable than others, and for us this issue of the African-American tabloid Sepia published this month in 1954 is one of the better jewels we’ve unearthed. The word “sepia” was used back then as a supposedly hip alternative to "negro," and you may have noticed it in some of the mid-century tabloid pages we’ve posted. The cover star, actress Vera Francis, is referred to as the Goddess of Fire because of her popular calypso act. Francis had become famous first as a Boston model, then made the leap to Hollywood actress, scoring a bit role in 1953’s The President’s Lady (though she's not cited in its IMDB entry, we noticed). She later scored a larger role opposite Johnny Weissmuller in 1955’s Devil Goddess. The Sepia interview discusses her decision to focus on her singing career because film work—which by the way, she reveals paid $125 a day—was very difficult to come by. In the most circumspect fashion, the profile does not hint at the embedded racism of Hollywood that severely limited roles for black women. That isn’t a surprise. The power and allure of Hollywood was such that few would dare to point out its shortcomings—at least if they hoped to work again. Besides the stunning cover (which we’d definitely consider framing if we had a hi-rez canvas print of it) we have four more pages of Vera Francis, plus a centerfold featuring model Maria Piñeda, and as a bonus we even uncovered a promo photo from Devil Goddess. All below.

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Vintage Pulp Nov 15 2010
GUIDING LIGHTS
Baby the stars shine bright.


Above, a November 1946 issue of Screen Guide, one of the top U.S. cinema magazines from the late thirties through the fifties, here with cover star Gene Tierney looking her usual flawless self, Gloria Grahame enjoying a sunny perch, Johnny Weissmuller flying high, Hedy Lamarr selling Maybelline, and Ingrid Bergman just being Ingrid Bergman. 

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Vintage Pulp Aug 27 2010
BROADWAY BILLY ROSE
His casa es su casa.

Above, a 1939 program for legendary Broadway showman Billy Rose’s extravaganza Aquacade, and four late-1930s programs from Casa Mañana. The Aquacade was a music, dance and swimming show that began in 1937 at the Great Lakes Exposition, later moved to New York City, and featured notables like Duke Ellington, Johnny Weissmuller and Esther Williams. Casa Mañana was a club Rose opened in Fort Worth, Texas in 1936. Built specifically to host his aquatic productions, the venue contained a revolving stage surrounded by a moat. So many landmark mid-century clubs have met the wrecking ball, but Casa Mañana still exists today, though the original stage is gone. 

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Vintage Pulp Feb 26 2010
KICKING BOLLES
Getting lost in the ruffle.

February 1934 issue of the humorous movie monthly Film Fun, with a cover by the legendary Enoch Bolles. Shown on the interior pages are Toby Wing, Johnny Weissmuller, Maureen O'Sullivan, Harriette Mendel, Ginger Rogers and others. You can see all the issues of Film Fun you ever wanted at the web archive filmfun.info. 

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Vintage Pulp Sep 12 2009
JUNGLE NOUGIE
Me Tarzan, you lame.

Cover of the French tele-novel Jungle Film, with Johnny Weissmuller as Tarzan demonstrating to an acquaintance how his new anti-perspirant keeps him dry and odor-free even in the fierce jungle heat.

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Vintage Pulp Mar 25 2009
THE KING OF SWING
Johnny Weissmuller brought Tarzan to life seventy-five years ago today.


This is one of the most beautiful posters we’ve ever seen. Based on the fiction of Edgar Rice Burroughs, Tarzan the Ape Man was the first offering in a film and television franchise that has been sixty-plus years running. It has taken forms as diverse as Bo Derek’s teasingly awful 1981 softcore remake, Jock Mahoney’s 1962 potboiler Tarzan Goes to India, and Casper Van Diem’s 1998 career-killer Tarzan and the Lost City. None of these would have been possible without the original Tarzan, and that film worked for one reason—Romanian-born hunk Johnny Weissmuller. He was not an actor trying to fit the role of a superman, but a superman trying to fit the role of an actor. He was a six foot three inch Olympic swimmer who won 67 world and 52 national titles, and whose physicality radiated from the movie screen. Men wanted to be him, and women wanted to ride his vine. Tarzan the Ape Man premiered in the U.S. today in 1934.

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History Rewind
The headlines that mattered yesteryear.
January 17
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
January 16
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
January 15
1919—Luxemburg and Liebknecht Are Killed
Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.
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