Vintage Pulp May 16 2018
A QUESTION OF HONOR
Hedy Lamarr finds the fashion industry intolerably cruel.


We can't think of Hedy Lamarr as any movie character except the native girl Tondeleyo from the cheeseball jungle classic White Cargo, but here she is in 1947's Dishonored Lady, which came five years after her famed tropical potboiler and presents a more mature Lamarr playing Madeleine Damien, take-no-shit Manhattan fashion editor by day, popular party girl by night. The movie presents a far less benign fashion industry than yesterday's Fashioned for Murder, as job pressures, difficult romances, and evil male colleagues drive Lamarr nearly out of her mind. She's finally pushed out of her job and leaves Manhattan to build a new life. Only her psychiatrist knows where she went. He tells a persistent interlocutor:

Miss Damien is living under a different name in a different world. She told me to tell you, if you inquired, that she was busy growing a new soul. Now would you please keep off the grass?

Lamarr is off in the country painting, relaxing, and finding true love. The past isn't that easy to avoid, though, and it finally catches up with her in the form of her awful ex-boyfriend, who ends up dead, leading to Lamarr being arrested for murder. Did she do it? Of course not. But she's too depressed to care what happens, so prison or worse looms. Madeleine Damien is no Tondeleyo, but Lamarr is good in the role. It's interesting how often we run across these meaty dramatic parts for women in mid-century cinema. Were high profile roles for serious actresses more common back then? Probably not, but sometimes it sure seems like it. Dishonored Lady premiered in the U.S. today in 1947.

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Hollywoodland Mar 19 2018
HOLLYWOOD SCENE
They say even bad publicity is good publicity.


In this March 1957 issue of the tabloid Behind the Scene editors take swipes at assorted Hollywood icons, among them Yul Brenner, John Wayne, and others. Highlights include the allegation that Elvis Presley's career is mob controlled, that camera clubs are just fronts for porn peddlers, that Hedy Lamarr used Linda Lombard as a body double for Samson & Delilah, and that Lucrezia Borgia is the sexiest movie ever made. Also Mamie Van Doren's “secret weapon” is that anywhere she goes she always wears the least clothing of any woman present.

The shocking tales about Brynner have mainly to do with his claims of being a real life man of action, born on the Russian island of Sakhalin to Mongol ancestors. The truth was more mundane, but the lies helped Brynner establish himself as a star. As far as Elvis goes, he was dogged by rumors of Mafia ties later in his career, but this mention of a connection as far back as 1957 was a surprise to us. As always, people on both sides of the issue are willing to shout their version of the facts to the mountaintops, but nobody really knows who’s telling the truth. We’ll check with Elvis himself on this, since he lives just over in the next town since faking his death in 1977.

The interesting story here is the one about Gail Russell and John Wayne. Their acquaintanceship began when they starred in Angel and the Badman together in 1947, and continued when they reunited for Wake of the Red Witch in 1949. Whether they were more than just friends, nobody really knows. At the time Wayne was married to Esperanza Baur Díaz, and the relationship was marred by drinking and fighting, including one incident when Baur shot at Wayne. When the divorce inevitably came, it turned into one of the nastiest splits in years, with Baur accusing Wayne of being a violent drunk who beat her and fucked around with various women, including Russell, and Wayne accusing Baur of hanging around sleazy dive bars in Mexico, hooking up with strange men, and spending his money to entertain them.

The divorce was in 1953, but Behind the Scene, with this cover, is offering its readership dirt from an event that was still fresh in the public’s minds because it had been such a knock-down-drag-out spectacle. Russell had never weathered the limelight well, and she used booze to cope. Her long term drinking problem was exacerbated by the turbulence surrounding the Wayne-Baur split. Two weeks after the divorce she was arrested for drunk driving. It caused Paramount to decline renewing her contract, and she kind of floated around for a few years, trying to hook on with a new studio but drinking steadily all the while. In 1955 she crashed her car and fled the scene, and in early 1957 she drove though the plate glass windows of Jan’s Restaurant in Hollywood.

With hindsight, it’s clear Russell was in a death spiral, but in the Tinseltown of that day the situation was perhaps not so obvious. In August 1957, Russell was found unconscious in her home, passed out after a drinking binge. Even in Hollywood, she had now crossed the line from being merely a party girl to having a problem. She was persuaded to join AA, but couldn't stop drinking, and in August 1961 was found in her L.A. apartment, having died from liver damage, aged 36, another beautiful star that flamed out. All that and more, in thirty-plus scans below.

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Femmes Fatales Dec 12 2017
A HEDY EXPERIENCE
If she tries to pressure you into getting a haircut there's an ulterior motive.


In 1933 Austrian born actress Hedy Lamarr, née Hedwig Eva Maria Kiesler starred in the Czech-Austrian silent film Ecstase, aka Ecstasy, a landmark production notable for its nude scenes. Lamarr was unhappy with the result, but it made her enormously famous and helped pave her way to Hollywood, where she made numerous films, including the cheesy but highly enjoyable swords and sandals epic Samson & Delilah, from which the above image comes. In the Biblical legend, Delilah cuts off Samson's magic hair to weaken him. In real life Lamarr weakened plenty of male fans and didn't have to do anything but appear on a movie screen. This photo shows her circa 1949.

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Hollywoodland Nov 12 2015
SCREENLAND MAGIC
It’s a Delight from beginning to end.

Above and below are assorted scans from an issue of Screenland published this month in 1940. The issue we posted previously was from 1923. In the intervening years contributor Delight Evans had become editor, and as a result had become one of Hollywood’s most powerful starmakers. Evans was uniquely talented and got her break when, as a fifteen-year-old, she had a story purchased by Photoplay. That was in 1915. By 1917 she was working for Photoplay in Chicago, and quickly ascended to an associate editor position there. At least one online source says she was an editor at Screenland by 1923, but even for someone that gifted twenty-three is a bit young to be helming one of America’s biggest magazines. We have an issue from December 1923 and it was Frederick James Smith in the corner office. But Evans was in charge by at least 1934, which we can confirm because we have an issue from that year too. When did she actually take the reins? No idea. This is where it would be nice to click over to a Wikipedia page or something, but she doesn’t have one. A trailblazer like this—can you believe it? But we shall dig. Evans needs some online exposure, so we’ll see what we can do. Twenty-one scans with a galaxy of stars below. 

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Vintage Pulp Feb 28 2013
A TONDELAYO OF FUNDELAYO
Hapless colonialists in Africa? Bad things are bound to happen.

We had no idea when we watched 1942’s White Cargo that the movie had caused such a stir, but in its day it was more than just a film—it was a cultural phenomenon. The public quoted the dialogue, comedians referenced it in their acts, and journalists used the name of Hedy Lamarr’s character Tondelayo as a descriptive. So what was the movie about? Basically it’s Americans learning that Africa will corrupt them, and Africa plus Hedy Lamarr will corrupt them absolutely. In the original novel Hell’s Playground, Tondelayo was black, but because the American censorship regime known as the Hays Code banned sexualized interaction between black and white characters, she was changed to Arab for the movie. So there’s Hedy Lamarr done up in shoe polish and a sarong she borrowed from Dorothy Lamour, driving the American colonialists batty withdesire. Most transcendent movie characters have a memorable entrance, and when Lamarr emerges from the shadows and torpidly delivers her first line—“I am Tondelayo”—as the camera lingers on her preternaturally glowing eyes, it’s certainly not something you’d easily forget. Nor would you forget her sinuous dance number or the way she slithers in and out of various scenes like an Egyptian cobra. We don’t have to get deeply into the plot. It’s boy meets girl, boy pursues girl, boy is ruined by girl as all the other boys say, “Told you so, dumbass.” It’s pretty funny stuff, but highly charged for the time. Think of it as 1942’s Fatal Attraction—a sexually themed cautionary tale that everyone saw and had an opinion about. More than seventy years later—if you can get past the shoe polish, the ridiculous dialogue, and the needless moralizing—it’s still a fun movie. Is it good? We wouldn’t go that far.

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Vintage Pulp Mar 12 2012
PRETTY HEDY STUFF
Even if it was only half true, it was still 100% shocking.

This National Enquirer published today in 1967 features cover star Hedy Lemarr promoting her 1967 autobiography Ecstasy and Me: My Life As a Woman. The title is taken from the 1933 Austrian film Ekstase, in which she appeared nude, shocking audiences of the time. Enquirer describes her book as shocking, as well, and indeed there are some surprising revelations. An example: while still living in her native Austria, she ran away from her husband and hid in an empty room in a brothel. A man came into the room and she had sex with him rather than let her husband find her. Lamarr claims to have had hundreds of lovers, male and female, and depicts herself variously as both a nymphomaniac and a kleptomaniac. But all of this comes with a caveat—her ghostwriter, the notorious Leo Guild, wrote various celeb biographies that played fast and loose with the truth. That said, even Guild was not imaginative enough to have fabricated everything in Ecstasy and Me.

As a side note, we should mention that Lamarr, along with George Anthiel, invented and patented an advanced frequency switching system that they envisioned for usage guiding torpedoes (the constant switching of frequencies would make them difficult to jam, thus more likely to reach their targets). Now, if you read other websites, most of them praise Lamarr as a military genius, and it’s true she had a highly developed technical mind, but the system she helped pioneer actually grew out of an idea to remotely control player pianos. In fact, the guidance system used eighty-eight frequencies, which is of course the number of keys on a standard piano. We think knowing that she applied a musical idea to military usage gives a somewhat fuller appreciation of how ingenious she actually was, rather than just picturing her as some kind of Oppenheimer type.

Ingenious or not, the U.S. Navy declined to purchase Lamarr and Anthiel’s system, but the moment the patent expired two decades later the military was all over it. We can’t discern with our limited resources whether this sudden decision to use the technology was coincidental or not, but certainly the result was that Lamarr got screwed out of probably millions of dollars. Or perhaps even more, when you consider that her and Anthiel’s frequency switching is closely related to that used today for global positioning systems and Bluetooth. Since Lamarr claimed in her book to have blown through more than thirty million dollars in her life, the fun and creative ways she might have spent a massive military windfall makes the mind boggle. We’ll get back to Hedy Lamarr a bit later, because she certainly deserves a more detailed treatment. 

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Vintage Pulp | Sex Files Jan 16 2012
SKIN FLICKS
A new tabloid hits the newsstands with a twist on the usual formula.

In our continuing search for rare magazines of high entertainment value (if sometimes dubious quality), we stumbled across the above gem—the first issue of the self-described sexploitation film graphic Flick. Published in the U.S. out of Libertyville, Illinois, it was basically just reviews of x-rated films in tabloid form. The publishers admit in their introductory editorial that the tabloid market is glutted, but insist America needs a magazine that helps porn consumers separate the wheat from the chaff. They do it with utter seriousness and, as a bonus, also throw in some musings on film history, with discussions of Rudolph Valentino, Douglas Fairbanks, Theda Bara, Jean Harlow, and Hedy Lamarr, who all had pre-Hays Code flirtations with screen nudity.

It might be difficult to imagine actors appearing nude on screen during the 1920s and 1930s, but the idea back then was that, because the medium was considered an art form, motion picture nudity was no different from nudity in sculpture, photography or painting. Theda Bara's and Jean Harlow’s screen nudity was merely implied, but Hedy Lamarr went all the way in her 1933 Czech-made romance Ekstase, aka Ecstasy, in which she ran starkers through the woods, giving audiences a gander at her backside and breasts. She was known at the time as Hedy Kiesler, but it’s her.

There’s also a non-nude love scene containing what some critics believe is the first cinematic depiction of an orgasm. As you can imagine, Ekstase was controversial. Only four-hundred prints were ever made, and most of those were butchered by censors. By the 1940s, the only complete copy known to exist was in Russia. It had first been Hungarian property and had been exhibited in Budapest in ’33, but because the Hungarians had fought alongside Nazi Germany and helped conquer swaths of Russian territory in the early 1940s, when the Russians reversed those gains and occupied Budapest in 1944, they sort of helped themselves to a few choice cultural treasures.

Elsewhere in this inaugural Flick you get reviews of the adult films A Hard Man’s Good To Get, Sisters in Leather, College Girls, and Jack Hill’s first full-length effort Mondo Keyhole. The editors remind readers that their magazine is a collector’s item. At the time—January 1970—they probably imagined it would be quite valuable in forty-one years. Well, we got it for $4.00. But just for the hell of it, maybe we’ll hang onto it for another forty-one years. You never know. By the way, if you’re curious, you can actually see that famous Hedy Lamarr nude scene here. It is not a complete version, though. We doubt a complete one exists. See ten scans from Flick below. 

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Hollywoodland Oct 20 2011
IF LOOKS COULD KILL
Your mothers must be so ashamed of you.

In this photo, actress Hedy Lamarr and her husband John Loder get a good look at the two men who robbed their Los Angeles home in August 1946. The couple lost $19,000 worth of goods, consisting mainly of Lamarr’s $5,000 chinchilla coat and $12,000 diamond ring. No info on which pimp the thieves sold the items to. 

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Femmes Fatales Oct 17 2011
SCHIAFFINO TRIO
Meet you all the way, Rosanna.

Above, Italian actress Rosanna Schiaffino, who was known as “the Italian Hedy Lamarr” and appeared in the notable films Piece of the Sky and La sfida, seen here in three pages from the Spanish magazine Triunfo, 1963 and 1964. Schiaffino died today in 2009. 

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Vintage Pulp Mar 30 2011
DURBIN LEGEND
The best Show in town.

Above is a March 1943 cover of the American cinema/celeb magazine Movie Show featuring Deanna Durbin, an actress who is little known to people who don’t watch old musicals, but who was a well-regarded performer in her day. She even won an Academy Juvenile Award in 1936 for her role in Three Smart Girls. Although that particular category of Oscar has been discontinued, Durbin hasn’t—she’s still around at age eighty-nine. Though her film career only spanned twelve years, her success was great enough to merit a star on Hollywood’s Walk of Fame. Movie Show also features Hedy Lamarr, Maria Montez, Ann Miller, all of whom you see below along with a pretty tasty Chesterfield ad. We’ll have more from this publication later. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
June 18
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
June 17
1939—Eugen Weidmann Is Guillotined
In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.
1972—Watergate Burglars Caught
In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.
June 16
1961—Rudolph Nureyev Defects from Soviet Union
Russian ballet dancer Rudolf Nureyev defects at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.
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