Vintage Pulp Jan 9 2017
UNCIVIL WAR
War is hell, but being a prisoner of war can be worse.


This January 1959 copy of Stag is an example of the joys of collecting old magazines. We bought it for three dollars, but it's being auctioned on Ebay right now for $100. Mort Kunstler handles the cover chores, illustrating Edward Newman's story “The P.O.W.s Who Broke Out of Rat Hell Stockade,” which deals with a group of Union soldiers during the U.S. Civil War who tunneled their way out of Richmond's Libby Prison. The story is true. The escape was one of the most successful breakouts of the war. The escapees were highly motivated due to the fact that Libby Prison was a hellhole that generated high mortality rates due to abuse, starvation, exposure to severe weather, and terrible overcrowding. A contemporary newspaper had this to say: “They are huddled up and jammed into every nook and corner; at the bathing troughs, around the cooking stoves, everywhere there is a wrangling, jostling crowd; at night the floor of every room they occupy in the building is covered, every square inch of it, by uneasy slumberers, lying side by side, and heel to head, as tightly packed as if the prison were a huge, improbable box of nocturnal sardines.” Inside Stag is art from James Bama, Kunstler again, Joe Little, Al Rossi, and Bruce Minney. You also get model/actress Irène Tunc, who was Miss France of 1954 and appeared in about thirty films during a three-decade film career. All this and more below, in twenty-three scans.

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Vintage Pulp May 10 2016
FEAR AND MALAYS
Southeast Asia escape epic features murder, sex and everything between.


This issue of Male magazine published this month in 1958 features James Bama cover art illustrating Richard Farrington's story “The Incredible 'Blood and Bamboo' Escape,” which is the true tale of Dutchman Klaus van Tronk's flight from a Japanese internment camp in Malaysia during World War II. The story is a book-length special, and one of the more harrowing and interesting details involves one of the prisoners being tied spread-eagled on a bamboo mat elevated six inches above the ground. Beneath the mat were living bamboo shoots. As Farrington tells it (via van Tronk's account), “The shoots are tough, the tips as sharp as honed steel, and they can push through a plank floor [two inches thick]. They grow rapidly in the Pacific sun, about six inches on a good hot day. It had been a hot day.” When van Tronk's work detail came back that evening from a long grind of slave labor in the jungle the bound man already had bamboo shoots growing through his chest, and was still alive, screaming.

We did a verification check on this arcane torture and found that no cases confirmed to scholarly standards exist, but that it is well known in Asia, and experiments on substances approximating the density of human flesh have shown that it would work. As little as forty-eight hours would be needed to penetrate an entire body. Fascinating stuff, but what you really want to know in terms of veracity is whether scantily clad women helped the escapees paddle to freedom like in Bama's cover art, right? Well, this depiction is actually a completely accurate representation of what van Tronk described, or at least what biographer Farrington claims van Tronk described. The women were the daughters of a sympathetic Malay farmer, and indeed they wore virtually nothing, and were considered quite beautiful by the prisoners, save for the minor detail of having red teeth from the local tradition of chewing betel nuts.
 
The risk taken by these women was extraordinary. Other women who had helped van Tronk and his companions during their months-long odyssey were tortured and raped, and at one point a village was machine-gunned. Why would these Malays take up the foreigners' cause if the risks were so high? Van Tronk attributes it to a cultural requirement to help strangers in need, but we'd note that people have taken these sorts of risks everywhere, cultural norms or no. Often the suffering of others simply brings out the best in people. A historical check on Klaus van Tronk turned up nothing, though, so maybe the entire true story is a piece of fiction. If so, it's a very good one. We have some scans below with art by John Kuller, Joe Little, Al Rossi, Mort Kunstler, and Bruce Minney, and more issues of Male magazine at the keywords.

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Vintage Pulp Jan 2 2015
WAR PROFITEERS
The Male capacity for violence.


Above is a Mort Kunstler cover for Male painted for the January 1965 issue. Kunstler was famed for his war panoramas, as we’ve discussed before, and if you click his keywords below you’ll see several more martial covers from him that we’ve shared. Inside Male you also get art from Charles Copeland, Samson Pollen, and Gil Cohen. The model feature is Susan Radford, who is described as a starlet but who we’d never heard of. Turns out it wasn’t just us. We checked the usual databases and found no mention of Radford anywhere, so it seems Male editors were premature in dubbing her a major riser.

Male focused on all kinds of violent adventures, but especially those dealing with warfare. This issue has four war stories dealing with the Soviet Union, China, and the Nazis, but the most notable entry is South African author Anthony Trew’s gripping Two Hours to Darkness, published here as booklength fiction. The tale is described in the contents as “the nightmarish spine-tingler that will be the movie blockbuster of 1965,” but it looks like Male was wide of the mark again, because no film based on the book was ever released. So Trew had to settle for selling a measly 3.5 million copies of the novel in sixteen languages, the hack. We have a dozen scans below.

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Vintage Pulp Jul 11 2014
STAG NATION
War is hell. Unless you get paid to paint it.

Today we have a bunch of scans from a July 1960 issue of the American men’s magazine Stag. The cover is by Mort Kunstler, and features the type of large scale war tableau that was pretty much his trademark. Inside you get art from the usual suspects Samson Pollen and James Bama, and photos of actress Vikki Duggan, aka Vikki Dougan, who made a splash in the 1950s by wearing backless dresses that plunged to ass-crack height (or below, sometimes). The idea was to compete with Monroe, Mansfield and the like using her back, because she didn’t have large breasts. Stag offers a couple of images, though not her most scandalous examples. You can see one of those by clicking here. You can also have a look at more of Mort Kunstler’s art by clicking here, as well as by visiting the comprehensive pulp magazine site menspulpmags.com. Twenty scans below for your enjoyment. 

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Vintage Pulp Apr 1 2013
NAZI ROUND-UP

Below, a few scans from Stag of April 1963, with cover art by Mort Kunstler illustrating Emile C. Shurmacher’s story “90 Nazis and 8 Redheads of Radar Island,” and interior spreads from Charles Copeland, Samson Pollen and Walter Popp. See two more issues of Stag here and here.

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Vintage Pulp Nov 20 2012
STORMY D-DAY
A hard rain is gonna fall.


Mort Kunstler nicely captures the chaos of a storm hitting the beaches of northern France on this D-Day-themed cover of Stag from November 1964. Kunstler was a master at this sort of sprawling composition, and Stag in particular published many similar pieces of his. Today Kunstler bills himself as America’s Artist and paints U.S. Civil War scenes that sell as limited editions. To say that his reputation as an artist is assured is an understatement. He has had countless exhibitions, been added to the permanent collections of numerous museums, and been profiled in the New York Times.

Below are some interior scans from Stag, including more Kunstler, as well as a spread from Walter Popp. Kunstler’s illustration for George Raffey’s “House of the Pleasure Dolls” is a brilliant bit of adolescent sexual fantasy, with its naked girl holding off a group of armed men. That probably never happened in the entire history of the world (despite the “True Book Bonus” label on the story), but it’s just another day in the pages of a vintage men’s magazine. Also in this issue you get a few photos of 1961 Miss Universe semi-finalist, Scottish model Susan Jones. More Kunstler here.

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Vintage Pulp Oct 2 2012
IRAN SO FAR AWAY
We haven’t been there but we’re pretty sure it’s nothing like this.


Today we have a Stag magazine from October 1967 with cover art by Mort Kunstler illustrating Emile C. Schurmacher’s exotic yarn about sex crazed women in Kashgai, Iran. Apparently free love was flowing like crude oil in the Fertile Crescent—or maybe it was just flowing in Schurmacher’s fertile imagination. That’s un-retouched color, by the way. Somehow, the magazine took some wear and tear over the years but did not fade. Content-wise, it follows the time-honored men’s magazine form, with tales of loose women, righteous violence, and international adventure, all while hitting the political hot buttons of the moment—Vietnam, hippies, and drugs. Fifteen years earlier it would have been Korea, commies, and the Mafia. The semi-gloss, two-color interior illustrations have a wonderful impact, including Charles Copland’s nice spread for W. J. Saber’s centerpiece story “The Big Frame.”
 
Also of interest is an exposé on Wallace Groves, a Wall Street exec/felon who, after serving a prison term for mail fraud, jetted down to the Bahamas, bought 214 square miles of wilderness and turned it into the resort and gambling haven known today as Freetown. Apparently crime really does pay, especially on Wall Street, but we digress. We love how the Bahamian wilderness is described in the text as useless. One day not too very far in the future, everyone—not just scientists and environmentalists—will think of resorts and gambling havens as useless and pristine swaths of trees and wetlands as indispensable. When that day inevitably comes, stories like these will seem like profiles in civilizational lunacy, but we digress again.
 
You also get an interesting story on Milton Helpern, an NYC pathologist who by 1967 had conducted 80,000 autopsies and been called as an expert witness in innumerable trials, typically by prosecutors on behalf of murder victims. The footer on the article pits Helpern against F. Lee Bailey, the famous Boston defense attorney, with inset text telling readers that Helpern’s experience “beats any lawyer’s grandstand play any day.” We have a feeling Bailey won a few battles too. All in all, you get more than your money’s worth with Stag—great art, diverting stories, and pervasive fantasies that women the world over hang around naked waiting for a Western stud to happen along. Highly recommended publication. Scans below.

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History Rewind
The headlines that mattered yesteryear.
February 21
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
February 20
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
February 19
1976—Gerald Ford Rescinds Executive Order 9066
U.S. President Gerald R. Ford signs Proclamation 4417, which belatedly rescinds Executive Order 9066. That Order, signed in 1942 by President Franklin D. Roosevelt, established "War Relocation Camps" for Japanese-American citizens living in the U.S. Eventually, 120,000 are locked up without evidence, due process, or the possibility of appeal, for the duration of World War II.
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