|Vintage Pulp||Feb 9 2015|
Police Gazette sometimes faced a need for Adolf Hitler to star on their covers that surpassed available supplies of art. The February 1956 cover you see above was the first time that particular image was used, but they dug it out again for their January 1977 issue, which you see below, and which we showed you in larger size here. By now you know the Gazette’s mission post-World War II was to prove Hitler didn’t die in Berlin. In this issue George McGrath—the same writer who usually penned these stories—offers a list of reasons why Hitler was still alive as of 1956. Among them:
In short—and this seems especially appropriate to point out with American news anchor Brian Williams in hot water for alleged on-air lies, and Fox News being laughed at for echoing an obviously fake story about the King of Jordan flying combat missions against ISIS—sloppy or false reporting in America’s most popular media outlets has always been a problem. The old tabloids fashioned themselves as maverick truthtellers, and that label, along with some flashy visuals, was enough to attract eyeballs. For today's cable news, the same self-labeling and eye candy visuals work the same way. We will have plenty more from the Police Gazette later.
|Vintage Pulp||Jan 3 2015|
Confidential gives Kim Novak the cover and Lili St Cyr the inset on an issue published this month in 1965. Inside, the editors offer readers mostly lukewarm rehash, as was Confidential’s usual approach during its fangless mid-1960’s years, but there are also a few interesting tidbits. We learn that Lili St. Cyr took more than thirty Nembutals during her 1958 suicide attempt, yet still managed to survive though as few as three pills can be fatal. Ramfis Trujillo’s wild Parisian parties are detailed, including the time he and his entourage shot up the lobby of the Hotel George V. And we find out that Frank Sinatra paid a $400 fine in Spain for disturbing the peace when he blew up after a woman threw a drink on him.
But even if Confidential wasn’t kicking ass and taking names in 1965, its visuals were still quite nice, with those impactful black, white and red graphics, and that super hip language that’s so much of its time but which is still amazing to read today. Try this on for size: “Call the men in the white coats and get the whacky wagon rolling, your favorite swinging correspondent is ready for Flipsville!” We’re always ready for Flipsville, and we’re always ready for mid-century tabloids, too. How many of these do we have left in our collection? You wouldn’t believe us if we told you. We’d sell some, but how could we possibly part with them? We’re stuck with them. And so are you. Twenty-plus scans below.
|Vintage Pulp||Dec 19 2014|
Just in time to ruin everyone’s Christmas shopping, this National Police Gazette from December 1960 splashed Adolf Hitler’s face on its cover along with an inset of Swedish actress May Britt (who could hardly have appreciated the inclusion). George McGrath’s story minces no words, opening with this: Indisputable evidence that Adolf Hitler is alive and living in the Argentine has has been uncovered by the Police Gazette. Although this new information is in the hands of government intelligence chiefs, the United States and its allies are not lifting a finger to catch the runaway Nazi dictator.
|Vintage Pulp||Nov 20 2014|
Police Gazette editors hit the panic button with this November 1961 cover claiming the Soviets have a death ray bomb. For a mere twenty-five cents readers were able to acquire new nightmare material by reading about this superweapon, which in the story is called an n-bomb. They’re of course referring to a neutron bomb, which by releasing deadly unshielded neutrons would minimize destruction and contamination of property but maximize human death. Not quite rays, so much as a wave emitted by a massive air burst, but still, the new element it brought to the nuclear party was wantonly scattered neutrons, so, okay—rays it is. It must have been a real stunner for Gazette’s millions of readers to learn of this horrific weapon, but unless the Russian scientist who brainstormed it into existence was named Sam Cohen we have to call bullshit on this tall tale, for it was Samuel T. Cohen—an American physicist—who conceived and developed the neutron bomb.
many stories about Hitler living in bitter, defeated isolation in South America, here readers see happy Hitler, socializing during the 1930s with friends and compatriots. Next up, Gazette gives readers their fix of celebrity content with Rita Hayworth, who had been married five times and whose problem the editors are only too happy to diagnose—in their esteemed opinion she’s just too wild to be tamed. And lastly, Gazette presses panic button number two by tying the nascent civil rights movement to communist agitation from overseas. This is a tabloid tale that was told often in the 1960s because, well, we don’t know why exactly—presumably because who besides the puppets of foreign governments would ever deign to demand equal rights? Anyway, we have a few scans below, and an entire stack of early 1970s Gazettes we hope to get to soonish.
|Sex Files||Oct 25 2014|
Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.
In another few years the Reich would have near total control of life in Germany, and operate a chain of concentration camps in which those deemed sexual deviants could be imprisoned. As a historical document of the sex industry during the anti-lust years leading up to that period, PrivatePornography in the Third Reich is fascinating. The subject is taboo, the photos perhaps more so. They range from artful salon compositions to raunchy reverse cowgirl penetration shots, which means it may not be coffee table material for everyone, but for the adventurous it’s certain to live up to aesthetic expectations, and provoke vigorous debates as well. Read more at Goliath Books.
|Vintage Pulp||Sep 12 2014|
This September 1964 National Police Gazette cover is the twenty-fourth we’ve found starring Adolf Hitler within the date range 1951 to 1966. You get the idea here—Hitler didn’t die in Berlin, because he was harder to eradicate than polio, and was instead living in the tropics/Argentina/Antarctica plotting to build a Fourth Reich. We mentioned before that we thought Hitler appeared on the cover of the Gazette twice a year. That’s now confirmed. We found five more covers to bring his total to twenty-nine between ’51 and ’66. When you consider how often other Reich figures such as Adolf Eichmann starred, it becomes clear the Nazis were a cottage industry for the Gazette, which used tales of their dreaded return to induce outrage and fear—and no small amount of newsstand sales. In that way we consider this magazine (and others) to be the precursor to today’s American cable news, where inducing outrage and fear has overtaken responsible journalism as a modus operandi. The Gazette would use Hitler for as long as it plausibly could—we have a cover from 1974 claming he was still alive at age eighty-five—before focusing on other fictional threats, such as the scientific community. That sounds familiar too, doesn’t it? We’ll have more from Gazette and Hitler later.
|Vintage Pulp||Jun 28 2014|
This amazing Italian poster is for a cuddly little piece of nazisploitation called Perversion, which was originally made in France as Nathalie rescapée de l'enfer, and known in the English speaking world as Nathalie: Escape from Hell. A poster like this cries out for us to watch the film, and luckily we were able to track it down and screen it. The art pretty much nails it. A French farmer’s daughter is captured by the Nazis and sent to a castle brothel, where she endures the usual sexploitation degradations—gropings, whippings, and uninvited advances from a domineering, leather-clad queen bee named Helga Hortz. A love connection develops between Nathalie and a German officer, and when the affair comes to light Helga decides it’s time to hortz poor Nathalie. This is a really bad movie. It’s the type of flick that includes lengthy sequences of the villains going Mwah hah hah hah hah hah! All it needed was Monty Burns rubbing his gnarled hands together and intoning, “Smithers, release the hounds.” On the plus side, star Patrizia Gori gives it her all, and the supporting cast includes Barbara Moose and Brigitte Lahaie. Perversion aka Nathalie rescapée de l'enfer premiered in France today in 1978.
Wait—so this internet thing you’re talking about will be globally available and filled with every shitty old movie ever made?
|Intl. Notebook||Jun 6 2014|
Today is the 70th anniversary of D-Day—the Allied landings in Northern France—and since most observances take the same form, we thought it would be a good opportunity to look at the event from a different angle by sharing something you might not see anywhere else. So above and below are some front and back covers of Signal, a German propaganda magazine printed from 1940 to 1945 and distributed in neutral, friendly, and occupied countries. These are from Yugoslavia, and their text is Croatian. Glancing at the images is to marvel at the always yawning chasm between propaganda and reality, for though Signal showed Hitler’s soldiers defeating foes while winning hearts and minds, when most of these were printed his army was not only the most hated entity in the Western world, but was already in the process of being fatally smashed in the crucible of a bitter Russian winter against a hardened foe that had always considered ice, snow, wind and frostbite its most important allies.
|Vintage Pulp||Mar 12 2014|
It’s been a few months, so we’re bringing Hitler back on The National Police Gazette. This example from March 1951 is the twenty-first Hitler cover we’ve located, all of them from the 1950s and 1960s, which means he starred for the Gazette at least yearly for two decades. But of course, that’s just an average based on the issues we’ve found so far. We know for certain there were others, and ultimately we’ll probably determine that he was featured closer to twice a year. As you can see yourself, this time Gazette is concerned with Hitler’s fake suicide, which journo Harvey Wilson says was propaganda put out by the Soviets to cover for their failure to capture him as Berlin burned.
Leaving aside the question of who’s really doing the propagandizing here, it’s a clever little pivot by the Gazette, which went from merely claiming Hitler had escaped to blaming the escape on Moscow, resulting in a nifty mash-up of two of post-War America’s biggest boogeymen—Hitler and Khrushchev. Later the Gazette would claim Hitler or his henchmen were tight with other enemies of the American power elite, including Abdel Nasser and Juan Peron. One year after the above issue came out, Gazette turned around and in its May 1952 issue, at right, blamed Hitler’s escape on the Allies. And let's not forget the infamous Hitler-in-Antarctica story, truly one of the all-time creative highlights of mid-century tabloid journalism. Well, wherever Hitler fled, the Gazette’ll straighten it out for us in due time. We just have to keep digging up issues. Meanwhile, a couple of scans below, and more from the Gazette to come.
|Intl. Notebook||Jan 23 2014|
We’ve run across some unusual World War II memorabilia over the years, but this might be the quirkiest item we’ve seen. Pretty much self-explanatory, it’s morale boosting anti Hitler propaganda in the form of a die-cut effigy. He could be used as a bookmark, or a lamp pull, or—in the case of the lucky duck who sold this trinket online for a serious windfall—not used at all so that it would be in A1 condition for the auction market decades later. It was produced by a company in Cleveland Heights, Ohio, and came complete with a tiny piece of rope to make hanging it easy for the buyer. Morbid but amazing.