Fast talking Bogart wisecracks his way into Nazi trouble.
The Humphrey Bogart vehicle All Through the Night is a wartime thriller and mild propaganda piece dealing with a self-interested NYC gambler who stumbles upon a cabal of Nazis. The movie begins with a lot of snappy repartee before Bogart is drawn into the caper by unlikely means—the murder of the baker who makes his favorite cheesecake—which soon leads to him trying to rescue co-star Kaaren Verne from kidnappers. But has she really been kidnapped?
All Through the Night isn't a top effort, but it's funny most of the way through, even verging on slapstick in parts, and the scene where Bogart and his sidekick William Demarest discover the Nazis' secret lair is really entertaining. A later scene with the two trying to pass themselves off as Germans during a Nazi intelligence briefing brings to mind Abbott and Costello. But there's also plenty of fisticuffs and gunplay for action fans.
The point of the whole production is really just to show how even the most cynical man can become a soaring patriot under the right circumstances. It's cheesy as hell but it mostly works. Along the way you get Phil Silvers, Peter Lorre, and Jackie Gleason in supporting roles. We've seen better movies, but we've seen far worse. We give it credit for not taking itself too seriously. All Through the Night premiered in the U.S. today in 1941.
World War II
, All Through the Night
, Humphrey Bogart
, Conrad Veidt
, Kaaren Verne
, Phil Silvers
, Jackie Gleason
, Peter Lorre
, William Demarest
, poster art
, movie review
Nazis bite off more than they can chew in the bitter Arctic.
The Nazis got around. We've already talked about their forays to the South Pole. Why not the other end of the Earth too? Last week Russian scientists stumbled across a secret Nazi military base in the Arctic that had been constructed in 1942, subsequently abandoned and forgotten. The base is located on the island of Alexandra Land, 600 miles from the North Pole, and was codenamed Schatzgraber, which in German means “treasure hunter” or "treasure trove.” It was a tactical weather station used for the crucial task of planning troop movements during the German invasion of Russia, which began in 1941 but quickly turned from an invasion into a military quagmire that cost Germany four million dead and any chance to win the war. The occupants of the base were evacuated by submarine in 1944 after they ate undercooked polar bear meat and contracted trichinosis, a very nasty illness that can cause uncontrollable diarrhea, inflammation in the whites of the eyes, and swelling of the heart. Considering Russia's symbol is the bear, it's a bit ironic. According to reports, more than 500 historically significant items have been found at Schatzgraber, including documents that may shed light on yet another dark corner of the Nazi empire.
My father is tougher than your father.
This bit of World War II propaganda, which was created by the Graphics Division of the U.S. government's Office of Facts and Figures in 1942, caught our eye for a couple of reasons. It features champion boxer Joe Louis, which is interesting enough, but it also features a quote he had uttered while taking part in a military charity event: “We’re going to do our part… and we’ll win because we’re on God’s side.”
This is an interesting turn of phrase because of the inversion of “our” and “God.” The way Louis formulates the idea suggests God desired the war and the U.S. was just helping out. Usually you hear the sentiment expressed as, “God is on our side,” but Louis's quote has more power loaded into it than the standard iteration. It casts Japan as not just battling an enemy nation, but battling the natural order of the cosmos.
Of course, the Japanese also thought they were divinely guided, and over in Europe where Germany was fighting several countries at once, the opportunistic Adolf Hitler, though a skeptic in private, declared himself a Christian in public and busily used religious sentiment in his devoutly Catholic nation to whip up support for his rule. We have a sizable collection of World War II propaganda inside Pulp Intl., originating from many countries, which we think is worth a look. You can see some of it here, here, here, here, here, and here.
Wisdom, chivalry, serenity, honor—these are not those kind of samurai.
A different type of paperback today, an example of World War II sexploitation, in this case John Slater's Women Under the Samurai, from Stag Modern Novels, which deals with, well... this is not the kind of book to be proudly displayed on a shelf. More like tucked in the back of a closet. The women here are nurses and are believed by the Japanese to know the location of Allied soldiers on the Pacific Island which they all inhabit. Pretty much every torture you can imagine is used, with the whole spectacle serving to both titillate and horrify the reader. Slater, who was a pseudonym used by Ray Slattery (as well as R.L. Taylor, and others) dipped into these murky waters regularly. Some of the titles that resulted: Island Slave, Brides of Terror, Women of Warsaw, Love Slave of Paris, The Captive Women. And so forth. More than eighty times. You can understand these selling during the war and post-war period, but the amazing thing about this genre of fiction is that it lasted until well into the 1970s. This example is from 1964.
An American crime story.
Written by The Gordons, who were the tandem of spouses Gordon Gordon and Mildred Gordon, FBI Story follows Agent John Ripley as he investigates the disappearance of a woman named Genie. She's wanted for theft by the FBI, and by the Los Angeles police as a person of interest in a murder case. Ripley finds that he and the missing woman have a lot in common, a fact revealed by his perusal of her bookshelf and diary. Is she really a criminal or just a desperate woman in deep trouble? As the investigation unfolds and the search spans the entire United States, we learn that other people are after her, including a millionaire American fascist who looks like Hitler and rants about the master race. Eventually Ripley uncovers jewel thievery, treason, and the mysterious Genie herself.
Originally published in hardback on the heels of World War II in 1950, FBI Story delves deeply into the weariness and cynicism of combat vets, of which Ripley is one, yet all the agents are unswervingly dutiful and honest. Considering the fact that the novel is dedicated to J. Edgar Hoover, one could be excused for branding it propaganda. In fact, Gordon Gordon was an ex-FBI agent and had J. Edgar Hoover approve his work. Even so, FBI Story is generally considered a good read. It was later turned into a movie starring James Stewart and Vera Miles. The Bantam edition of the book is from 1955 with uncredited art, and the Corgi one appeared in 1957 with Mitchell Hooks on the cover chores.
World War II
, Los Angeles
, Bantam Books
, Corgi Books
, FBI Story
, The Gordons
, Gordon Gordon
, Mildred Gordon
, Mitchell Hooks
, J. Edgar Hoover
, Adolf Hitler
, James Stewart
, Vera Miles
, cover art
The kiss that never ends.
The woman from the famous Alfred Eisenstaedt of a U.S. Navy sailor kissing a stranger in New York City's Times Square on August 14, 1945 has died at age ninety-two in Richmond, Virginia. The photo was made on Victory over Japan Day—better known as VJ Day—when New Yorkers were celebrating the end of World War II. Greta Friedman, who for many decades went identified, said of the moment, “It wasn’t my choice to be kissed. The guy just came over and grabbed. [He] was very strong. I did not see him approaching, and before I know it I was in this tight grip.” While today such an act would be unambiguously categorized as sexual assault—which makes perfect sense, because what woman wants to be grabbed and kissed against their will?—Friedman's relatives have said that in “that circumstance, that situation, that time,” the still unidentified sailor did nothing wrong. The result was one of the most renowned photographs ever made.
That's fine, mister—I want the other one anyway. Before the school got bombed she was my sex ed teacher.
This cover depicting a grown man and a pre-teen boy browsing a pair of working girls is kind of creepy, we know, but it's also well executed. Originally titled A Convoy Through the Dream and published in 1948, Torment appeared in this Popular Library edition in 1953. Author Scott Graham Williamson tries for Hemingway with a story set in various sites around the Mediterranean during World War II, including Gibraltar, Algeria, and particularly Palermo, Sicily. Basically, a radio officer on a warship and his wife try to maintain their love and fidelity in a time of chaos and separation. This comes complete with that familiar war novel plot device—one last incredibly dangerous mission before the hero can go back home. The cover art is uncredited.
Light and darkness in New York City.
Alfred Statler honed his camera skills in Europe documenting the chaos of World War II and brought his gritty sensibilities to bear on his fine art photography once he returned to the visual utopia he called home—New York City. This shot is from the mid-fifties and captures a nighttime scene in Manhattan, with its neon signs and sky aglow with metropolitan lightbleed. We love this.
Hitler makes a mad dash from the Arctic Circle to the bottom of the world.
Has it really been nearly a year since our last Hitler Police Gazette cover? A look back through the website confirms the lull, but we haven't run out of Adolfs yet. This is the twenty-eighth Gazette we've found with him as the star, a May 1961 issue proclaiming, of course, that he's alive. Inside, journo Harvey Wilson reiterates the Argentina claims that had been well flogged in previous issues, telling readers Hitler's “super secret” hideout is located in Rio Negro province at the edge of wild Patagonia. Wilson writes: “Hitler flew out of Berlin on the night of April 30, 1945. He fled the city in company with a woman and they made their departure in a Fieseler-Storch plane. They carried several suitcases and proceeded to a Nazi submarine base in Norway.” According to Wilson, the u-boat chugged across the ocean and docked at Mar de Plata, Argentina.
It's easy to understand Gazette's (and its readers') interest in Hitler. He was a titanic figure who died a tawdry little death—suicide by self-inflicted gunshot. It must have felt to the World War II generation like an anti-climax, or even a cheat. So Gazette instead assures those readers that Hitler escaped, and makes his flight sound like adventure fiction. This formula, which must have both titillated and terrified those who believed, not only furnished material for twenty-eight covers, but the story was also told numerous times in issues that didn't feature Hitler on the front, such as this one focusing on JFK, and this one that shines a spotlight on Eva Braun. But we may have finally reached the end. We know of only one other Hitler cover. We'll share that a little later. Argentina
, Rio Negro
, Mar de Plata
, World War II
, Police Gazette
, Adolf Hitler
, Harvey Wilson
From Here to Oscar night.
American actor Burt Lancaster posed for the promo photo you see above when he was filming the World War II drama From Here to Eternity in the Hawaiian Islands in 1953. The movie, based on James Jones' novel, was one of the highest grossing productions of the 1950s, and film noir vet Lancaster in the lead as Sergeant Warden was a prime reason why. The movie also starred Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, and Ernest Borgnine, making for a supremely talented cast. In the end From Here to Eternity scored thirteen Academy Award nominations and won eight, including Best Picture.
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