Looks like she's well past the tipping point.
Any successful concept has the potential to become a cage for a crime author. Jack Dolph wrote the successful 1948 mystery Odds-On Murder about race tracks and their associated environs, and returned to that milieu for 1950's Murder Makes the Mare Go. In 1952's Hot Tip, for which you see the 1957 Phantom Books cover art above, Dolph is still hanging around the track, where a jockey dies in a sweatbox trying to make weight for a race, and his buddy Doc Connor sets about proving it was murder. There are suspects—the wife who stood to inherit insurance bucks, the estranged brother, and shady gamblers, while artsy Broadway types provide extra color.
Dolph used Doc Connor for all his horse books, with the character's interest in racing legitimizing his constant moonlighting as a sleuth when he probably should have been inoculating babies and reading x-rays. We described these concepts as a cage for authors, but that's our personal bias intruding. Dolph might have loved writing about racing. But either he or the public tired after his fourth foray and fifth novel overall, 1953's Dead Angel, at which point Dolph went out to pasture.
The art on the 1957 edition from Australia's Phantom Books is interesting but uncredited. The British edition from Boardman Books, just above, has nice cover art as well, painted by Denis McLoughlin. And the original art was reconstituted by Horwitz Publications, also Australia based, for usage on the front of Carter Brown's The Tigress, from 1961, below. Though actually, based on the quality of the art, Phantom's Hot Tip art looks like the copy, but the publication dates we have say Phantom was first.
Don't panic. Maybe he's not here for us. Maybe he's here to put that stranded humpback whale out of its misery.
Down on their luck everymen often have unlikely backgrounds. Killer Take All! features a guy who wanted to be a PGA golfer but didn't quite make it. The golf angle provides the entry point into the action, as he's asked to be a country club golf pro by a shady character, and soon finds himself tangled up with the man's femme fatale wife, sucked into fraudulent business practices, and suspected of murder. Talk about ending up in the rough. The author here, James O'Causey, aka James Causey, is one of those cases in crime fiction of a guy that published a few fairly well regarded thrillers then stopped writing. He had preceded the novels with some short stories, and penned a television script afterward, but that was it for his output. The consensus online is that he should have written more. Killer Take All! appeared originally in 1957 for Graphic Books, and this Australian edition from Phantom showed up in 1959.
In the end she didn't think saying it with flowers would get her true feelings across.
Tired of the rampant commercialism of Valentine's Day? So is the woman on the cover of Edward Ronns' 1955 thriller Say It with Murder. Too bad she doesn't live where we do, where there's no such holiday. This cover is from Australia's Phantom Books, a company we've been featuring often of late, and as we've mentioned, Phantom had a habit of using reconstituted art. You can see exactly what we mean by looking at the front of the 1954 Graphic Books edition, with its excellent work from Lou Marchetti. We still don't know exactly why Phantom changed its covers. A rights usage issue, we suppose. But if that's the case, why was the company able to get away with making near copies of the originals? We'll keep exploring this question until an answer presents itself.
I think we should consider a separation. And I have just the body part in mind.
A gringo detective with an agency in Mexico City is hired to locate his crooked ex-partner, who has bailed with the agency's money, and now is causing trouble for the client. The PI takes the job, glad to be paid to track down his betrayer, and starts in the Mexican town of Rio Bravo where the partner immediately turns up dead. From there the hero delves into local corruption, crosses the border to Texas, uncovers a human trafficking ring, meets a cantina dancer named Arden Kennett, deals with a dangerous wife, watches murders pile up and the police begin to suspect him, and learns that knives can be thrown just as effectively as they can be brandished.
The book was published in the U.S. as an Ace Double in 1959 with Paul Rader art and bound with Charles Fritch's Negative of a Nude, but the rare edition above is from Aussie imprint Phantom Books and appeared in 1960. We can't identify the artist, which is an affliction we've been dealing with quite a bit of late. But don't blame us—as we've mentioned once or twice before, including just a few days ago, Phantom didn't credit art, possibly because much of it was copied from U.S. editions. Many of the covers do, however, look like the same hand, so hopefully someone will be able to ID the owner of that hand at some point in the future.
Off with the hoodie, Bieber! Your days of shitty music and cultural appropriation end here and now.
Edward Ronns churned out about eighty novels over the course of his career, writing under his birth name Edward Aarons, and also as Paul Ayres. He wrote a novel called Death in the Lighthouse in 1938, which Australian imprint Phantom Books published as Cowl of Doom in 1954 with the curious cover art you see above. Plotwise, a man with a head injury—caused by a bullet—awakens in the apartment of woman he doesn't know and quickly realizes he's somehow lost three years. As usual, Phantom gives no artist info so we don't know who the brush behind this was. And yeah, we know we should stop ragging on Bieber, but we're getting better. Last time we compared him to Hitler.
Why on Earth are you bringing up that till-death-us-do-part stuff now? Neither is us is going to die for a long time.
Above, great cover art for Robert O. Saber's Murder Honeymoon, a digest style paperback from the Australian imprint Phantom Books, 1953. The art originally fronted Saber's 1952 Original Novels thriller City of Sin, which you see at right, and was painted by the always amazing George Gross. Saber was aka Milton K. Ozaki, and we've featured him quite a bit because he seems to have always managed to have his books illustrated by the best. Though the art on these two books was basically the same, the novels were different. This is the first time we've come across identical art for separate novels by the same author.
Oh man! What a yard sale! You alright, brah? Brah?
This is a pretty interesting cover for Mason Gregory's paperback mystery If 2 of Them Are Dead, done pamphlet style by Australia's Phantom Books. One-percenters hit the mountain for downhill thrills, but when one dies on a run there's a question whether it was an accident or if he was pushed. Well, since the title refers to that famous line by Benjamin Franklin—"Three can keep a secret if two of them are dead"—accident obviously isn't the explanation. The real shame of the death, in our opinion, is the waste of a lift ticket. Those things are out-of-control expensive. A yard sale, by the way, is when someone falls and leaves their shit scattered all over the mountain—a ski here, a ski there, maybe a hat over yonder. Been there, done it. 1954 copyright on this one (1953 hardcover), with uncredited art.
My husband is down the chimney right now, but when he gets back you’re definitely going on his naughty list.
Switcheroo is a detective yarn set in the unlikely locale of Louisville, Kentucky, but since author Emmett McDowell lived there most of his life, it’s no surprise. Nearly all his writing featured Kentucky in some form, and he even branched out into non-fiction and wrote a Civil War history of Louisville. Switcheroo was his first book, and originally appeared in 1954 as one half of an Ace Double, with Lawrence Treat’s Over the Edge on the flipside. The edition you see above is from the Australian imprint Phantom Books and was published in 1955. Basically, low rent detective Jaimie McRae is hired to locate a missing woman. All the usual benchmarks are there—unhelpful cops, a hot secretary and girl Friday, and unexpected developments. It earned lukewarm reviews all the way around. The uncredited art for Phantom closely resembles the original Victor Olson art for the Ace Double edition, which you see above and right, but we doubt Olson had a hand in the rooftop makeover.
God, how stupid of me. I should have known those glowing Trip Advisor reviews on this place were fake.
Above, the cover of Homicide Hotel written by Joe Barry, aka Joe Barry Lake, for the Aussie publisher Phantom Books, 1951. The art, which depicts a scene that doesn’t occur in the text, is uncredited.
An equitable exchange of services.
Are you old enough to have experienced the swinging craze? We aren’t, and we wouldn’t have taken part anyway (are you reading this, Pulp Intl. girlfriends?), but it does look kind of fun on vintage paperbacks (you aren't reading this are you, Pulp Intl. girlfriends?). We’ve shared a few covers in the past dealing with the subject of swapping, and you can see a few here, here, and here. For today we decided it was finally time to do what every pulp site must—put together a large, swap-themed collection of sleaze paperback covers. So above and below is a vast assortment for your enjoyment. The trick with these was to make sure they weren’t all from Greenleaf Classics, which is a company that through its imprints Companion, Candid, Adult, Nightstand, et al, published hundreds of swapping novels. That means we had to look far afield to avoid having the entire collection come from that publisher. We think we’ve done a good job (though we will put together a Greenleaf-only swapping collection later—it’s mandatory). Want to see even more swapping books? Try the excellent sleaze fiction website triplexbooks.com. |
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