Hollywoodland May 21 2016
LOWDOWN BEAT
Mid-century tabloid hits all the familiar tabloid notes.


Lowdown makes the rounds in this issue published in May 1965. Inside, Ann-Margret claims she doesn't want to be a tease (fail), editors ask if women are more immoral than men (which they really are, once you take war, genocide, faithlessness, and generally violent tendencies off the table), and June Wilkinson's photo is among those used in a story about women supposedly receiving insurance covered breast implants from Britain's National Health Service.
 
Probably the most interesting story concerns Swedish actress Inger Stevens disappearing for a week. Lowdown hints at an alcohol binge, which is nothing special (hell, we do those) but while there are plenty of sources citing a 1960 suicide attempt, we found no other mention anywhere of Lowdown's missing week. The story is notable because Stevens would die at age thirty-five of a drug overdose.
 
Elsewhere you get nude skiing in Austria, Richard Chamberlain and his hit television show Dr. Kildare, the sex powers of mandrake root, and Belgian born actress and dancer Monique Van Vooren endorsing regular exercise. Scans below—oh, and sorry about the quality. Lowdown's printing process caused scanner problems. It's never happened before, so hopefully we won't encounter the issue again.
 


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Vintage Pulp Mar 11 2016
TEMPTATION ISLAND
Olivia Pascal heads to Hong Kong and cockfighting breaks out all around her.


This nice hand-painted and hand-lettered Belgian poster was made for the movie Vanessa, which starred German actress Olivia Pascal in the time-honored tale of a smokin' hot woman raised in a convent and suddenly loosed upon the world. Pascal is informed that her last relative has died and willed her a fantastic fortune. This relative lived in Hong Kong, so she heads there to check it out and discovers not only that the island is awash in sex, sin, and dark magic, but that her inheritance takes the form of ownership of several wildly successful bordellos. The twist here, if it qualifies, is that even though this is your basic softcore sexual awakening film, the main character never actually gets laid. She gets whipped, though, if you're into that sort of thing. Best dialogue in the movie: “Will you excuse me for a moment? Those are real fighting cocks.” As you might guess, cocks of an entirely different kind fight over Pascal, who was a big bonus in the film Griechische Feigen, aka The Fruit Is Ripe, and here spends substantial portions of the film naked, joined by luminaries like Eva Eden, Uschi Zech, and—wait for it—Astrid Boner. We're not making that last one up. We're also not recommending the movie, but Pascal gets highest marks.

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Vintage Pulp Jan 26 2016
SHOCK CORRIDOR
The moment you doubt is the moment it stops being real.


Corridor of Mirrors is fascinating movie, though not one everyone will appreciate. There’s an actual corridor of mirrors, and it’s a place of infinite reflections and madness, located in the sprawling mansion of man, played by Eric Portman, who believes he’s the reincarnation of someone who lived four-hundred years ago. As they say, when you’re rich you’re not crazy—you’re merely eccentric. The problem, though, is that Portman believes he was in love with a woman way back then, and that she has been reincarnated too, in the person of Edana Romney. This is very interesting work from a director—Terrence Young—who would go on to helm three James Bond movies (trivia: Lois Maxwell, the original Miss Moneypenny, makes an appearance here, as does future Hammer horror icon and Tolkien baddie Christopher Lee). 

Perhaps the most successful element of Corridor of Mirrors is how the audience is dragged into the lead’s carefully constructed fantasy world. The film takes place in modern (1948) times, but by midway through, it has become a Renaissance period piece, as the camera rambles through Portman’s foreboding mansion where nary a lamp or electrical convenience of any sort is found. The use of candles is particularly effective when Portman unveils a painting of his centuries-old love—gasp!—she looks exactly like Romney. Well, maybe not so shocking, but the appearance of a flashlight late in the proceedings is actually shocking, as it’s a reminder that the previous hour has been spent inside the Neverland of a madman.

Is Corridor of Mirrors a film noir? Not even. It’s been placed on a double bill at Noir City with the stylistically similar The Picture of Dorian Gray, but noir fans might be disappointed to have bought tickets for this particular night. In fact, this year's festival features a high proportion of non-noir cinema—ten of the offerings aren't film noir, and arguably even a couple more fall outside the category. Still, Corridor of Mirrors is a nice melodrama, dripping with irony by the end, and worth seeing on its own merits. A British production, it seems as though no English language posters survive, so at top you see the nice promo from its run in Belgium, where it was called L’etrange rendezvous.

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Vintage Pulp Nov 22 2015
READY TO HURL
This one’s a real Scream.

The two posters you see here, both amazing, were made for Scream of Fear, which showed in France and Belgium as Hurler du peur and Spain as El sabor del miedo. We checked it out. Susan Strasberg stars as a wheelchair bound woman who returns to her father’s estate and keeps seeing his corpse around the property. Each time this happens she unleashes a piercing scream—hence the title of the film. But is she really seeing her father? Or is she merely hysterical? Well, it wouldn’t be much of a thriller if it were all in her head. The question really is who’s trying to drive her mad. Possibly her stepmother. Possibly the chauffeur. Maybe even her father, since he’s not dead, but only away on business. With several late twists, you’ll have a hard time figuring it out. This was from Hammer Studios and they hit the nail squarely on the head. Scream of Fear opened in France today in 1961, and had already played Spain a few weeks earlier.  

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Intl. Notebook Nov 15 2015
LET'S REVUE
Ciné-Revue's clever mix made it one of Europe's longest running celeb magazines.

This issue of the Belgian magazine Ciné-Revue was one of our treasures from last year's trip to the Saint-Ouen flea market in Paris. Inside you get too many stars to name (and too many pages to scan), but the highlights are Marlon Brando, Susan Denberg, Marilyn Monroe, and Nadja Tiller. On the cover is British actress and pop singer Minnie Minoprio, who during the early 1970s starred in several films, all considered obscure today. But that was Ciné-Revue's m.o.—giving equal exposure to both lesser lights and the biggest stars. And of course the obscurities were usually required to get naked, justifying their positioning on the covers and in the centerfolds. Monika Käser, who you see below, is a perfect example. We can find nothing about her. Her only moment in the spotlight—insofar as we can determine using the internet to research her—seems to have been the photo below. But Ciné-Revue's formula worked—it began publishing in 1944 and is still around today (though the days of centerfolds are gone). This issue hit newsstands today in 1973.

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Vintage Pulp Sep 11 2015
DR. OCTOPUS
The man with the drag of a tattoo.

Once you’ve read enough H.P Lovecraft you begin to see his mindbending interstellar/transdimensional beings everywhere, and we see one on this cover for L’homme à l’étrange tatouage by Belgian author Michel Dahin, aka Michel de Roisin. It’s basically a pamphlet—sixteen pages—written for the S.O.S. Police! collection published by Éditions Paul Dupont. The art is signed by Dunbar, who is as yet unknown to us, but considering he put Cthulhu or some other octopoid monstrosity on the chest of his cover figure, maybe we don’t want to know him. The book doesn’t actually deal with Lovecraftian cultists, though. Just some really creepy sailors. 1945 on this. 

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Vintage Pulp Jul 7 2015
NANA HEY HEY
If you’re going to have an empty life, at least make it a beautiful one.

La poupée d’amour played in the U.S. by the silly title Take Me, Love Me, but was originally released in Sweden as Naná, after the Emile Zola novel from which it’s adapted. Director Mac Ahlberg and cinematographer Andréas Winding deserve credit for making the film look fantastic, star Anna Gaël is certainly beautiful, and the cabaret numbers are entertainingly staged, but on the whole we found this one a bit tedious. The movie is basically ’70s arthouse porn and, thanks to some coupling by Gaël’s body double, still qualifies today as adult cinema, but only barely. Zola’s Naná ended up covered with pustules and dying in agony; this movie wouldn’t dare harsh on its own groovy high to that extent, but Gaël does find happiness elusive, as do her lovers. If you watch the movie you may find enjoyment elusive, but in purely visual terms, it’s a real treat. The Belgian promo poster, also a treat, was painted by Loris, an illustrator whose online presence is small, which means we can’t tell you anything about him/her—not even a full name. But he/she did paint other nice promos, and we may dig some of those up later. La poupée d’amour premiered in France/Belgium today in 1970.

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Vintage Pulp Jun 20 2015
OFFER OF A BRIBE
As far as we’re concerned the answer is still no.

We already wrote about 1949’s The Bribe and thought the movie was so-so. What isn’t so-so is the Belgian poster, which features text in both French and Dutch, and was used for the movie’s run as L'ile au complot. It’s so good it almost makes us want to watch the movie again. Almost… See our original write-up and some nice production photos here. 
 
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Vintage Pulp May 27 2015
RUBBING ONE OUT
When Evelyn Keyes comes out of a lamp, is there really any need to wish for more?

The unusually beautiful French language poster above was made for the Belgian run of Aladin et la lampe merveilleuse, which was originally produced in the U.S. as A Thousand and One Nights. Some of the other posters for this set-in-Baghdad musical adventure are excellent too, such as the one you see at right (presumably made for the French run), but the version at top is the best—and rarest.

The art also manages to convey the mood of the movie quite accurately—it’s ninety minutes of cheeseball musical numbers, Vaudevillian slapstick, and Cornel Wilde caught in the world’s silliest love triangle. All of this is slightly marred by the unfortunate sight of white actors hamming it up with brown shoe polish on their faces, but that's to be expected in a Middle-Eastern themed movie made during an era when actors of color were more-or-less barred from cinematic roles.

On balance, the movie is a real mood lifter, but the whole effort is just a little too stupidly sweet for us to truly call good, with a bit too much syrupy baritone crooning from Cornel Wilde (or more likely his voice double), and too much of the various love interests making cow-eyes at each other. But Evelyn Keyes as the troublemaking genie is a fun touch. She makes the movie worth it. Aladin et la lampe merveilleuse premiered in the U.S. in 1945, and played for the first time in France/Belgium today in 1949.

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Hollywoodland Mar 5 2015
IMPERFECT PAIR
Eew, you mean you want me to, like, hug her and stuff?

When we saw this we had to share it. It’s a centerfold from Belgium’s Ciné Télé Revue magazine featuring Claudine Auger and Sean Connery. Made when they were promoting their pairing in the James Bond actioner Thunderball, the dubious expression on Connery’s seemingly lipsticked face is exactly the same as if he’d been forced to hug an octopus, while Auger seems to be having fun, but ended up with a double chin that probably made her shriek in horror when she saw the shot. But even though we suspect both actors probably fired their publicists after this, the result is a rare, candid photo showing that even the prettiest stars are, in the end, imperfect.

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History Rewind
The headlines that mattered yesteryear.
May 28
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".

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