|Hollywoodland||Sep 5 2017|
|Intl. Notebook||Mar 8 2017|
Above are some scans from Paris-Hollywood issue #56, published in 1949. Paulette Goddard is the cover star, sporting a crazy hair-do that makes her look a bit like she has horns. The cover text explains that the shot was made as a promo for her role in Les Naufrageurs des mers du sud, better known as Reap the Wild Wind, and we'll just assume the wild wind did that to her hair. The movie was made in 1942 but due to a little inconvenience called World War II did not play in France until later. Inside the issue you get Alexis Smith (described as a protégée of Errol Flynn), Jane Russell, Mary Kay Dodson, and the always lovely Adele Mara. The back cover goes to Janis Paige, who's posing in costume for her role in the western Cheyenne. We have more of these magazines in the website and you can see them by clicking the keywords “Paris-Hollywood” below.
|Vintage Pulp||Jan 11 2017|
Above, Paris-Hollywood magazine published in 1949, with a bare-shouldered Jane Russell on the front cover and Anne Baxter (spelled Ann by editors) gracing the rear. Baxter is pointing out Alaska on a wall map, probably explaining that she'd need a parka and snow shoes if she ever went there, rather than the undies and heels she's wearing. Inside the issue you get showgirls, models in lingerie, and celebs dressed as bunnies. Was it Easter? No idea, because Paris-Hollywood came without publication dates during these years. However, the front cover noted that Russell was starring as Calamity Jane in the film Pale Face, aka The Paleface. Since that appeared in France in mid-February and promotional efforts usually occur in advance of a film's premier, or at least around its opening date, we suspect the issue was published in February or March of 1949.
|Vintage Pulp||May 14 2014|
Exclusive was a digest sized monthly published out of New York City by the appropriately named Digest Publications, Inc. It launched in March 1954, had the usual mix of celebs, scandal, and crime, and folded after two years. This issue has everyone from playboy Shep King to Italian actress (and former Pulp Intl. femme) Sylvana Pampanini to showgirl Julie Bryan, as well as an interesting crime photo essay the editors—distastefully—decided to title “Sexclusive.” That’s not a smart choice when referring to sexual assault. But moving on, the good thing about these pocket magazines is the text was large relative to the page size, which means that when scanned the articles are easily readable even on our website. That being the case we won’t bother describing the contents any more than we already have. We’ve scanned about twenty-five pages below if you’re interested, and we’re going in search of a glass of ice-cold white wine. Enjoy.
|Vintage Pulp||Apr 15 2013|
Above is a brilliant poster for the film musical Gentlemen Marry Brunettes starring Jane Russell and Jeanne Crain. Both Brunettes and 1953’s Gentlemen Prefer Blondes had begun as novels written by Anita Loos, in 1927 and 1925 respectively. Blondes (it was actually the second time the book had been filmed) was of course a smash with Marilyn Monroe and Jane Russell in the leads. A year later Monroe was unavailable to reprise her role as Lorelei Lee, so both leads were rescripted into entirely new characters and Jeanne Crain scored the new part opposite Russell. Gentlemen Marry Brunettes appeared in 1955, but the result wasn’t quite as electric as Gentlemen Prefer Blondes. Same old story—it’s almost always pointless trying to capture lightning in a bottle twice, and a sequel without Monroe was destined to disappoint, at least artistically. But it did become one of the top box office movies of 1955. Amazing, considering it’s almost forgotten today. Seems the audience has stated its preference rather clearly. Well, even if Brunettes fell short of Blondes in the memorability department, there’s nothing forgettable about its Japanese poster.
|Vintage Pulp||Aug 1 2012|
Last year we posted the front and back covers of an issue of He magazine. As usual, it’s taken us longer than we intended, but today we’re back with more. The above cover appeared this month in 1953 and features a masked model shot at New York City’s annual Artists Equity Ball, which, according to He, pretty much turned into an orgy. We don’t know about that, but the photos do reveal a rather racy scene. You also get shots of (we think) Rocky Marciano knocking out someone or other and lightweight champ Jimmy Carter mashing some hapless opponent’s face, photos of Laurie Anders, Lili St. Cyr, Lilly Christine, Daniele Lamar, and other celebs of the day, an amazing still of Julie Newmar, aka Julie Newmeyer, dancing in Slaves of Babylon, plus a back cover featuring highly touted but ultimately underachieving actress Mara Corday. We don’t have to bother too much with a description today, because these digest-sized magazines have text that scans large enough to be read even on small computers. So read and enjoy.
|Vintage Pulp||Aug 17 2011|
Above is the cover of the German mid-century art and culture publication Neues Magazin. This is issue number 4, which you can see indicated at lower left—heft 4, year 1950— and the text at lower right tells us that we’ll learn the art of “verführung”, or seduction. There are many interesting images inside, but for us there are two clear winners. The first is the rare ad for Jane’s Russell’s Der Engel mit den zwei Pistolen, which was known in the U.S. as The Paleface, and the second is the portrait of Josephine Baker by French illustrator Jean-Gabriel Domergue. Those pages and others appear below.
|Hollywoodland||Mar 1 2011|
Below are three photos representing three of the many sides of American screen legend Jane Russell’s personality. She had a wild youth that included excessive drink and a low-rent abortion, and in later life she swung the opposite way and became an arch-conservative Christian. Russell died yesterday in Santa Monica, California, aged 89.
|Hollywoodland | Vintage Pulp||Dec 13 2010|
This December 1955 cover of Inside asks why Hollywood fears Louella Parsons. And the answer is because Parsons was at the time arguably the most important tastemaker in the world. Louella Parsons, née Luella Rose Oettinger, was the first person to write a true gossip column, beginning in 1914 when she worked for the Chicago Record Herald. Later, publisher William Randolph Hearst gave her a column in the Los Angeles Examiner that was eventually syndicated to 600 papers worldwide, which amounted to a readership of about twenty million people. She considered herself Hollywood’s moral watchdog and didn’t think twice about damaging the careers of celebrities she believed had behaved badly. She was also the gatekeeper of success for aspiring starlets—a few negative words in her column and a lifetime’s dream was shattered. The irony of all this self-righteousness is that she may have earned her column as a reward for helping cover up a killing.
The story goes that powerful publisher William Randolph Hearst either accidentally or intentionally shot producer Thomas Ince in the head while cruising with Ince, Hopper, and other guests on his 200-foot yacht the Oneida. While it’s impossible to say if this is true, it’s interesting that the guests on Hearst’s boat all had wildly different stories about what happened. Several, including Charlie Chaplin, denied ever being on the cruise, a claim that was contradicted by other guests. Hearst’s papers went the opposite route, reporting in unison that it was Ince who had never been on the boat. Instead, they claimed he died of a heart attack on Hearst’s ranch in San Simeon. Later the story was revised—he had been on the boat, but had taken ill, left for Los Angeles by train, and died en route. By legal standards, it would be impossible to prove a cover-up took place. But by the lesser standards of plain logic, there’s no doubt that when a guy gets sick and has to leave a boat, people don’t fall over themselves making up conflicting stories about what happened.
The aftermath of the incident was just as curious. Ince’s widow refused to allow an autopsy and had her husband immediately cremated. Hearst then set her up with a trust fund and she left for Europe, never to return. It was also around then that Hearst gave Parsons was a contract to be a columnist for his influential Examiner newspaper. All these gifts were, at the very least, cases of extremely suspicious timing, but Ince’s death was never seriously investigated. A token police inquiry predictably turned up nothing, and all the lies were papered over. Louella Parsons didn’t squander her Devil’s bargain—if indeed that’s what it was. From her post at the Examiner she ruled Hollywood for thirty years, a moral arbiter who in all likelihood had a secret in her past that dwarfed any of those she revealed in her column.
|Vintage Pulp||Nov 2 2010|
Above, a Japanese poster for the 1966 western Johnny Reno, starring Dana Andrews, Jane Russell, and Lon Chaney, Jr.