Work halted on San Francisco renovation after 19th century coffin is uncovered.
In San Francisco, where high-end property renovations are occurring all over the city at breakneck speed, even the dead are being pushed out by gentrification. Last week workers digging beneath a home in the Richmond neighborhood unearthed a metal and glass coffin from the 1870s that holds the body of a little girl.
We had no idea such items existed, but after doing a little research we discovered that ornate metal caskets, usually made of cast iron or lead, were popular during the mid- to late-1800s among the more affluent. A Providence, Rhode Island man named Almond Fisk was the first to patent them, which he displayed in 1849 at the New York State Agricultural Society Fair in Syracuse, and the American Institute Exhibition in New York City.
He called them Fisk Metallic Burial Cases, and they came in an amazing variety, including Egyptian style sarcophagi. The coffins were airtight, helping preserve bodies during an era when the embalming arts were not as advanced as today and a week could elapse before arrangements were made to bury a loved one and family gathered for the send-off. They were also welded shut, preventing grave robberies—a serious problem of the times, not only due to valuables that might be buried with bodies, but also due to the price a well-preserved corpse could fetch from unscrupulous medical schools looking for research cadavers.
Fisk's sales materials boast that not only could his burial cases be drained of air, aiding preservation, but—if one chose—filled with any type of atmosphere or fluid. Just a year after he displayed them at those New York exhibitions, former U.S. Vice-President and Secretary of State John C. Calhoun died and was buried in one. The publicity caused a wave of nationwide interest that prompted Fisk to license his expensive invention to other companies. Eventually, Crane, Breed & Co., of Cincinnati and New Orleans acquired a license, and made coffins sporting the types of viewing windows featured on the San Francisco discovery.
What will happen the little girl's body is still unknown. San Francisco ordinances make her the property owner's responsibility. Reburial has been mentioned by said property owner, but we'd be surprised if anthropologists didn't get a look at the girl first. Autopsies on bodies ofthat age have uncovered troves of data about diet, disease, and more. Afterward she can be laid to rest somewhere well out of the way of San Francisco's ongoing makeover into millionaire Disneyland.
The law of this jungle is steal or be poor.
We don't need to tell you anything about The Asphalt Jungle because you've seen this film classic, right? So today we're all about the poster. Look at this beauty. It was painted by Italian artist Angelo Cesselon, complete with his distinct signature and its supersized “O”. Cesselon worked for many studios and mastered a distinct style featuring large character portraits such as the one you see here. His work is among the most immediately identifiable of the mid-century period. As for the film, when you get John Huston directing a heist story you can't go wrong. Don't let the poster fool you, though—Marilyn Monroe is a bit player. Why is she starring on the art? Because Cesselon painted it a few years after the film's initial release—by which time Monroe was world famous. The Asphalt Jungle premiered today in 1950.
Light and darkness in New York City.
Alfred Statler honed his camera skills in Europe documenting the chaos of World War II and brought his gritty sensibilities to bear on his fine art photography once he returned to the visual utopia he called home—New York City. This shot is from the mid-fifties and captures a nighttime scene in Manhattan, with its neon signs and sky aglow with metropolitan lightbleed. We love this.
It's a hard job but they make it look easy.
What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here.
, New Orleans
, New York City
, La Savona
, Lilly Christine
, Lynne O'Neill
, Misty Ayres
, Patti Cross
, Tina Marshall
, Carol Doda
, Nejla Ates
, Blaze Starr
, Wildcat Frenchie
, Lili St. Cyr
, Candy Barr
, Tina Marshall
Nothing a little dying won't fix.
Narrated from the deck of a boat floating on the crystalline Caribbean, The Root of His Evil is the tale of a money-hungry femme fatale who rises from greasy spoon waitress to NYC union organizer to wealthy woman, all by age twenty-four. James M. Cain originally wrote this tale way back in 1938 as “The Modern Cinderella,” and immediately sold it to Hollywood, where it spawned the 1939 movie When Tomorrow Comes. He ended up suing for copyright infringement when the filmmakers borrowed a scene from another of his novels without paying for it. You can read details of that incident here if you're inclined. Some Cain fans love The Root of His Evil; the more prevalent opinion is that it isn't among his best. We'll say this much—there's no focus on crime here, just on questionable deeds. But we like the cover of this Avon paperback. It's less sophisticated than some good girl art, but strikes the right tone. It appeared in 1952 and is uncredited.
Don’t think too hard, my sweet. You might hurt that pretty head. Now off with the pants.
From Chicago born author Edmund Schiddel comes The Other Side of Night, a chronicle of the troubles and trials of a group of diverse New Yorkers on a particular New Year’s Eve. The menagerie includes an heiress, an aging beauty, a morbidly obese woman, a facially disfigured vet, a nymphomaniac, and a piece of Ivy League man candy. Schiddel was gay, and while he does feature a gay character here, his participation is minimal. We gather this was the norm for Schiddel, inserting gay secondary characters, but never focusing on them in the narratives. He was more interested in peeling back the tawdry layers of accepted society with occasionally controversial results. The Other Side of Night appeared in 1954, and the cover art, which we love for the expression on the male figure’s face, is uncredited.
Motel owner Gerald Foos spied on his guests for decades. Now his story is set for publication.
The New Yorker magazine's newest online issue features author Gay Talese's biographical account of a man who may be the most dedicated and successful voyeur who ever lived—Gerald Foos, who bought the Manor House Motel in metropolitan Denver in 1966, installed ceiling vents in more than a dozen rooms, and until 1995 watched his guests most intimate moments from an attic observation space. The vents were louvered and angled in such a way that he was invisible from below, and the attic was modified with carpet and reinforcing wood to make him undetectably silent as he lurked above his guests. In this way he observed thousands of couples, singles, and groups having sex, masturbating, arguing, using drugs, showering, using the toilet, and—on one occasion—committing murder.
Foos considered himself a researcher of sorts, and his decades of watching people's sexual liaisons gave him many insights into personal relationships as well as American society at large. All the while he took detailed notes of his observations and thoughts, which he eventually offered to Talese after contacting the author in 1980. Talese has culled those extensive writings for the publication of an upcoming book. The New Yorker article outlining Talese's meetings with Foos, their long correspondence, and the author's visit to the motel to peer through the illicit vents for himself, is long but we recommend a visit to the website to read it. And in case you're wondering, the Manor House Motel was demolished in 2014, so travelers in the Denver area need not worry about being secretly observed. At least at that motel.
Hah hah—you can only wish you knew me.
Pam Grier was one of Pulp Intl.’s first femmes fatales so it seems only right to bring her back every once in a while. This shot of her appeared on the May 1975 cover of New York magazine and is probably one of the best images of her ever made. The accompanying text called her “a new kind of Hollywood star.” That was true of her and several other women who came up through the blaxploitation ranks, but Grier was really top of the heap—she was the best, the bravest, and by far the most famous. She's had steady success for more than forty years, but we really enjoy those old movies of hers, and this photo captures her at the peak of that period.
New neighborhood, new view, same Pulp Intl.
Well, we're back. Our internet guy went missing for a few days, but funny things about jobs—if you want to actually get paid you usually have to show up eventually. So in the end he got us hooked up. We don't know how things resolved with the guy in the shoe store, who lost a gigantic pane of curved plate glass that probably cost $5,000, but we did notice he invested in a video surveillance system, which he now has pointed right at the front windows. Despite these conflicts, and the fact that our building is a relic, we've actually moved to swankier district and feel a bit like Marilyn Monroe in the above shot made today in 1955 showing her peering off the balcony of the Ambassador Hotel in New York City. Our view here from the third floor isn't quite that good, but it's a pretty nice pedestrianized street where we can people-watch shoppers and listen to musicians playing, and we're still only three blocks from the beach. Also, we're next door to the internet provider, and are told our speeds should be the fastest in town. We would think the speed is the same everywhere in town, being a digital signal and all, but what do we know? In any case, between the new flat and the strong signal the world seems to be our oyster. We'll see how long that lasts.
When the sun goes down in the city.
Hotels, museums, and restaurants are all important aspects of travel, but what you really need to know is where to score hookers and cocaine, right? Or is that just us? Above, assorted covers from MacFadden-Bartell’s famed sleaze series After Dark, published late 1960s and early 1970s, and which purports to tell readers where and how vice can be found in different cities, as well as the unique variations that exist in each place. Don’t leave home without one. And a pack of condoms.
, New York City
, Rio de Janeiro
, Hong Kong
, MacFadden-Bartell Corporation
, William Hopson
, Lois O'Conner
, Colin Ross
, William Fitzpatrick
, Andrew Harris
, Roberto Orsi
, Ogden Fox
, Norman Nash
, Phil Lewis
, Jean de Ballard
, Philip Marnais
, Allen V. Ross
, cover art
, cover collection
The headlines that mattered yesteryear.
1946—Antonescu Is Executed
Ion Antonescu, who was ruler of Romania during World War II, and whose policies were independently responsible for the deaths of as many as 400,000 Bessarabian, Ukrainian and Romanian Jews, as well as countless Romani Romanians, is executed by means of firing squad at Fort Jilava prison just outside Bucharest.
1959—Sax Rohmer Dies
Prolific British pulp writer Arthur Henry Sarsfield Ward, aka Sax Rohmer, who created the popular character Fu Manchu and became one of the most highly paid authors of his time writing fundamentally racist fiction about the "yellow peril" and what he blithely called "rampant criminality among the Chinese", dies of avian flu in White Plains, New York.
1957—Arthur Miller Convicted of Contempt of Congress
Award-winning American playwright Arthur Miller, the husband of movie star Marilyn Monroe, is convicted of contempt of Congress when he refuses to reveal the names of political associates to the House Un-American Activities Committee. The conviction would later be overturned, but HUAC persecution against American citizens continues until the committee is finally dissolved in 1975.
1914—Aquitania Sets Sail
The Cunard liner RMS Aquitania, at 45,647 tons, sets sails on her maiden voyage from Liverpool, England to New York City. At the time she is the largest ocean liner on the seas. During a thirty-six year career the ship serves as both a passenger liner and military ship in both World Wars before being retired and scrapped in 1950.
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