That was interesting. Next time can we just do it the normal way?
There's no festish sex or podophilia in With Naked Foot. This is actually a serious novel about whites coming to ruin in Africa, which is a crowded literary niche, but one in which Emily Hahn carved out an important place for herself. In fact, maybe the adjective “Hahnesque” should be used alongside “Hemingwayesque.” This is a person who wrote fifty-four books and more than two hundred articles and short stories, whose works were significant in romanticizing Africa and Asia for western readers, who lived in Florence and London in the mid-1920s, traveled to the Belgian Congo where she worked for the Red Cross, lived with a pygmy tribe for two years, crossed Central Africa alone on foot, and journeyed to Shanghai where she taught English for three years while becoming acquaintances with political powerhouses the Soong Sisters and the Chinese poet Zau Sinmay. With Naked Foot is, therefore, unusually well informed. It revolves around a beautiful Congolese girl named Mawa whose relationships with various lustful white men bring disaster. The reviews were rapturous, though some critics protested that it was too focused on sex. That's never a complaint you'll hear from us, though some of the usual flaws of mid-century racial fiction are evident. The cover art on this Bantam paperback was painted by an unknown, and the copyright is 1951.
I know I'm new to lifting, but are you sure a spotter is supposed to just sit there and stare at me?
Unimprovable French actress Mylène Demongeot pounds the iron in this production photo made when she was filming the comedy Doctor in Distress in London in 1963. Mylène in impossibly short shorts was a sort of trademark, seemingly. See another example here.
Pulp and art deco. Two great tastes that rarely went together.
The pulp era is generally agreed as having commenced the last several years of the 19th century and having ended during the 1950s. Art deco is agreed to have begun around 1900 and ended around the beginning of World War II. Despite co-existing, they occupied the same place surprisingly little. You would see crossover in cinematic adaptations of pulp material such as Flash Gordon, with its deco styled spaceships and costumes. Some pulp magazines had art deco influenced fonts, and some hardbacks had art deco sleeve art, such as those designed by Edna Reindel for W.R. Burnett's novels Iron Man and Saint Johnson. But when popular paperbacks and magazines began to focus on high quality cover art they developed their own visual style which we think of today as good girl art, or GGA.
But even if pulp and art deco didn't mix much back then, they mix here. Today we have an issue of Paris Plaisirs published in 1929 with drawings, paintings, studio photography, French wit and more. The cover photo-illustration was shot by Lucien Waléry, also known as Stanisław Julian Ignacy Ostroróg. Though his name was Polish he was a British citizen, born in London after his father Stanisław Julian Ostroróg—also a famed photographer—emigrated there in 1856 and became a citizen in 1862. The younger Ostroróg took the pseudonym Waléry and thus forever created confusion with earlier photographers who had used the same name. We won't bother unwinding all those Walérys. You can see another of our Waléry's beautiful art deco covers here, and we have other issues of Paris Plaisirs you can see by clicking the keywords at bottom.
Peggy Cummins hit Hollywood with guns blazing.
According to a story yesterday in The Hollywood Reporter, Wales born Irish actress Peggy Cummins died in a London hospital December 29 after suffering a stroke. She was ninety-two years old. Cummins, who was born Augusta Fuller, played the morality challenged Annie Laurie Starr in Gun Crazy, a low budget film noir that rose above its humble station over the decades to eventually be included in the U.S. Library of Congress’s National Film Registry. While the film is often characterized as a breakthrough fro Cummins, it was actually her eleventh screen role, and did not lead to a career of top notch offers. However, she ultimately appeared in more than twenty-five productions, with her last coming in 1965. The above photo was made a promo for Gun Crazy and dates from 1950. You can read more about the film here.
A dozen bloody reasons to love Halloween.
This poster is a special edition promo painted by Nanpei Kaneko for The Texas Chainsaw Massacre, which was showing at the Tokyo International Film Festival on its fortieth anniversary in 2014. The Japanese title 悪魔のいけにえtranslates to “devil sorrowfully” or “Satan sorrowfully,” and that's a mystery to us, as we're sure there are chainsaws in Japan, as well as the concept of massacres, and some general inkling about Texas, but whatever. Sorrowfully it is—the poster is amazing.
Below, in honor of Halloween, which is becoming more and more of an event here overseas where we live, we have eleven more Japanese posters for 1970s and 1980s U.S.-made horror films. They are, top to bottom, The Prowler (aka Rosemary's Killer), The Fog, Lifeforce, An American Werewolf in London, Bug, Halloween II (aka Boogey Man), Let Sleeping Corpses Lie,Torso, The Evil Dead, Link, and Death Trap.
We've put together horror collections in the past. We have five beautiful Thai posters at this link, fifteen Japanese horror posters we shared on Halloween two years ago here, and we also have a collection of aquatic creature feature posters we shared way back in 2009. And if those don't sate your appetite for the morbid and terrible, just click the keyword “horror” below, and you can see everything we've posted that fits the category. No tricks. Only treats.
A rage to love? Right now I'd welcome a mild interest in cleaning up after yourself.
This is a nice piece of uncredited art fronting Frank Tilsley's A Rage Love, his second of numerous novels, this one dealing with a cruel and ambitious man named Jimmy Magnall, who's fresh out of the army in 1919 and eager to pluck the world's plump fruit for his enjoyment, and who uses women in his climb from slummy Birmingham roots to the top of the London class pyramid. He rides high for some years, but of course eventually loses all he has, including the women, and enlists right back in the army at the beginning of World War II. These are especially interesting bookends for the character because the author Tilsley was bothered by having been too young to fight in World War I and too old to enlist for combat in World War II, so engineering Jimmy Magnall into both wars may be a case of living vicariously. The book was originally published in 1953 as The Fortunate Man and was well reviewed in most quarters. We would love to know who painted the cover art, but no such luck. 1959 copyright on this Popular Library edition.
Who says they don't have any worth?
London born actress Penny Brahms looks like a million bucks—that's one hundred million pennies—in this shot that appeared in the French magazine Moi. Brahms had a forgettable film career—her most noted roles were a brief appearance in 2001: A Space Odyssey and a co-starring turn in the sexploitation flick Lady Chatterly Versus Fanny Hill—but she looks like the biggest star in the firmament in this great shot. It's from 1970.
New tabloid explodes onto the gossip scene.
When we describe Dynamite as a new tabloid, it's only partly true. It was a new imprint. But its publisher, the Modern Living Council of Connecticut, Inc., was headquartered at the Charlton Building in Derby, Connecticut, which is where Top Secret and Hush-Hush based operations. When you see that Dynamite carried the same cover font as Top Secret and Hush-Hush, and that those two magazines advertised in Dynamite, it seems clear that all three had the same provenance. But unlike Top Secret and Hush-Hush, it doesn't seem as if Dynamite lasted long. The issue above, which appeared this month in 1956, is the second. We are unable to confirm whether there was a third. But if Dynamite was short-lived it wasn't because of any deficiencies in the publication. It's identical in style to other tabloids, and its stories are equally interesting.
One of those deals with Henry von Thyssen, the Dutch born, German descended heir to an industrial fortune, and his wife, Nina Dyer, heiress to a tea plantation in Sri Lanka, back then called Ceylon. The von Thyssen family manufactured steel in Germany, including for Hitler's Third Reich, and came out of World War II unscathed, as big companies that profit from war always do. Dyer was a dilettante famed for making bikinis popular on the French Riveria. According to Dynamite, von Thyssen was so desperate to marry Dyer that he allowed her to keep her boyfriend, the French actor Christian Marquand. Society gossips whispered,but both spouses were fine with the set-up until von Thyssen accidentally ran into Dyer and Marquand in Carrol's nightclub in Paris and was forced to save face by starting a fight. The couple soon divorced, but not because of infidelity, as many accounts claim. What finally broke the couple up was that Dyer dropped Marquand. Dynamite tells readers: “[von Thyssen] has ditched his sloe-eyed Baroness because now she's decided she loves him.”
Interesting, but there are many similar stories about open high society marriages. What interested us, really, was the portrayal of Dyer. Apparently she had at some point been strongly influenced by Asian women. Her husband described her as “soft and feminine and oriental looking.” Dynamite painted this word picture: “She walks as though she has a water pot balanced on her head, her dark, slanting eyes are inscrutable, and her movements are so languorous and cat-like that von Thyssen gave her a baby panther as a companion.” Dyer eventually had two panthers, and was often seen walking them on the Croisette in Cannes. After her marriage to von Thyssen ended she quickly married Prince Sadruddin Aga Khan, but that marriage ended in divorce. Over the years she had been given many gifts. Besides the panthers there were cars, jewels, and a Caribbean island. But the one thing money never bought for her was happiness. She committed suicide at age thirty-five.
There's a lot more to learn about Nina Dyer—her modeling career, her adventures in the south of France, her free-spirited ways in the Caribbean, her 1962 E-Type Jaguar Roadster that was found in Jamaica in 2015 and restored for a November 2016 auction, and more. So we'll be getting back to her a little later. We still have about fifty tabloids from the mid-1950s and we're betting she appears in more than a few. Meanwhile, elsewhere in Dynamite is a story tracking Marilyn Monroe's movements around Fire Island during a summer 1955 vacation, a report about Frank Sinatra being barred from the Milroy Club in London, an exposé on prostitution in Rome, a breakdown of the breakdown of Gene Tierney's engagement to Aly Khan (Sadruddin Aga Khan's brother), and a couple of beautiful photos of Diana Dors. We have about thirty scans below for your enjoyment. Odds are we'll never find another issue of Dynamite, but we're happy to own even one. It's great reading.
Axe and you will receive.
Above and below are the cover and assorted interior scans from a February 1953 issue of True Police Detective, a magazine we've discussed once or twice before. You get the usual collection of true crime tales, explored in procedural detail, with striking photo spreads posed by professional models, as well as some actual crime scene shots. One story we noticed here concerned the murders in London of 16-year-old Barbara Songhurst and 18-year-old Christine Reed in May 1953. The two had last been seen alive embarking on a bike trip. Songhurst's body was found the next day floating face down in the Thames, while Reed's was located five days later when a section of the river was drained. Reed had been raped, and both had been beaten unconscious and hacked with an axe. The physical evidence was clear: an assailant had surprise attacked both victims, beaten them unconscious, axed Reed and disposed of her before turning his attention to the helpless Songhurst.
One curious part of the tale is that the girls disappeared while biking from London to Brighton, according to the author. It seemed to us like a pretty long trip and we were right—as the crow flies it's more than forty miles. So we think the magazine got that part of the story wrong, since the girls' families were expecting them back home by evening. In any case, our interest derived from the simple fact that the crime hadn't been solved at the time True Police Cases went to press. A man named Alfred Whiteway had been arrested, but the story ends with, “Whiteway is awaiting trial that will determine his guilt or innocence.” Since we had already invested the time to read the entire saga, we wanted to find out how it ended.
The case almost turned on chance. A month after Songhurst and Reed had been found, Whiteway was arrested for raping a woman and assaulting another on Oxshott Heath. He had the Songhurst/Reed murder axe in his possession when police picked him up. While being driven to the station he managed to hide the axe under the car's rear seat, where it remained until the vehicle was cleaned some time later and an officer discovered the weapon. Instead of realizing its significance, the officer took the tool home and used it to chop wood, blunting the edge and obliterating any blood evidence. If he had simply realized how suspicious it was to find it under the seat of a police car the case would have been solved.
In the end, old-fashioned procedural work finally cracked the case. Whiteway had been maintaining his innocence the entire time, but forensic investigators finally found minute traces of blood in an eyelet and seam on one of his shoes. Confronted with blood evidence he broke down and confessed. He had attacked the girls in a rage, raped Songhurst, and tossed both bodies in the Thames. If he expected his admission to earn him leniency he was disappointed—he was convicted in court of what became known as the Towpath Murders and hanged at Wandsworth Prison in December 1953. And the axe that almost but didn't break the case ended up in the Black Museum at Scotland Yard, where it still resides today.
Xenophobia: Don't leave home without it.
The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.
Anyway, what we have here is a cautionary tale featuring beautiful young travelers and the pitfalls they encounter, slavery among them, with the various misadventures taking place in Hong Kong, London, Beirut, Paris and Rome. Arden gets the Beirut segment and it consists of her telling the local police her story: raped by her stepfather when she was fifteen, a runaway drifting from place to place, ending up in a harem where she becomes a sexual servant, enduring a year of bondage before her escape. Many sexploitation films are joyful or comical or contain messages of female empowerment—Die jungen Ausreißerinnen isn't one of those. You've been warned. After opening in West Germany earlier in the year it played in Japan for the first time today in 1972.
The headlines that mattered yesteryear.
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
1939—Eugen Weidmann Is Guillotined
In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.
1972—Watergate Burglars Caught
In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.
1961—Rudolph Nureyev Defects from Soviet Union
Russian ballet dancer Rudolf Nureyev defects
at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.