Vintage Pulp Oct 4 2017
COFFIN CORNER
I think I've finally got his strategy figured out. Every time he throws a punch he hits me.


William Campbell Gault was a fan of sports—or at least of using sports as a backdrop for his fiction. In The Canvas Coffin the boxer hero Luke Pilgrim wakes up the morning after a tough title fight and fears he may have killed Brenda Vane, the woman he escorted to his victory party. He can't quite remember, though, what with all those blows to the head, but she's definitely dead, and he needs to unpuzzle the mystery before he ends up in prison. As set-ups go, this is a nice one. Guys who think they may have committed murder are staples of crime fiction and film noir, but the idea of making the character a concussed boxer is clever. Gault wrote about twenty sports thrillers, so he knew his stuff. Illustrator William George knew his stuff too, and produced a nice cover for this Dell paperback, dated 1954.

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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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Vintage Pulp Nov 5 2014
SPEED THRILLS
Oh boy, when you go really fast I feel it right here in my loins! Do it again!

Yet another subset of post-pulp literature was the hot-rod or racing novel. Henry Gregor Felsen made them his specialty and cranked out at least six books on the subject, but many other authors tackled the genre also. Above and below we have a collection of twenty-seven covers with racing themes, with art by Harry Schaare, et.al. A few of these came from the racing forum theroaringseason.com, so thanks to the original uploader.

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Vintage Pulp Aug 6 2009
NO MORE TEARS
Sorry, the agony from these unbelievably tight ropes distracted me. Did you say don’t cry for you?

William Campbell Gault, aka Will Duke, aka Roney Scott won an Edgar Award for Best First Novel when he published Don’t Cry for Me in 1952. Despite the nature of the prize, he was no novice writer—he had published many shorter length works before turning his talents to the novel form. His characterizations were uncommonly deep, and he worked hard at avoiding pulp’s cookie-cutter approach. For instance, the hero here lives next door to a pulp writer and constantly overhears bitter authors complaining about the travails of their profession. It’s an ironic touch, but more importantly, it’s a realistically quirky detail. You buy it because it has a tinge of real world weirdness. Like many pulps, the plot here involves an unidentified corpse and the trouble that tends to bring, but Gault’s unique voice elevates the tale. That voice made him one of the most respected and imitated pulp writers of his day. We suggest you check him out.

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History Rewind
The headlines that mattered yesteryear.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
November 24
1963—Ruby Shoots Oswald
Nightclub owner and mafia associate Jack Ruby fatally shoots alleged JFK assassin Lee Harvey Oswald in the basement of Dallas police department headquarters. The shooting is broadcast live on television and silences the only person known for certain to have had some connection to the Kennedy killing.
1971—D.B. Cooper Escapes from Airplane
In the U.S., during a thunderstorm over Washington state, a hijacker calling himself Dan Cooper, aka D. B. Cooper, parachutes from a Northwest Orient Airlines flight with $200,000 in ransom money. Neither he nor the money are ever found.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.
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