Vintage Pulp Apr 5 2017
ALL WORK, NO PLAY
You really want to turn me on? Try helping with the laundry.


“A lusty novel about Florida crackers,” the cover bluntly proclaims, but the crackers actually originate from Mississippi, which they've had to leave in disgrace after a preacher becomes the source of a scandal. In Florida he takes up his dubious ways while his son gets into woman trouble of his own. Author Charles H. Baker, Jr. wins extra points for his usage of the word “ho,” a tricky term, with so much encompassed by its single syllable, and which we've discussed in detail before.

Dell Publications pioneered the usage of mapbacks, which you probably know, but sometimes the company deviated from that tradition and this book is a very nice example. Just take a look at the amazing rear cover below. The front was painted by Victor Kalin, the back presumably by some under-appreciated in-house artist, and the whole shebang was published in 1951. 

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Vintage Pulp Apr 3 2017
STRICTLY VAN DOREN
Fluff the hair, fix the lipstick, commit third degree felony...

Above is another in our ongoing explorations of Horwitz Publications' usage of rising stars as cover figures for its series of Carter Brown paperbacks. Others we've had trouble identifying, but there's no doubt who this is—Mamie Van Doren, who made this hair lifting move one of her signature poses. Copyright on this is 1956.

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Sportswire Apr 2 2017
THE AMERICAN PASTIME
It's time to get up for the best sport in the world.


Yes, hope springs eternal in Major League Baseball, and in the 1948 book Batter Up hope even leads to history. Marty Shane is a very good college player who becomes a mediocre minor leaguer, but through hard work and conquering various obstacles he eventually becomes a major leaguer, and plays a key role in his team's championship season. The story is the standard mythology of professional athletics anywhere in the world, written basically for teens, but in such a way that adults can enjoy it too. The cover art is by Robert Frankenberg, and inside and on the rear you get more illustrations from him.

Baseball is a polarizing sport, isn't it? The on-the-field action can seem slow. But that's an illusion—the actual changing nature of the strategies is constant, occurring from pitch to pitch, and often between pitches. Pitching, batting, running, and defensive strategies differ each second, with constant influence from both the players on the field and the manager in the dugout. That's one reason the game is great—it's chess-like, but on a level that anyone can understand. If they're inclined, that is.

Many people, particularly younger people, aren't especially inclined. Major League Baseball is poised to change the rules of the game in an attempt to draw more young viewers. Will they never learn? Chasing corporate advertising dollars, the league sacrificed young viewers thirty years ago when it moved toward mostly night games, making it muchmore difficult for kids to attend games in person. The easiest way to ensure fresh generations of fans is to simply return to day games, including during the week, but instead they're contemplating a radical reworking of the rules to entice “low attention span” viewers.

A daytime baseball game has to compete with no other sporting event—there's literally nothing else occurring on a spring afternoon. These day games are how we got hooked—2:30 p.m. start time, sitting there with our fathers, first appreciating the fun environment, and then the action. During a spring night or on a weekend there are other sports choices, and those will remain more superficially interesting no matter what changes are made to baseball's rules. What rule change, after all, can make baseball more exciting moment to moment than say basketball, whose season runs all the way through June? Night games also end late, usually around 10:30, which keeps kids out until 11:00 or 11:30—too late for some parents.

Living overseas, we can't attend baseball games. Instead we play fantasy baseball, and we're pretty excited for the start of the MLB season today, having won our league twice in the last three years. Unfortunately, our draft didn't go as well as we'd have liked this time around. But hope springs eternal indeed. And baseball spans the best season of the year—glorious, endless summer, which is lovely whether your team wins or loses. You may be wondering if baseball is in any way pulp. We think so, and we explain our reasoning here. And speaking of fantasy baseball, see below... 

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Vintage Pulp Mar 28 2017
KEELER & CO.
In the end she was bigger than all of them.

Joachim Joesten's Der fall Profumo is a true account of the Profumo sex scandal that rocked Britain's conservative government in 1963, eventually brigning about the resignation of Secretary of State for War John Profumo. The book was translated from the original German into Dutch by J. P. M. van Elswijk for Dutch publishers De Kennemer and made into what you see above, and newly titled Christine Keeler.

The names of the other players in the story—Profumo, Yevgeni Ivanov, and Stephen Ward—were listed just below, so sometimes you'll see the title of the book written as Christine Keeler, Profumo, Ward, Ivanov. An unwieldy title perhaps, but the book came out the same year the scandal occurred, which means the names would have been instantly recognizable to bookstore browsers.

You've doubtless heard about Keeler and company as well, but if not check here for a quick overview. Even back then it was Keeler who was the central figure, and today she's the one that's remembered, while the others have become bit players in her story. That's why the beautiful cover painted by Dutch artist Martin Oortwijn is so appropriate. Obviously he was an illustrator with special talent. We managed to find a couple of other pieces by him, so we'll get to him a bit later. 

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Vintage Pulp Mar 26 2017
CENTER OF ATTENTION
Who's the hottest? I'm the hottest. Who's the coolest? I'm the coolest.


David Westheimer's Day into Night is a more serious novel than its cover would lead you to believe. It was originally published in 1950 as The Magic Fallacy, and the fallacy is the one harbored by youth that everything in life is beautiful. Westheimer promptly proves otherwise by telling the tale of a sixteen-year-old boy named Pershing who is stricken when his mother leaves his father, and later absorbs another blow when his father's remarries to a twenty-year-old femme fatale. You know where this leads—the new bride homes in on Pershing's missile. Westheimer went on to publish the hit thriller Von Ryan's Express, source for the movie of the same name. The top notch cover on this Popular Library paperback is by Rudolph Belarski, from 1952. 

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Vintage Pulp Mar 25 2017
TRIPLE PLAYING
Vice so nice they did it thrice.

Above, a cover for a rare triple novel featuring the sleaze work of Joan Ellis, Jill Hammond, and March Hastings. We like how the stories cover three different stages of life—Teen-Age Sex Party is high school, Office Playmate is the working world, and Experiment in Adultery is married life. A follow-up triple included Middle-Aged Miscreants, Retired but Desired, and One Dick in the Grave. Well, not really. But we missed our calling, don't you think? The cover art here is from Paul Rader, and the copyright is 1968. 

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Vintage Pulp Mar 23 2017
GUILTY AS SIN
Wait. Okay, you're right. No argument. I really messed up. But wouldn't it be an even bigger sin to shoot me?


Verne Tossey's cover art on this 1953 Signet paperback edition of Jack Webb's The Big Sin suggests that the sinner of the title is either the armed woman or her unseen target, but actually the sinner is someone who isn't even alive. It's a beautiful Mexican showgirl named Rose Alyce whose death has been ruled suicide by gunshot. But protagonist Father Shanley believes her death had more sinister origins, because Alyce was a devout Catholic he knew as sweet Rosa Mendez, and he's convinced she would never commit “the big sin.” You can only truly know someone inside the confessional booth, apparently. Shanley uncovers government corruption and teams up with detective Sam Golden on the way to solving the mystery, of which mobsters are an integral part. We ran across a beautiful dust jacket for the book from British publishers T. V. Boardman, which came from an interesting site called dustjackets.com that reproduces hardback sleeves for vintage books. That strikes us as a pretty cool idea. You can have a look at that site here.

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Vintage Pulp Mar 21 2017
A MANN AND A WOMAN
All right guys, new rules—I've decided to speed this process up by taking you two at a time.


You're familiar with the Mann Act, right? Basically, it's a law that forbids transporting any female across state lines for debauched purposes. Generally, it was applied to men who had sex with underage girls, but not always. In One by One, the hero drives a dancer named Dolly Dawn from Los Angeles to Las Vegas and has sex with her, whereupon she threatens to call police and have him prosecuted under the Mann Act if he doesn't continue to indulge and take care of her. The action revolves around his repeatedly thwarted efforts to extricate himself from her sticky web. One very interesting aspect of the book is that it's a period piece, set nineteen years before its 1951 publication date. Also, if you're looking at the cover blurb and thinking “less morals” sounds weird, you're right that it's grammatically off. Morals is a plural noun, so you'd have fewer morals, not less. We imagine the editors knew that and wrote the blurb colloquially to connect with the reading audience. It probably didn't matter, because the cover art alone pretty much sells this book. But it's uncredited, which is a shame.

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Vintage Pulp Mar 19 2017
CATTY CORNER
Okay, okay, I'll take out the garbage when I get home. Just let me finish this other thing first.

Our subhead is a little inside joke with the Pulp Intl. girlfriends. But not really that inside, because inside jokes can't be figured out by outsiders, whereas this is pretty straightforward—we always forget to take out the garbage. The look on the woman's face is perfect. We see it constantly. Cover artist Robert Stanley used this type of guileless expression often. He really had painting it down pat. There's only one explanation for that—he forgot about the garbage all the time too. 

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Vintage Pulp Mar 18 2017
ADAM AND EVIL
You brute! Why don't you enslave someone your own size!


Above, more Down Under goodness from Australia's Adam magazine, with a cover from this month in 1969 depicting a scene from Mark Bannerman's “Murder in Marseilles.” It's a tale of kidnapping and slavery, or as the author constantly puts it, “white slavery.” This is a term you run into often mid-century and pulp literature, and of course the idea is that enslaving white people must be specially pointed out, as it's presumed to be orders of magnitude more evil than just plain slavery. In this case, a “swarthy Algerian” is the villain, and a Marseillaise beauty is the target. Do we need to tell you this plot is foiled? Of course not.

Adam offers another interesting feature—a piece of factual journalism entitled “Wild Girls of the American Suburbs.” It's about apartment complexes for singles, which are described as if they're twenty-four hour sex parties. All of this being well before our time, we weren't sure if such places actually existed, but it seems they did, in locales all over the U.S., particularly San Francisco, the Jersey Shore, Myrtle Beach, and Fire Island. Apparently Los Angeles had a famous one called Villa Dionysus, which we can't help noticing would be initialed V.D. Hopefully a walk-in-clinic was somewhere in the same zip code. Twenty-seven scans below.

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History Rewind
The headlines that mattered yesteryear.
April 28
1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing.
1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe.
April 27
1945—Mussolini Is Arrested
Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini's fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable.
April 26
1933—The Gestapo Is Formed
The Geheime Staatspolizei, aka Gestapo, the official secret police force of Nazi Germany, is established. It begins under the administration of SS leader Heinrich Himmler in his position as Chief of German Police, but by 1939 is administered by the Reichssicherheitshauptamt, or Reich Main Security Office, and is a feared entity in every corner of Germany and beyond.
1937—Guernica Is Bombed
In Spain during the Spanish Civil War, the Basque town of Guernica is bombed by the German Luftwaffe, resulting in widespread destruction and casualties. The Basque government reports 1,654 people killed, while later research suggests far fewer deaths, but regardless, Guernica is viewed as an example of terror bombing and other countries learn that Nazi Germany is committed to that tactic. The bombing also becomes inspiration for Pablo Picasso, resulting in a protest painting that is not only his most famous work, but one the most important pieces of art ever produced.
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