We’re jumping right into our treasure trove of newly arrived tabloids today with a glance at this issue of The Lowdown published in March 1965. On the cover you see Jean Harlow, Carroll Baker, and Ed Sullivan. We talked about Baker recently and there she is in that crazy gown again (below)—or is she? No, on close examination this is yet another version of the dress. Clearly, the photo was shot on a different night than all the others because her hair and jewelry are different. But the actual dress also looks slightly different from both the Oleg Cassini and Pierre Balmain iterations. A reference in the story clears things up at least a little: “Transparency gowns are another of her big passions and she often wears them.” There you have it. Half naked was a fairly standard look for Carroll Baker. They just don’t make stars like they used to.

You might be curious what the article is about. On the cover the header reads: “The Night Carroll Baker Played a Call Girl,” but on the inside, it says: “The Night Carroll Baker Played a Harlot!” The story goes that she wanted to research her role as a prostitute in the movie Sylvia, so sheventured down to Tijuana, Mexico, toured a few brothels, and somehow disappeared alone for two hours: “We don’t know what happened in the house in Mexico or what sights she could have barged in on, but that is bouncy Miss Baker’s bit.” Lost in a Mexican whorehouse. The mind reels. Do we buy it? Not for a minute.

In the wee hours of the morning, Jean’s agent [Arthur] Landau received a frantic call from her asking that he come and get her immediately. When [they] got to Landau’s home, according to the agent, Jean stripped off her filmy wedding nightgown to reveal her beautiful body a mass of welts and bruises. “Her back and buttocks were covered with bruises. There was oneespecially bad bruise directly over her kidneys.” The implication here is because Harlow died several years later of kidney failure that she incurred the fatal damage during that wedding night beating. It gets weirder—brace yourselves. Landau goes to Paul Bern’s house, geared for a confrontation:

Paul had prepared himself for death by removing all his clothing and stood before the dressing room mirror. [snip] And, staring at his tormented body, he pulled the trigger. The nudity added a sexual element to his suicide that encouraged a spectrum of interpretations of his farewell note:

What was the comedy? Harlow said nothing to the press. But according to Arthur Landau, she told him Paul Bern had spent $200 on a device to increase his manhood. Wearing the contraption he had entered their bedroom intent on finally consummating their marriage. This hope was doomed from the start and the whole plan turned into such a tragic farce that both he and Jean finally gave way to hysterical laughter. That’s probably one of the sadder stories you’ll ever hear. Is it true? It appeared in a biography about Harlow, but we can never know. We can, however, at least answer the question posed by The Lowdown’s story header. No—Jean Harlow’s sex life was not hot at all.

Above is a random shot from the USC digital photo archive of a man hanged, either by his hand or others, from a Los Angeles underpass located at West First and North Figueroa. At left in the image you a see a detective using an official LAPD pokin’ stick to turn the corpse for a better look. Except it actually kind of looks like he’s sizing up a piñata purchased from the world’s least festive party supply store, and we can be sure that if he gave it a good whack it wasn’t candy that came out. Meanwhile, the cop below must be thinking that the detective’s exam might not be so hard to pass after all. This happened today in 1951. 

We found a few interesting shots from the USC Film Library and thought we’d share them. The four photo sequence above shows the aftermath of a suicide attempt in Santa Monica, California. The woman leapt from a well-known bluff in Palisades Park and landed on the Pacific Coast Highway about forty feet below. It was a serious attempt, as you can see from the woman’s battered state, but she survived. That was today, 1951. 

Above is a lovely image of American actress Jean Seberg, who streaked across the cinematic firmament at the end of the 1950s in movies like Lilith and Breathless, but once famous quickly learned that freedom of association was a right that was guaranteed only if one didn’t actually exercise it. When her political support for civil rights groups became known to federal authorities, they made her a target of the FBI’s infamous COINTELPRO, which was a covert, illegal spying program aimed at American citizens whose political activities were deemed a threat to the status quo. The FBI harassed and discredited Seberg, and surveilled her both in the U.S. and abroad, all while hiding its involvement, and that of high ranking government officials, including U.S. President Richard M. Nixon. Seberg ended her turbulent life by committing suicide in Paris in August 1979, and her family as well as numerous fans blamed the FBI and U.S. government for pushing her over the edge. The above image was made many years before, in 1963. 

Here’s another shot from the Los Angeles Public Library online photo archive, sort of an addendum to our October post on crime scene photo diagrams. This time what we have is a diagram of a suicide, which took place today in 1958 when a man with the unlikely name of Ogden Sells threw himself from a top floor window of the Park La Brea Towers in Los Angeles. The arrow makes it seem as if Sells hooked like a Sandy Koufax curveball, but we can assume he fell hard and straight. More from the USC archive to come. 

This uncredited photo shows a suicide jumper in mid-fall sometime during the mid-1950s, somewhere in downtown L.A. (we've seen this photo elsewhere dated 1966, which is wrong, based on the two new-looking cars parked below the jumper, and the sign which we think advertises 1955's The Magnificent Matador with Thomas Gomez). It came from the University of Southern California digital archive, where there are tens of thousands of mid-century photos from Los Angeles and its environs. We’ll post more shots in the days and weeks ahead. 

Above is an August 1962 Master Detective with great cover art of a lady in red being taken into custody, and clearly this isn’t a Wall Street bank she works at, because at those taxpayers’ money is free for the taking. Since it’s getting toward the best part of baseball season over in the U.S., the blurb that intrigued us the most on this cover was the final one, telling us that Tito Francona—father of current Boston Red Sox manager Terry Francona—was somehow involved in solving a murder. We’re told that he “belted a homer that led Tucson police to a killer”, and we were expecting the story to be some kind of convoluted mystery. But no—the blurb is meant literally. Francona hit a home run during a Cleveland Indians spring training game in Tucson and the ball actually landed next to a body that was hidden in brush beyond the right field wall. The body belonged to a fugitive who was wanted for the murder of his unfaithful wife’s lover. He had chosen that unlikely spot to commit suicide by shooting himself. Case solved. So Francona didn’t exactly enter stage right and help unravel a Da Vinci Code style puzzle, but the story is still an interesting historical footnote. Baseball is the type of sport where players and fans tend to believe in curses, so maybe a purification ceremony where the body was found would help the Indians finally win a World Series. It’s been sixty-two years and counting. 

Cover of the New York Daily News from today in 1962, the day after Marilyn Monroe was pronounced dead from a drug overdose.