Vintage Pulp Jul 1 2014
AFTER THE FALLS
Monroe may wobble but she won’t fall down.


Marilyn Monroe shows up just about everywhere, and here she is yet again where we didn’t expect to see her—fronting a Malaysian film publication that appeared today in 1953. The magazine, called Filmalaya, is in English, which marks it as aimed at the British colonial community that occupied the upper stratum of society in Malaysia and Singapore. The cover photo is from a publicity series made when Monroe filmed the movie Niagara in Ontario, Canada in late 1952, and let’s just assume her perch is not as precarious as it seems and there’s a handy ledge or lawn behind her in case she goes heels up. But if she does, there are other stars in the magazine, such as Joan Collins, Betty Grable, Rhonda Fleming, Ava Gardner, and Nat King Cole.

Filmalaya represents an interesting snapshot into colonial society, as in the article about Queen Elizabeth’s coronation in London, which describes the thrills and excitement in Malaysia during the event. Doubtless, the mood around the Commonwealth probably seemed festive when viewed from inside the colonial bubble, but we doubt actual Malaysians were particularly moved. Needless to say, this magazine is rare, but luckily items from Asia are often a bargain, so this cost a mere six U.S. dollars. While the inside is nothing special visually speaking, that doesn’t matter when the magazine has this great cover and is such an informative slice of history. We’ve uploaded a few of the best pages below. Enjoy. 

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Vintage Pulp Jun 8 2014
TAKE YOUR PIC
All celebrities great and small.


We’ve featured Pic magazine only once before, but not because it was an unimportant publication. Quite the opposite—we’ve seen issues as early as 1936 and as late as 1958, making it both a Depression and World War II survivor, presumably no easy feat and certainly a run indicative of sustained popularity. Early issues seemed focused on sports, but it soon broadened to include celebrities. It was launched by Wagner Publications of New York City, and this issue appeared in June 1952 with a cover featuring actress Suzan Ball placing a crown on the head of Akton Miller, a man Pic had chosen as its Hot Rod King. Inside you get a raft of Hollywood stars, including photos of Yvonne De Carlo in Uruguay, Marilyn Monroe, Janet Leigh, and Joan Vohs, shots of New York Giants manager Leo Durocher and his beautiful actress wife Laraine Day, and some nice boxing pictures. There’s also an interesting feature on the day’s top vocalists (with African-Americans notably excluded), and a profile of crooner Tony Bennett. 

But it’s Suzan Ball’s story we’re interested in today. Her path to show business was so typical of the period as to be almost banal—she was spotted in a Santa Maria, California newspaper after winning a cake baking contest. Universal-International scouts thought she looked a bit like Jane Russell, so they swept her up, shuttled her down Highway 101, signed her to a contract and began selling her as a hot new Tinseltown commodity, proclaiming her the New Cinderella Girl of ’52. Soon the influential columnist Hedda Hopper took up the refrain, naming her one of the most important new stars of 1953, thus ensuring that year would belong to Ball.

It was then that her train to stardom jumped the tracks. She injured her leg performing a dance number in East of Sumatra, and later in the year had a car accident and hurt the leg again. Treatment for those two injuries led to the discovery of a cancerous tumor. Soon afterward she fell and broke the limb, and when doctors decided they couldn’t remove the tumor they instead took the entire the leg. That was in January 1954. Ball soldiered on in her show business career with an artificial leg, starring in Chief Crazy Horse, though she lost fifteen pounds during the production, and later playing nightclub dates and appearing on television shows. In July 1955 she collapsed while rehearsing for the show Climax, whereupon doctors discovered the cancer had metastasized and spread to her lungs. A month later she died at age twenty-one. We have about fifty scans below.

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Vintage Pulp | Politique Diabolique May 7 2013
THE GUNMAN IN HIS LABYRINTH
Police Gazette gets readers up to date with Ava Gardner but it’s their Castro story that leads someplace interesting.

Above are a couple of scans from an issue of The National Police Gazette published this month in 1963 with cover star Ava Gardner. Gardner had been living in Spain and hadn’t been in a movie in three years, but was about to appear in the historical war drama 55 Days at Peking with Charleton Heston and David Niven. The Gazette discusses how she’d gotten fed up with the U.S.—particularly the American press. She had been particularly annoyed by the rumor that she was involved with Sammy Davis, Jr., a story that took flight after several magazines published photos of the two holding hands. When asked why she was returning to Hollywood after being out of circulation for so long, Gardner, in typically blunt fashion, replied, “I need the money.”

Moving on, we’ve pointed out that the Gazette made a longstanding habit of using Adolf Hitler on its covers, but his wasn’t the only face that moved magazines. After Fidel Castro assumed leadership of Cuba, the Gazette regularly wrote scathing stories about him. We’ve already learned that he let Viet Cong killer squads train in Cuba, and that he planned to “arm southern Negroes” in order to foment revolution in the U.S. Well, now we learn he was also a rapist. Figures, right? He might have been supreme leader of an island filled with beautiful women, but people always want what they can’t have—in this case, a teenaged ship captain’s daughter named Lisa. Gazette writer Bob Hartford cranks up the melodrama:
 
Castro laughed drunkenly as he weaved his way into Lisa’s sitting room.
 
“Have you changed your mind, my pet?” he demanded.
 
“No,” replied the brave but frightened girl.
 
All Castro needs at that point is a Lacoste sweater and a fraternity paddle and his transformation into pure evil would be complete. But as fanciful as the story seems, Lisa really did exist. Her real name was Marita Lorenz and she was Castro’s live-in mistress for several months in 1959. While Lorenz herself never suggested she was ever raped by Castro, the two did have a falling out around the issue of her unplanned pregnancy, which was terminated in its sixth month. Lorenz later said the abortion was forced on her while she was drugged; Castro’s associates claim that she wanted it. Lorenz went on to join anti-Castro activists in the U.S., and on a fundraising visit with the deposed Venezuelan dictator Marcos Pérez Jiménez, became involved with him. She was still traveling to and from Cuba, and was recruited by the CIA for a Castro assassination attempt. But instead of poisoning his food, like she’d been instructed, she abandoned the plot, supposedly because she still felt strongly for him. Lorenz later wrote about all this in two autobiographies.
 
In 1977, Lorenz told the New York Daily News that she met Lee Harvey Oswald in autumn 1963 at a CIA safe house in Miami. She claimed she met him again weeks later along with a group of anti-Castro Cubans and they had Dallas street maps. We all know what happened next. Lorenz eventually testified about this before the House Select Committee on Assassinations, but her story was deemed unreliable. We suppose bouncing between two dictators and acting as a double agent will tend toraise a red flag with American congressmen, though these things have no bearing on whether she was telling the truth. It’s interesting though, isn’t it? You’d think that if a single man of his own accord assassinated another man the surrounding circumstances wouldn’t be so… labyrinthine. Yet lurking near the supposed black swan event of the Kennedy killing were double-agents like Lorenz, spooks like E. Howard Hunt, underworld figures like Eladio Ceferino del Valle and others. Just saying. In any case, we’ll have more from the Police Gazette and more on Fidel Castro soon.

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Vintage Pulp Apr 22 2013
AN UNCENSORED WORLD
Uncensored takes readers from New York City to Spain to Havana in search of dirt.


Uncensored returns to Pulp Intl. for the first time in over a year with an issue published this month in 1955. The story of Ava Gardner and Frank Sinatra’s tumultuous relationship (and the Spanish bullfighter who helped ruin it) has been covered numerous times, so no need to get into it again just now, but the photos are certainly worth a look. Uncensored shares other nice images as well. There’s Eartha Kitt (described as not much to look at “unlike such Negro beauties as Dorothy Dandridge and Lena Horne”), Sarita Montiel (who in Mexico was allegedly on the receiving end of a horsewhipping by Miguel Aleman’s jealous wife), and Marlene Dietrich (seen both onstage performing and offstage fulfilling a G.I.’s request for a kiss). The latter photo, from 1945, appeared in Life and many other magazines and remains one of the most famous Dietrich images. So Hollywood starlets take note: if you want millions of dollars in free publicity, no need to get arrested or leak nude photos—just kiss a fan.

Uncensored readers also meet Father Divine, (who we wrote about here), his alleged rival Prophet Jones, get a glimpse of nightlife in the so-called Bohemia of NYC’s Greenwich Village, and are introduced to “The World’s Hottest Hot Spot,” Havana, Cuba. Readers see photos of an actual drug deal taking place on some backstreet and learn that the city is “Babylonian bedlam,” where “one can buy marijuana, cocaine, forbidden wormwood liquor, illegal bon bons, or just oblivion.” There’s a photo of a woman outside a revolving repository at Havana’s Orfanato Beneficia (Beneficia Orphanage) where mothers could leave their unwanted babies as easily as mailing a postcard. The caption on the photo? “Despite its bawdiness, Havana has a heart.” A baby depository? Is it any wonder there was a revolution? Twenty-four scans below for your enjoyment.

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Vintage Pulp Dec 11 2012
FINAL APPEARANCE
First time we’ve seen it, but hopefully not the last.


Above is the cover of an issue of Final, a publication we had never heard of before, but which is certainly big budget and hit the streets this month in 1950 courtesy of Gambit Publishing out of New York City. The cover star is model Joy Niven, who we also had never heard of, but who was photographed by famed Marilyn Monroe lensman Earl Leaf. This Final has taken a bit of wear over the last six decades, but kudos to the Denver Book Fair for acquiring it, sealing it so its deterioration stopped, and selling it to us cheap. Now we’ve carried it across an ocean, opened it, and exposed it to the elements, but all in an effort to scan it for posterity. For as we discussed before, if it isn’t digital and accessible to the masses, does it really exist at all?

Final is basically a tabloid, with a bit of crime, a bit of politics, a bit of sports, and a lot of celebrity dish. There are quite a few interesting items inside. In the Picture of the Month you see Canadian actor Rod Cameron with Portuguese model Angela Alves-Lico. They had just met earlier on the beach and, according to Final, she was driving home, and Cameronwas following in his car, when she had an auto accident. Our first thought, because they’d just met and “following her home” sounds a bit stalkerish to us, is that maybe she crashed because she was trying to get away from him. But perhaps not—Cameron and Alves-Lico soon married each other.
 
Later on you get an investigative report from inside Major League Baseball. What’s being investigated? Whether baseball is still prejudiced against Negroes. Short answer—yes. The reason Final was asking was because Jackie Robinson, Larry Doby and others had been playing in the Majors for a few years, prompting certain elements of the punditry to pronounce prejudice in baseball beaten. Of course that was ludicrous to even suggest, and Final’s report singles out the Philadelphia Phillies, St. Louis Cardinals, Cincinnati Reds, and Chicago Cubs as clubs that would not under any circumstances employ a black baseballer. Of those, the Phillies held out longest, employing their first African American baseball player a full ten years after Jackie Robinson had arrived with the Brooklyn Dodgers.
 
Probably the highlight of the issue, for us at least, is an article asking nineteen prominent ministers if they think the use of a nuclear bomb by the U.S. in Korea could be justified. Of the nineteen, only three unambiguously say it would be wrong. Most of the others echo theopinion of the compassionate Rev. B. W. Hancock: “If our military feels that it would establish peace, then I would favor it.” Truly, Hancock must have spent a lot of time with his cock in his han to come up with that one. It makes us think of the famous Tacitus quote: “Ubi solitudinem faciunt, pacem appellant.” Or, “And where they make a desert, they call it peace.” Yes! Three years of high school Latin and we finally worked that shit into a post. Nice! Anyway, for various reasons, the U.S. never nuked Korea, so we hope the ministers weren’t too disappointed.
 
Elsewhere in Final you get Australian nudists, Parisian white slavers, professional seers, forced sterilization, Ava Gardner in the Mediterranean, Patrice Wymore and more. We don’t know if we’ll ever run across another issue of Final, but we will certainly be looking. And in the meantime this one will go back in its plastic and—who knows?—with a little luck, it might survive another sixty years. More scans below.

Update: Pamela writes in and says, "The best part about that Rod Cameron/Angela Alves-Lico story is that after ten years of marriage, Cameron divorced her. And married her mother. Yep...the woman on the right in that photo.

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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Femmes Fatales Apr 20 2012
MAN EATER
A leopard can't change its spots.

Actually, referring to Ava Gardner as a man eater is a bit sexist, but the term matched her outfit, so we went with it. It's fairer to say that she went after what she wanted. She wanted and got Frank Sinatra, Howard Hughes, Artie Shaw, Luis Miguel Dominguín, and a string of lucky others stretching from Hollywood to Madrid. This shot, from a famous session that produced many images, dates from the mid-1950s.

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Hollywoodland Nov 16 2011
CALIFORNIA SPLIT
Or how Ava got her groove back.

Ava Gardner, who was nineteen years old when she married Hollywood star Mickey Rooney in January 1942, is shown here in a Los Angeles divorce court just fourteen months later seeking to dissolve the union. The grounds? According to Gardner, Rooney wouldn’t stay home nights and repeatedly told her he thought the marriage had been a mistake. That's the sanitized version. The truth was Rooney compulsively sought sex, and spent much of his free time chasing other women, as well as patronizing the T&M Studio, a West Hollywood brothel where the girls were movie star look-a-likes. We know what you’re thinking, but Gardner was not a well-known actress in 1942/43, so oods are there was no Gardner look-a-like at the T&M Studio for Rooney to enjoy. Still though, how incredibly twisted would that be? Anyway, this photo of Gardner looking her devastating best is from May 20, 1943. Her divorce became official twenty-four hours later, but she didn’t celebrate. Her mom died that day. 

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Vintage Pulp Oct 16 2011
DIVINE INTERVENTION
Where did he come from and where did he go?

This Whisper from October 1955 examines Ava Gardner’s love life, Ernest Hemingway’s courage, and Marilyn Monroe’s mole, all of which, while worthwhile subjects, are less interesting to us than the piece on Father Divine. Who was Father Divine? Well, he was a preacher who claimed to be God and had as many as two million followers during his heyday in the 1930s. Of course, that number depends on where you do your research. Some sources try to distinguish between “true followers” and sympathizers who attended his rallies, but that’s like saying seventy percent of the people at a rock concert aren’t true fans. Attendance at events is an accepted method for determining popularity, and considering the fact that Father Divine had verifiable rallies in places as far away as Switzerland and Australia, we think the two million figure is accurate.

Why was he so popular? Hard to say. Charisma and an imaginative doctrine are givens. But it was national exposure that really helped swell the ranks of his followers. From the point of view of a typical magazine editor, you eventually can’t resist writing at least a blurb about a person who claims to be God. When that person proves to be polished and intelligent, and his belief system more nuanced than suspected, the article becomes its own public relations. Thanks to steady press coverage, what started as a local congregation in Brooklyn, New York eventually spread to become a multi-ethnic and pan-national movement. But with popularity came scandals. The most notorious of these was when a Divine follower named John Hunt, a California millionaire who had dubbed himself John the Revelator, kidnapped a 17-year-old girl named Delight Jewett and repeatedly had sex with her, either before or after brainwashing her into thinking she was to be the “mother of the new redeemer of the world,” i.e., a new Virgin Mary.

Father Divine’s ministry survived the Hunt scandal and others, and in fact only began to shrink as Divine himself aged and became less active. The cover of Whisper asks if he is dead. Fair question—he was pushing eighty by then and hadn’t been seen in public for months. But he would resurface weeks later in a flurry of press coverage, pronouncing himself“healthy in every organ, muscle, sinew, joint, limb, vein and bone, and even in every atom, fiber and cell of my bodily form.” But Divine was in fact in declining health and had been for some time. Ten years later he died of natural causes at the age of (because his exact birth date is unknown) eighty-nine or ninety. Or he left behind his corporeal form and permanently inhabited his spiritual one. Depending on whom you ask. 

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Vintage Pulp Oct 6 2011
EURO EXPOSURE
Sabrina slips her top in London and Ava replaces her Spanish bullfighter with an Italian actor.

This issue of Exposed from October 1957 gives top billing to British sex symbol Sabrina, aka Norma Ann Sykes, and tells us she lost her dress in the street and caused a riot. How did it happen? During a public appearance in London someone supposedly stepped on the hem of her dress. The garment came off, the Brits went bonkers over her 41-inch bare bust, and Sabrina was so distressed that she fainted, so we’re told. Is this story true? We tend to think so, because Exposed goes on to ponder whether the whole fiasco was a publicity stunt. Their ruminations lend the tale just the right element of verisimilitude, so we’re going to say yes, it probably happened. Also on the cover of Exposed, like clockwork, appears Ava Gardner. Readers are told she’s doing the dirty with Italian actor Walter Chiari. This would have been after splitting with Frank Sinatra but before the official divorce. But wait—didn’t we just write about her seeing Spanish bullfighter Luis Miguel Dominguín while also still married to Frankie? Come on people—that was so 1956. Sometimes you have to wonder how Gardner had time for all these affairs, but let’s just say that if she liked a man she always found a way to squeeze him in.  

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History Rewind
The headlines that mattered yesteryear.
October 31
1984—Indira Gandhi Assassinated
In India, Prime Minister Indira Gandhi is assassinated by two of her own Sikh security guards in the garden of the Prime Minister's Residence at No. 1, Safdarjung Road in New Delhi. Gandhi had been walking to meet British actor Peter Ustinov for an interview. Riots soon break out in New Delhi and nearly 2,000 Sikhs are killed.
October 30
1945—Robinson Signs with Dodgers
Jackie Robinson, who had been playing with the Negro League team the Kansas City Monarchs, signs a contract with the Brooklyn Dodgers to become the first African-American major leaguer of the modern baseball era.
1961—Soviets Detonate Super Nuke
The Soviet Union detonates an experimental nuclear weapon called Tsar Bomba over the Arctic Circle, which, with a yield of 100 megatons of TNT, was then and remains today the most powerful weapon ever used by humanity.
October 29
1901—William McKinley's Assassin Executed
Leon Czolgosz, the assassin of U.S. President William McKinley, is executed at Auburn State Prison in Auburn, New York by means of the electric chair. Czolgosz had shot McKinley twice with a cheap revolver and the President had lingered for several days before dying. After Czolgosz is executed, he is buried on prison grounds and sulfuric acid is thrown into his coffin to disfigure his body and result in its quick decomposition.
1982—Lindy Chamberlain Convicted of Murder
In Australia, Lindy Chamberlain is found guilty of the murder of her nine-week-old daughter. The baby was killed during a camping trip in the Australian interior. Chamberlain claimed a dingo had taken the baby, but a jury decided Chamberlain cut the infant's throat and buried her. The body was never found, but forensic experts played a large role in the conviction. Four years after the trial the baby's jacket is found inside a dingo lair, backing up Chamberlain's claim, and she is released from prison.

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