|Vintage Pulp||Jul 3 2020|
All in all, The Fighting Edge is an entertaining piece of historical fiction, with digressions into ranching and range wars, but readers who understand that the taming the West was part of a larger genocide against Native Americans might not be fans of Raine's mythologizing. The book unambiguously sees justice as subordinate to supremacy. As events unfold, the local Utes become furious that the killing of one of their braves by the aforementioned Jake Houck goes unpunished, but their decision to go on the warpath is bad for the grand design, thus they must be violently suppressed. Sound familiar? The more things change, and all that. Raine never imagined his work would be relevant a hundred years after he wrote it, we're sure, but there you go.
|Vintage Pulp||Jun 12 2018|
The second reason we decided to talk about this movie is because it has amas in it. Yes, we just talked about amas a couple of weeks ago when we shared a poster for Woman Diver's Beach: Red Pants. But if you missed that, we're referring to female Japanese skin divers who forage in shallow waters for pearls and aquatic delicacies. The entire concept of the ama was obscure at best in Western culture until they appeared onscreen in You Only Live Twice. They first appear in the film briefly when Bond looks at a surveillance photo, but later he goes undercover as a Japanese man (we know, we know) and has to pretend to marry an ama named Kissy Suzuki. The character is played by Mie Hama, who we've featured a couple of times. See here and here. Oh, and You Only Live Twice had its world premiere in London today in 1967. That's the third reason we decided to talk about it.
|Vintage Pulp||Dec 4 2016|
This 1949 Pocket Books paperback of In a Lonely Place by Dorothy Hughes is a rarity. The novel is abundantly available today, but the first edition paperback you see above is hard to find. The story was made into a 1950 movie starring Humphrey Bogart and Gloria Grahame, but the final product bears little resemblance to the novel. Actually, the movie is a lesson in how source material can be completely cannibalized yet still made into a superior product. In a Lonely Place the movie, after all, is considered one of the best of the mid-century noirs. We said the same about it last year. But unlike the film, Hughes' novel leaves no doubt that main character Dixon Steele is a murderer. In fact, it's the central plot device—he kills a wealthy man and assumes his identity. The novel is said to be an inspiration for Patricia Highsmith's famed murderous grifter Tom Ripley. The nice art on In a Lonely Place was painted by Frank McCarthy, a prolific illustrator of paperbacks and magazine covers who toward the end of his career moved into fine art with frontier and western themes. We haven't featured him before but he'll doubtless pop up again.
|Musiquarium||Oct 25 2011|
We ran across a rare, Japanese-issued James Bond theme song collection and decided to steal a few photos because inside was this brilliant poster of George Lazenby by Frank McCarthy. Lazenby took over the Bond role for 1969’s On Her Majesty’s Secret Service, in which the character got married only to see his new wife gunned down at film’s end. We’ve been involved in some spirited debates about where Lazenby fits in the Bond pantheon—some of his defenders even say he was the best Bond. We wouldn’t go that far, but he did have one of the best theme songs, Louis Armstrong’s “We Have All the Time in the World,” which opens this compilation. Ironically, Lazenby didn’t have much time—United Artists booted him out of the Bond role the next year when Sean Connery returned to film Diamonds Are Forever. If you haven’t seen On Her Majesty’s Secret Service we recommend it. And you can listen to “We Have All the Time in the World” here.
|Modern Pulp | Vintage Pulp||Feb 15 2011|
James M. Cain was never one to shy away from provocative subject matter, and The Butterfly, published in 1946, is no exception. In this one a middle-aged coal miner arrives at his backwoods home one day to find a nineteen year-old girl sitting on his stoop. It turns out she’s his long lost daughter, who he’s never known because his wife left him eighteen years ago. The girl, Kady, is precocious to say the least, which means seduction inevitably follows and, just as inevitably, dangerous complications pile up rather quickly. But nothing is quite what it seems and by the end, paternity is in doubt all over the place. The Butterfly isn’t considered one of Cain’s best, but we thought it was a diverting read, certainly worth the time spent. As with most Cain books, it had many editions, but this one is the 1964 Dell paperback, which we think has the best cover art.
Moving on to the 1982 film adaptation, entitled simply Butterfly, we find ourselves running out of kind words. The film starred Pia Zadora, and while it generated some good reviews and a lot of publicity owing to its supposed steaminess, time has since rendered a judgment and it isn't a kind one. Zadora was not the person for the role of Kady. We have little doubt she's alluring in real life, but cinema is not real life and it takes more than just ordinary beauty to light up the screen as a femme fatale.
It's the same with men, typically. Bogart wasn’t a classic looker, but he had that thing. Zadora doesn’t. The critics who defended her in this role are still answering for it today, and her award as Newcomer of the Year ranks as one of the Golden Globes' biggest embarrassments. Despite her unwonderful performance, Butterfly is worth a glance for its camp factor, as well as for appearances by Orson Welles as a smalltown judge and Ed McMahon as a boozehound. But if you really want to be entertained, read the book instead.
|Musiquarium||Nov 19 2009|
James Bond soundtrack albums and singles, with production art covers, plus paintings by Frank McCarthy, Robert McGinnis and others.