Vintage Pulp Apr 27 2024
THE MAUSER THAT ROARED
Gun goes bang-bang, problem goes bye-bye.


Above is a cover for Jean-Albert Foëx's 1954 crime novel Le Mauser ne s'use que si l'on s'en sert..! painted by French illustrator Jean David, whose work we've shown you before, notably here and at the bottom of this collection. We aren't happy with David's visual treatment of the black character at the lower right, but you can't doubt his technical proficiency. This book, the title of which translates to, “the Mauser only wears out if you use it,” deals with a supervillain named Luciole who gets up to no good in Mexico and is soon pitted against protagonist Milo Tchero and his crack team of sidekicks. We gather these are recurring characters but we don't know how many appearances they made. The publisher here, E.D.I.C.A., liked wraparound covers, as you can see on an example we shared a while back. Jean David will return.
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Vintage Pulp Jun 22 2020
DEAD DRUNK
Come on, one more won't kill you.


Jean David is one of the great French illustrators of the mid-century era, and this cover for Kathy Woodfield's 1955 novel Massacres à l'anisette shows him at his best. Woodfield, as we recently mentioned, was a pseudonym for André Hélena, and he wrote this for the Parisian publisher Éditions de la Seine for its Collection Rafale. David was based in Marseilles and was active from the 1940s and onward, working often with Le Méridional, and specializing in small drawings for V magazine. In our opinion he truly shone on paperback covers. Take a closer look below at how beautifully rendered his female figure is. He did far too few book covers. In fact we've seen only a handful. But you can bet that each time we run into one we'll share it here. We think he's great. You can see some of his mini art here, and another brilliant paperback cover at the bottom of this post.

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Hollywoodland Sep 5 2017
NOW YOU V IT
You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.


This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at editor@pulpinternational.com. The photo is a Warner Bros. promo, and you already have the year.

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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts.

French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover.

We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.

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Vintage Pulp Oct 11 2014
A REAL MOUTHFUL
Not only is she fun—she’s easy to swallow.

Souris à croquer means “chewable mouse.” Nothing more to add there, really, except to speculate that maybe it’s a slang phrase. French friends help us out. Moving on, you may already know the master illustrator Jean David, who signed his work J. David. Did he write this book? We have no idea, and neither did anyone else we asked. Considering J. David painted from the 1940s onward, and this book by Jean David appeared in 1958, it’s certainly possible they’re the same person. Note to selves: more research. Souris à croquer, by the way, means “chewable mouse.” Did we mention that already? Well, it bears repeating. The cover art here is not by J. David, but by Jihel, aka Jacques Leclerc. 

Update: Jo B. from Marseille has the answer, writing: "Souris à croquer" means "a mouse to eat."  "Mouse" is a little slang term (not vulgar) to designate a pretty girl. "Croquer" is the way you eat an apple, a bar of chocolate or something like that. I don't know the real word in English (munch, crunch?). Maybe we have two mice to crunch on the cover as "souris" can be one mouse or many mice.

Thanks so much Jo.

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Vintage Pulp Aug 22 2013
V-LUXE MODEL
It takes a lot of work to make a cover look this good.

This issue of France’s V magazine was published today in 1948. On the cover, in a lovely photo-illustration, is a person named Corinne Lander, who we looked up and found nothing about whatsoever, which means she was probably a model or showgirl. She appears inside as well in a small feature explaining (if our French is right) how much work went into her posing, shooting and retouching—sixty-two hours total, we’re informed. Also inside you get art from Jean David, swimming lessons using a chair, and more. To see our other Vs click its keyword below. 

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Vintage Pulp Jul 11 2013
V A LA MODE
They’re only being nice because they want to know where he bought his paisley sarong.

Above is the cover of an issue of V published today in 1947. Inside are various celeb and cinema features, a photo-comic written by the famed Maurice Dekobra, a back cover by Jean David, and plenty of photography, including the feature “Don Juan les pins,” or Don Juan of the Pines, whatever the hell that means. Also a bit of a mystery is the baffled looking cover star surrounded by six swooning women and a dog. He’s damnably familiar but we can’t quite place him, and since this is V we’re talking about, the editors have predictably failed to identify him. He’s a Columbia Pictures player, according to the caption, but that’s all we got. Anyone recognize him? Drop us a line. Thanks.

Update: So we have the answer from Nick, who informs us this is Arthur Lake, who played Dagwood in the U.S. television series Blondie, based on the famous comic strip. Thanks a million for that info. This also seems like a good time to thank not just Nick, but all Pulp Intl. readers. Your support and knowledge is essential to making this site work and we always appreciate it.

Update 2: Now it all becomes clear. A reader informs us that "Don Juan les pins" is a play on words. Juan-les-pins is a popular vacation spot in France, located on the Côte d'Azur between Nice and Cannes.

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Vintage Pulp Sep 13 2012
V, VOIR, VOILA
Whatever it was called, we love it.

More from France today with V magazine of winter 1965. This particular issue, in the masthead in extremely small print, reveals that V is short for Voilà. Other issues we have do not mention that, so it’s news to us, and probably to many other people as well, especially because we shared an issue a while back that clearly says on the cover “Supplement au No. 445 de Voir Magazine.”

So it is Voilà, Voir, or just V? To tell the truth, we wondered in the past if the 1950s V was the same as the earlier magazine that published through the ’40s, but it was. The publisher, editor, and even the street address changed, but we’ve seen an issue from 1949 that shows an unmistakable visual transition between the two versions. If indeed the magazine was ever actually called Voilà, or Voir, the full name never appeared on the cover, as far as we know.

Speaking of covers, this one was painted by Raymond Brenot, aka Pierre-Laurent Brenot, who was both an artist and a successful fashion designer, and he joined a special fraternity of brilliant V cover artists such as René Caillé, Jean David, and Georges Pichard. The interior illustrations are from Brenot, Pichard, Le Gano, Renoir and others. Plus there are photos of Margaret Lee, Catherine Frank, Mara Berni, Liten Østern, dancer Sonia Vareuil, et.al. Below are more than thirty scans for your enjoyment.

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Vintage Pulp Sep 20 2011
BED COMPANY
I’ve done the early to bed bit, now if you’ll handle the early to rise part, this day should work out just fine.

Above, two great, provocative covers by Jean David for Pedro Alvarez’s Bonjour, Princesse... and Dora Christobal’s La maîtresse de Santiago, published by Seine Editions for their collection Plume au vent, 1956/1957. 

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Vintage Pulp Jul 8 2011
V COOL
Les bicylettes de Paris.

Here’s another of our recent French acqusitions, a July 10 1949 issue of V, with an Alex Quinio front cover. Below you get art from Jean David, who drew both the comic strip and the rear cover, and you also gets lots of images of French people frolicking in the sun. Probably that's what we like about this magazine—it depicts the good life, which is something we always aspire to. Actually, thinking about it, what the hell are we doing indoors right now? There's a glass of cold white wine calling our names. See you later.

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
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