It's just the wind. Or possibly the screaming of damned souls in torment. But more likely the wind.
“You dare not even guess the strange story of The Red House,” this promo poster tells us about Edward G. Robinson's 1947 psychological suspense drama, but we dared, and we didn't have any trouble guessing correctly. What you get here is a mystery with a suggestion of the supernatural—always a draw for us. Some sites call this a horror movie. We're okay with that too. Horror, psychological suspense, and mystery walk hand in hand—in this case through the creepy night. Working from a screenplay adapted from George Agnew Chamberlain's 1945 novel, Robinson plays a man living in idyllic simplicity on a farm with his sister and adopted daughter. He hires a helper, a decision that goes awry when the new help develops an interest in the nearby cursed woods, in which there's supposedly a haunted red house, disembodied screaming voices (or maybe just the wind), and other dangers sane people would avoid.
But this new farmhand is filled with the arrogance of youth, isn't superstitious, and resolves to solve the mystery, a decision that threatens to tear Robinson's makeshift family apart and unearth terrors from the past. Edward the G. isn't at his very best working with what is a tricky script, but he gets useful support from young co-stars Lon McCallister, Rory Calhoun, Allene Roberts, and Julie London. Roberts in particular has a crucial role, and in her first film, and aged only nineteen, she manages to keep her head above water—barely. While The Red House isn't top notch, it's enjoyable enough, and if you appreciate vintage creepfests it might give you a chill or two. So what's in the woods? We can't tell you, but you can be sure there's something—and it ain't good. The Red House premiered today in 1947.
Confidential sinks its teeth into the juiciest celebrity secrets.
Confidential magazine had two distinct periods in its life—the fanged version and the de-fanged version, with the tooth pulling done courtesy of a series of defamation lawsuits that made publisher Robert Harrison think twice about harassing celebrities. This example published this month in 1955 is all fangs. The magazine was printing five million copies of each issue and Harrison was like a vampire in a blood fever, hurting anyone who came within reach, using an extensive network spies from coast to coast and overseas to out celebs' most intimate secrets.
In this issue editors blatantly call singer Johnnie Ray a gay predator, spinning a tale about him drunkenly pounding on doors in a swanky London hotel looking for a man—any man—to satisfy his needs. The magazine also implies that Mae West hooked up with boxer Chalky White, who was nearly thirty years her junior—and black. It tells readers about Edith Piaf living during her youth in a brothel, a fact which is well known today but which wasn't back then.
The list goes on—who was caught in whose bedroom, who shook down who for money, who ingested what substances, all splashed across Confidential's trademark blue and red pages. Other celebs who appear include Julie London, Jack Webb, Gregg Sherwood, and—of course—Elizabeth Taylor. Had we been around in 1955 we're sure we would have been on the side of privacy rights for these stars, but today we can read all this guilt-free because none of it can harm anyone anymore. Forty panels of images below, and lots more Confidential here.
There's a special beauty in the city when it glows.
This is a brilliant shot of U.S. singer/actress Julie London, an icon during her time who's been just a bit forgotten in this new millennium. She made something like forty movies, a body of work that gives you numerous options to choose from, but for our money we like her brief cameo in the neglected Jayne Mansfield comedy The Girl Can't Help It. You can read a bit about the movie here, and more about London when we hopefully revisit her later.
The dancers of the chorus line request your attention.
This is the fifth issue of Cancans de Paris we've shared. The magazine is fast becoming a favorite. It has that mix we like—celebs, showgirls, and cartoons. It's similar to magazines such as Paris Hollywood and Gondel, but with a simpler layout and all black-and-white photography. This issue is from July 1966 and features Gila Golan on the cover, and inside are Julie London, Mireille Darc, and others from the acting profession. You also get Sally Ann Scoth, Karin Brault, Juanita Sanchez, and other colleagues from the dancer side of show business. The entire issue appears below in thirty panels, and you can see the other issues by clicking the appropriate keywords at bottom.
Mansfield gets top billing but the rockers steal the show.
Above is a vintage Japanese poster for Jayne Mansfield’s 1956 musical comedy The Girl Can’t Help It. They don’t make ’em like this anymore—a gangster hires a boozing agent to transform his girlfriend into a star, but the girlfriend has no talent, and the agent falls in love with her. This might be Mansfield’s most important movie due to the role it played in popularizing early rock music. For example:
And the unbeatable Fats Domino.
Though they aren't rock and rollers, the lovely Julie London and the amazingly beautiful Abbey Lincoln, who you see just below, also put in appearances. The Lincoln number is especially wonderful, and it's well-staged too, with the backdrop of deep violet curtains set against her crimson gown.
The only uncute thing about this exceedingly cute movie is poor Jayne Mansfield’s bazooka bra and strangling corset, the latter of which producers have cinched her into in order to give her a twenty-inch waist. It's cringe-inducing. Otherwise, awesome stuff.
The headlines that mattered yesteryear.
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
1962—Cuban Missile Crisis Begins
A U-2 spy plane flight over the island of Cuba produces photographs of Soviet nuclear missiles being installed. Though American missiles have been installed near Russia, the U.S. decides that no such weapons will be tolerated in Cuba. The resultant standoff brings the U.S. and the Soviet Union to the brink of war. The crisis finally ends with a secret deal in which the U.S. removes its missiles from Turkey in exchange for the Soviets removing the Cuban weapons.
1970—Angela Davis Arrested
After two months of evading police and federal authorities, Angela Davis is arrested in New York City by the FBI. She had been sought in connection with a kidnapping and murder because one of the guns used in the crime had been bought under her name. But after a trial a jury agreed that owning the weapon did not automatically make her complicit in the crimes.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.