George Raft and Ava Gardner are lost in tepid 1946 drama.
A whistle stop, for any who don't know, is a term for a small town, a place where a train pulls in for a few minutes before moving on. 1946's Whistle Stop is based on Maritta M. Wolff's acclaimed novel, published when she was just twenty-two. It was not only acclaimed, but controversial, as its frank language scandalized bluenoses of the era.
In the film, Ava Gardner returns from Chicago to her whistle stop home town and gets tangled up up with her ex, George Raft, who's a gambler and all around shady guy. Tom Conway has feelings for Gardner and hates Raft, and the rivalry leads to big trouble as both try to win Ava's affections. She doesn't help the situation with her fickleness. Each time Raft makes her mad she turns to Conway. Nothing good can result when hearts are used as toys.
This is another one of those old films that, because it has some night scenes and a partial crime focus, is labeled on some sites as a film noir. That's way off and you'll be disappointed if you watch it expecting noir. It's actually a melodrama, with star-crossed lovers, sweet violins, and a dance sequence set to the 1848 folk classic “Oh, Susanna.” Even Variety at the time called it “heavy melodrama.” There's a heist in the film, but heists happened in the movies before, after, and outside film noir. Raft is supposed to take part in the robbery, which as a bonus would result in the death of his rival Conway. Think things work out as planned? Not quite. We wanted to like Whistle Stop, because Gardner is ravishing, but it's not up to the standard of most old films. It premiered today in 1946.
George Raft does the heavy lifting in 1935 crime thriller.
Is there any vintage movie star as overlooked these days as George Raft? The man was one of the top box office draws of the 1930s and had a string of hits through the 1940s and into the 1950s, including the 1959 smash Some Like It Hot. He was an ace stage dancer at the beginning of his career, but onscreen this natural athlete strikes many modern viewers as too dumpy for the tough guy roles he pioneered. Which makes it ironic that he was associated in real life with several gangsters, which led to him appearing in court, and in turn led to the public believing he was really living the thug life. Rather than hurting his popularity, the whiff of criminality made him more popular—something to keep in mind whenever some self-appointed sociologist slams kids for liking rappers.
Above you see a poster for one of Raft's biggest successes, the 1935 adaptation of Dashiell Hammett's novel The Glass Key. A 1942 version would also be a big hit for Alan Ladd and Veronica Lake, and the fact that it was rebooted just seven years after the original would seem to tell you plenty. But Raft's version isn't bad. We think it's simply a case of technical advances in the process of shooting films and the continuing popularity of Hammett making the property an attractive one to redo. Watching both movies back to back is a clinic in how quickly filmmaking advanced as the ’40s rolled around, particularly ideas around staging and editing action.
Even so, Raft made this earlier version of The Glass Key a hit by virtue of his star power, despite the fact that critics were not overly impressed with the film. No less a figure than Graham Greene said it was “unimaginatively gangster,” which is a curiously millennial turn-of-phrase. But Raft, playing the capable right hand man of a top underworld figure who's on the verge of open warfare with his enemies, doesn't deserve any of the blame. His hard boiled persona is the only reason this otherwise static film is worth watching. The Glass Key premiered in the U.S. today in 1935.
Robert Taylor plays the bad cop blues.
Here you see a nice blue promo poster for Sur la trace du crime, better known as Rogue Cop, with Robert Taylor, George Raft, and Janet Leigh. We talked about this last year. Shorter version: decent but not great. It opened in France today in 1955.
To protect and serve—his own self-interest.
As bad cops in mid-century cinema go, Robert Taylor is not close to the worst, but he's pretty bad. Rogue Cop gives its take on an archetypal story—two brothers, played by Taylor and Steve Forrest, end up on opposite sides of the law. Both are cops, but Taylor has been dirty for years, moonlighting for gangsters. When they tell him to make his squeaky clean brother refuse to testify against one of their assets, the brother answers no. This, of course, makes Taylor's gangster pals resolve to plant baby brother under the dirt. Taylor turns against his puppetmasters, instead resolving to bring them down. Or try, anyway.
Taylor and Forrest as the good and bad brothers (complete with black hair on Taylor and golden locks on Forrest) are solid, George Raft co-stars as the mean-ass, woman-beating, head hood, and Anne Francis goes against type to play an (almost) irredeemable drunk. An extra attraction here is a young Janet Leigh, and she's good too, though the script makes her out to be unrealistically weak. Hey, but no film is perfect. Well, actually some might be. Just not this one. But it's good enough. It premiered today in 1954.
Confidential sinks its teeth into the juiciest celebrity secrets.
Confidential magazine had two distinct periods in its life—the fanged version and the de-fanged version, with the tooth pulling done courtesy of a series of defamation lawsuits that made publisher Robert Harrison think twice about harassing celebrities. This example published this month in 1955 is all fangs. The magazine was printing five million copies of each issue and Harrison was like a vampire in a blood fever, hurting anyone who came within reach, using an extensive network spies from coast to coast and overseas to out celebs' most intimate secrets.
In this issue editors blatantly call singer Johnnie Ray a gay predator, spinning a tale about him drunkenly pounding on doors in a swanky London hotel looking for a man—any man—to satisfy his needs. The magazine also implies that Mae West hooked up with boxer Chalky White, who was nearly thirty years her junior—and black. It tells readers about Edith Piaf living during her youth in a brothel, a fact which is well known today but which wasn't back then.
The list goes on—who was caught in whose bedroom, who shook down who for money, who ingested what substances, all splashed across Confidential's trademark blue and red pages. Other celebs who appear include Julie London, Jack Webb, Gregg Sherwood, and—of course—Elizabeth Taylor. Had we been around in 1955 we're sure we would have been on the side of privacy rights for these stars, but today we can read all this guilt-free because none of it can harm anyone anymore. Forty panels of images below, and lots more Confidential here.
Breakdown dead ahead.
Speaking of driving, here’s another poster for the thriller They Drive by Night. We already talked about it a bit last month and shared a French poster from 1947. The movie is excellent, considering how the last act is written, and Ann Sheridan is especially good. We also like her in the center of this photo-illustrated poster. They Drive by Night had its world premier today in 1940.
Scenes from the class struggle in film noir.
This nice piece was painted by French artist Emmanuel Gaillard for Une femme dangereuse, which was originally released in 1940 as They Drive by Night. The movie, which is adapted from A. I. Bezzerides’ 1938 novel Long Haul, deals with two wildcat truckers caught in the American class struggle—you know, that thing all the millionaire pundits on television tell you doesn’t exist? The drivers want to rise above their station, but find many obstacles in their way, including leasing companies, fruit buyers, competing truckers, road accidents, injuries, fatigue, and eventually, murder. While the world-against-the-working-man aspect is interesting, the best part is watching George Raft and Humphrey Bogart play the two hard luck drivers. The movie also boasts the excellent Ann Sheridan, as well as film noir icon Ida Lupino in full-on crazy mode. But like the several trucks onscreen that veer off the road, the movie itself lurches into melodrama at the end. Une femme dangereuse had its French premiere today in 1947.
It may be the second version but it’s first rate.
Above is French poster art for La Clé de verre, aka The Glass Key, the second Hollywood adaptation of Dashiell Hammet’s 1931 novel. We’ve shared other Glass Key materials, but never talked about the film. Suffice to say this Alan Ladd/Veronica Lake vehicle is excellent—much better than This Gun for Hire, which starred the same beautiful pair (Ladd and Lake appeared together in seven movies). Complicated, engrossing, and liberally spiced with excellent action and Hammett’s wit chanelled through Jonathan Latimer's screenplay—“My first wife was a second cook at a third rate joint on Fourth Street”—The Glass Key is mandatory viewing. It’s also interesting for its cynical look at American politics, portrayed as corrupt, built on lies, and fueled by legalized bribery. That much hasn’t changed. The first Glass Key was made in 1935 with George Raft in the lead, but this remake from 1942 is the one to watch. Its French premiere, delayed for years due to World War II and its aftermath, was today in 1948.
Raft tries to navigate dangerous waters.
This poster for Vägen från Sing Sing showcases the clean style and bold negative space we’ve become fans of in mid-century Swedish promo art, and it also captures star George Raft’s famous profile. This was originally a 1939 American production called Invisible Stripes starring Raft, Jane Bryan, William Holden, and Humphrey Bogart, and it deals with a Sing-Sing ex-con’s perhaps doomed efforts to go straight. Check out the Swedish aesthetic here, here, here, and here. Vägen från Sing Sing premiered in Sweden today in 1940.
Good things come in small packages.
Here’s a new addition to the ever expanding roster of mid-century tabloids on Pulp Intl.—Inside, which we mentioned in relation to our post on Liberace a while ago. Inside was a pocket-sized magazine that came to newsstands in 1955 thanks to New York City’s Dodshaw Publishing Corporation. It seems to have lasted only three years. This August 1955 issue, which was originally scanned and uploaded by Darwin’s Scans, features singer Mario Lanza, filmmaker Elia Kazan, and actors George Raft and Gail Russell, among other subjects. Because the print in a pocket publication is readable when scanned and enlarged, we’re going to let you check out the stories yourself. You can read a bit more about Inside here. Enjoy.
The headlines that mattered yesteryear.
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
1941—NBC Airs First Official TV Commercial
NBC broadcasts the first TV commercial to be sanctioned by the Federal Communications Commission. The FCC began licensing commercial television stations in May 1941, granting the first license to NBC. During a Dodgers-Phillies game broadcast July 1, NBC ran its first commercial, from Bulova, who paid $9 to advertise its watches.
1963—Kim Philby Named as Spy
The British Government admits that former high-ranking intelligence diplomat Kim Philby had worked as a Soviet agent. Philby was a member of the spy ring now known as the Cambridge Five, along with Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross. Of the five, Philby is believed to have been most successful in providing classified information to the Soviet Union. He defected to Russia, was feted as a hero and even given his commemorative stamp, before dying in 1988 at the age of seventy-six.
1997—Robert Mitchum Dies
American actor Robert Mitchum dies in his home in Santa Barbara, California. He had starred in films such as Out of the Past, Blood on the Moon
, and Night of the Hunter
, was called "the soul of film noir," and had a reputation for coolness
that would go unmatched until Frank Sinatra arrived on the scene.
1908—Tunguska Explosion Occurs
Near the Podkamennaya Tunguska River in what is now Krasnoyarsk Krai in Russia, a large meteoroid or comet explodes at five to ten kilometers above the Earth's surface with a force of about twenty megatons of TNT. The explosion is a thousand times more powerful than the Hiroshima atomic blast, knocks over an estimated 80 million trees and generates a shock wave estimated to have been 5.0 on the Richter scale.
1971—Soviet Cosmonauts Perish
Soviet cosmonauts Vladislav Volkov, Georgi Dobrovolski and Viktor Patsayev, who served as the first crew of the world's first space station Salyut 1, die when their spacecraft Soyuz 11 depressurizes during preparations for re-entry. They are the only humans to die in space (as opposed to the upper atmosphere).
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