Vintage Pulp Jul 10 2020
HAREM SCARE 'EM
The queen of sexual torture takes her talents to the Middle East.


Today is the day we finally complete the trifecta of Ilsa movies with Ilsa, Harem Keeper of the Oil Sheiks, for which you see two Japanese posters above. The movie premiered in the U.S. in March 1976, and opened in Japan today that same year. The Japanese titles of Western movies are sometimes like lists of ingredients. The translation of アラブ女地獄 悪魔のハーレム is “Arab hell devil harem.” Even with that clear warning, Japanese audiences—who aren't fazed by much—must have said, “These Yank filmmakers are fucking crazy.” Which is to say that the Ilsa trilogy is among the most irredeemable sexploitation cinema ever produced, the type of stuff that will never, ever be made again, at least not in the U.S., where every instance of cinematic nudity is a political event. Generally, we decry that, but only when it keeps realistic and healthy sexual interactions from being shown onscreen. Harem Keeper is not healthy. Not on any level.

But we digress. This was the second installment of the Ilsa trio, and all starred Dyanne Thorne. She reprises her role as the cruel dominatrix Ilsa, and this time she's in charge of a sheik's harem. She rules this desert roost with utter cruelty, indulging in random acts of corporal punishment, and assisting her boss as he derives both income and pleasure from auctioning kidnapped women to wealthy pervs. Ilsa and the sheik discover that their little set-up has been infiltrated when they catch a spy sent by the granite-jawed Max Thayer, who later himself arrives on the scene and is quickly a prized guest in Ilsa's bed. We could get into the major subplot involving war with a rival sheik, but suffice it to say that the entire plot is just an excuse to string together set pieces featuring vile faux-violence and silly faux-sex. How low does the movie sink? At one point Ilsa uses her incomparable creativity to implant a harem girl with an explosive diaphragm that will detonate during intercourse. It's no electrified dildo (see installment one), but it's close.

Yes, Ilsa is cruel as hell, but it's nothing excellent sex won't cure. That's right up Thayer the Layer's alley. He works his way to Ilsa's creamy center, at which point she decides to switch allegiances and betray her sheik. Will she get away with this outrage? Well, we've already mentioned there were three Ilsa movies and this was the second, so theoretically, she gets away with it. On the other hand, she died at the end of the first movie, so you never know. Regardless, without putting too fine a point on it, this is a terrible movie. But the participation of porn actress Colleen Brennan, nudie model Uschi Digard, and blaxploitation beauties Tanya Boyd and Marilyn Joi as Ilsa's usually-topless enforcers, make this worth a guilty watch. Just don't let anyone know you did it, or you might lose your job, your friends, your family, and even your cat—and cats generally don't give a fuck. But that's how bad this flick is. We have a ton of promo images below. Some came from an interesting French-Canadian website called Cinepix. You can check it out here.

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Modern Pulp Jan 7 2019
VANITY ISLAND
Nature is red in tooth and claw. Then there's its romantic side.


We found this rather nice Thai promo poster for the 1980 sexploitation flick Tanya's Island and were reminded what a bizarrely interesting film this was. We talked about it a while ago. It stars Vanity—yes, Prince's Vanity from the sex-pop music group Vanity 6—as an often nude woman who gets involved with an apelike creature on a tropical island. She performs pre-Vanity under the name D.D. Winters, and while she's no Susan Hayward she gives her all, and that's the most you can reasonably expect in a movie in which her love interest is a furry primate. Thanks to her performance Prince decided to pluck her from b-moviedom and make her a star, though from a purely selfish perspective we'd have enjoyed a few more low budget romps from her. But what can you do? We don't have a Thai release date on this, but figure sometime in mid-1980s. You can check out our earlier write-up and see some amazing promo images at this link.

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Modern Pulp Apr 23 2015
JOY OF SEKKUSU
We must have sex on the brain, because everything we see reminds us of it.

Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.

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Modern Pulp Dec 5 2011
PRETTY MESS
It was beauty thrilled the beast.

Tanya’s Island may not be the best sexploitation flick of all time, but it’s surely one of the most earnest. Before she hooked up with Prince and became known as Vanity, Canadian actress D.D. Winters headlined this deeply Freudian beauty-and-the-beast psychodrama about a young actress who lucidly dreams of going to live with her painter boyfriend on a deserted island, only to discover that they are in fact not alone. The imaginary island’s other inhabitant is a sort of tropical sasquatch (but with soulful blue eyes), and within the reverie Tanya develops, her boyfriend becomes jealous and aggressive while the ape seems to take on increasingly more humanity.

Since this all takes place in Tanya’s head, some pretty interesting questions are being raised about the nature of female desire, as well as both the savage and civilized sides of man. Perhaps you’re rolling your eyes now, and that’s fair enough, but a big reason why these seventies skin flicks are great to watch is because the filmmakers took themselves so seriously. Writer/producer Pierre Brousseau even plastered the 1982 Cannes Film Festival with posters in hopes of generating attention for his movie. His strategy probably didn’t boost box office receipts much, but it did increase interest in his lead actress, resulting in her appearance in Playboy, and thence into the arms of Prince. Since Tanya’s Island is indeed about a woman searching for her prince charming, there’s a certain symmetry in this.

But probably the only symmetry you’re really interested in is Vanity’s, so you’ll be happy to know she’s completely naked before the opening credits have finished and remains half or wholly bare through much of the film. And for our female readers, her boyfriend’s member makes a brief appearance as well (though we suspect you won’t find the man attached to that appendage particularly alluring). Soon after this film Vanity would become famous as a singer and consort, and in one of her most memorable songs she cooed: “Ooh yeah, such a pretty mess.” That neatly sums up Tanya’s Island. It premiered in the U.S. today in 1980. 

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Femmes Fatales May 5 2011
VANITY GLARE

She was born Denise Matthews in Niagara Falls, Canada. She began her show business career as an actress, using the name D. D. Winters. Her first starring role was in Pierre Brousseau’s Tanya’s Island, one of our favorite bad sexploitation flicks ever, and as eye-catching a debut as you’re ever likely to see. After that she met up with the musician Prince and under his tutelage became simply Vanity. Under that moniker she released music of debatable quality and continued to act in less-than-stellar-movies, but along the way redefined the word sultry. She posed for this aggressive promo image around 1982.  

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Vintage Pulp Mar 5 2009
TO DYE FOR
Exploitation classic Black Shampoo is a must-see cavalcade of afros and bushes


Black Shampoo is a monument of gratuitous skin and gunplay almost unequaled in the annals of blaxploitation. The film was a take on the Warren Beatty flick Shampoo, but done on the cheap, with burly John Daniels in the lead as a womanizing hair salon proprietor who runs afoul of the mob. You get every stereotype in the book here, and they’re all good for a laugh. Even Tanya Boyd's copious nudity is pushed to an unintentionally comical extreme, as she is at one point forced to flee for her life wearing nothing but a man’s dress shirt fastened by a single button, making the whole long chase over the hills and through the woods a game of peek-a-bush. In another scene she stares down at her own naked body as if thinking, "My God, I am so hot even I have to look." No argument there. We just love this movie. Social relevance—uh, not really. Entertainment value—extremely high. Black Shampoo opened in the U.S. today in 1976.

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History Rewind
The headlines that mattered yesteryear.
July 15
1939—Adams Completes Around-the-World Air Journey
American Clara Adams becomes the first woman passenger to complete an around-the-world air journey. Her voyage began and ended in New York City, with stops in Lisbon, Marseilles, Leipzig, Athens, Basra, Jodhpur, Rangoon, Bangkok, Hong Kong, Wake Island, Honolulu, and San Francisco.
1955—Nobel Prize Winners Unite Against Nukes
Eighteen Nobel laureates sign the Mainau Declaration against nuclear weapons, which reads in part: We think it is a delusion if governments believe that they can avoid war for a long time through the fear of [nuclear] weapons. Fear and tension have often engendered wars. Similarly it seems to us a delusion to believe that small conflicts could in the future always be decided by traditional weapons. In extreme danger no nation will deny itself the use of any weapon that scientific technology can produce.
1997—Versace Murdered in Miami
Italian fashion designer Gianni Versace is shot dead on the steps of his Miami mansion as he returns from breakfast at a cafe. His killer is Andrew Cunanan, a man who had already murdered four other people across the country and was the focus of an FBI manhunt. The FBI never caught Cunanan—instead he committed suicide on the houseboat where he was living.
July 14
1921—Sacco & Vanzetti Convicted
Nicola Sacco and Bartolomeo Vanzetti are convicted in Dedham, Massachusetts of killing their shoe company's paymaster. Even at the time there are serious questions about their guilt, and whether they are being railroaded because of their Italian ethnicity and anarchist political beliefs.
July 13
1933—Eugenics Becomes Official German Policy
Adolf Hitler signs the Law for the Prevention of Hereditarily Diseased Offspring, and Germany begins sterilizing those they believe carry hereditary illnesses, and those they consider impure. By the end of WWII more than 400,000 are sterilized, including criminals, alcoholics, the mentally ill, Jews, and people of mixed German-African heritage.
1955—Ruth Ellis Executed
Former model Ruth Ellis is hanged at Holloway Prison in London for the murder of her lover, British race car driver David Blakely. She is the last woman executed in the United Kingdom.
1966—Richard Speck Rampage
Richard Speck breaks into a Chicago townhouse where he systematically rapes and kills eight student nurses. The only survivor hides under a bed the entire night.
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