Hollywoodland | Sep 9 2023 |
Movie stars were always willing to give each other a hand.
Once again we've been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. The just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950's Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won't get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder.
Diana Dors smacks Patrick Allen blurry in 1957's The Long Haul.
Mob boss George Raft menaces Anne Francis in a promo image made for 1954's Rogue Cop.
Bud Abbott gets aggressive with Lou Costello in 1945's Here Come the Co-Eds.
Jo Morrow takes one from black hat Jack Hogan in 1959's The Legend of Tom Dooley.
Chris Robinson and Anita Sands get a couple of things straight about who's on the yearbook committee in Diary of High School Bride.
Paul Newman and Ann Blyth agree to disagree in 1957's The Helen Morgan Story.
Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.
What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill.
Claudia Cardinale slaps (or maybe punches—we can't remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King.
Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We're thinking it was probably even more tense after this moment.
Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954's Carnival Story.
Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta.
Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964's Schwejk's Flegeljahre, aka Schweik's Years of Indiscretion.
Elizabeth Ashley gives Roddy McDowall a facial in in 1965's The Third Day.
Tony Anthony slaps Lucretia Love in 1972's Piazza pulita, aka Pete, Pearl and the Pole.
André Oumansky goes backhand on Lola Albright in 1964's Joy House.
Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.
This looks like a real slap, so you have to credit the actresses for their commitment. It's from 1961's Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.
Gloria Grahame finds herself cornered by Broderick Crawford in 1954's Human Desire.
Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”
There are a few slaps in 1939's Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.
Virginia Field takes one on the chin from Marshall Thompson in Dial 1119.
Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970's Two Mules for Sister Sara.
Sunset BoulevardThe Long HaulRogue CopHere Come the Co-EdsThe Legend of Tom DooleyDiary of High School BrideThe Helen Morgan StoryLa ragazza e il generaleThe Girl and the GeneralSugar HillLes pétroleusesThe Legend of Frenchie KingTensionCarnival StoryCalcuttaSchwejk's FlegeljahreSchweik's Years of IndiscretionThe Third DayJoy HouseCaughtHuman DesireGunsmokeGone with the WindDial 1119Gloria SwansonWilliam HoldenDiana DorsPatrick AllenBud AbbottLou CostelloJo MorrowJack HoganChris RobinsonAnita SandsVirna LisiUmberto OrsiniMarki BeyBetty Anne ReesClaudia CardinaleBrigitte BardotRichard BasehartAudrey TotterAnne BaxterSteve CochranAlan LaddGail RussellHannelore AuerPeter AlexanderElizabeth AshleyRoddy McDowallAndré OumanskyLola AlbrightFrank FergusonBarbara Bel GeddesClaudia McNeilDiana SandsBroderick CrawfordGloria GrahameBette DavisAmanda BlakeVivien LeighLeslie HowardVirginia FieldMarshall ThompsonClint EastwoodShirley MacLainecinematelevision
Vintage Pulp | May 16 2020 |
Everyone in Paris hopes for a glimpse of Nico's velvet underground.
Una ragazza nuda, for which you see two beautiful Angelo Cesselon posters above, was originally released as Strip-Tease, and called in the U.S. Sweet Skin. It was an Italian/French co-production starring Krista Nico, née Christa Päffgen, better known as just Nico, future collaborator with the Velvet Underground. Her supporting cast includes Dany Saval, Jean Sobieski, and American jazz pianist Joe Turner playing a character named Sam (IMDB has him incorrectly listed as playing himself). Basically, the movie is the story of an ambitious dancer who can't catch a break, and takes a job stripping at Le Crazy Horse, the famed Parisian cabaret.
Nico goes through the typical stages of becoming the jaded, empty woman viewers have been taught to expect in movies like these. But what isn't typical is the setting. If you're looking for a film with overwhelming Parisian atmosphere this is the one. Streets, cafés, restaurants, the Seine, the wintry countryside, Hippodrome de Vincennes, and the Crazy Horse (or a fictive stand-in) are all on prominent display, and the stripteaseuses are beautifully showcased. And keep an eye out for cameos from Serge Gainsbourg and Juliette Gréco. We just came back from Paris last year and thanks to this flick we're already trying to figure out how to return.
On a technical level, the direction by Jacques Poitrenaud and cinematography by Raymond Pierre Lemoigne both take advantage of the film's many wonderful settings, but the on-camera performances aren't quite at the same level. Nico is a novice actress at this point and it shows, but her minimal emotional range fits with her character. Joe Turner isn't an actor at all and that shows too, but as the conscience of the film his role also works. Some movies are more than the sum of their parts, and Una ragazza nuda adds up to an excellent ninety-five minutes. It premiered in Italy today in 1963.