|Vintage Pulp||Jan 19 2015|
|Vintage Pulp||Dec 7 2014|
Above are fifteen more covers from French artist James Hodges, who we’re still trying to learn details about. Was he actually French, with a name like James? That much seems certain. Was he a genius? Clearly. We’ll keep digging until we know all there is to know.
Update: On the other hand, he could be less of a genius than we thought...
|Vintage Pulp||Oct 28 2014|
Above, La Vie Parisienne #202 of October 1967—more than one hundred years into its existence by this point—with an uncredited cover star, and interior photos of Gina Lollobrigida, Dany Carrel, Terry Martine, Jane Fonda, Slovenian actress Sceila Rozin, aka Spela Rozin, and other celebs. There’s also a shot of Talitha Pol from Barbarella, and some of you may remember she married the fast living John Paul Getty, Jr. (he of the kidnapped son, though not Pol’s) and later died of a heroin overdose. You also get some truly excellent ink illustrations by the diverse James Hodges, not to be mistaken for contemporary artist Jim Hodges. James Hodges was a French pin-up artist of the 1960s who also became a magician and illustrated magic books, painted playing cards, and designed stage sets. See more from La Vie Parisienne here.
|Vintage Pulp||Sep 27 2014|
Neige sanglante, which means “bloody snow,” was authored by Irving Le Roy, in reality Robert Georges Debeurre, because no French post-pulp author ever wrote under his/her own name. This book comes from Paris based Éditions Bel-Air, is number 76 in their Détective-Pocket collection, and is a romantic thriller involving a woman in love with a philandering man. Does the cover give away what happens next? Well, maybe. But you can bet he deserved it. The artist is James Hodges, and we’ll have more from him in the future. 1967 on this.
|Vintage Pulp||Feb 2 2014|
We’ve explored several cover motifs in pulp art, and another we’ve grown to appreciate is the use of venetian blind shadows or silhouettes. Always a dramatic addition to a cover, we could probably compile fifty of these, at least, but here are twenty examples. The artists—Olivier Brabbins, Emilio Freix, Robert Maguire, James Hodges, and others—use them to greater and lesser degrees, and opt for both literal and stylized renderings. For instance, the above cover from Maguire shows vertical shadows, but the sense of venetian blinds remains. As always, thanks to all the original uploaders, particularly Pulpnivora for the very nice front to La llamada de la muerte.