|Modern Pulp||Oct 24 2017|
The film starred Jeffrey Combs and Barbara Crampton, two alumni from Gordon's bravura gorefest Re-Animator, released the previous year. From Beyond doesn't push the envelope as far as the earlier film, but that doesn't mean it's bad. It just means Gordon tempered his vision a bit. In other ways the films are quite similar. Both play the naked-woman-as-victim card, which can be uncomfortable to watch, since these days such sequences are not benignly received. As always, times change.
In From Beyond the nudity isn't gratuitous exactly. One of the side effects of the resonator is that it frees the id, which is why you see Crampton go from buttoned up schoolmarm to brazen dominatrix in the promo shots below. Males are similarly affected. We searched for shots of co-star Ken Foree in his banana hammock undies—one of many famous moments from the film—but came up empty, so to speak. Regardless of the cultural shift that has placed movies like From Beyond, with its depiction of sexual assault, on shaky ground in 2017, we recommend it for true horror fans. The viewing may discomfit, but the villain is after all both man and monster, which makes him/it an interesting symbol for our modern age.
|Modern Pulp||Jul 16 2016|
|Vintage Pulp||Nov 6 2015|
|Hollywoodland||Jan 3 2015|
Confidential gives Kim Novak the cover and Lili St Cyr the inset on an issue published this month in 1965. Inside, the editors offer readers mostly lukewarm rehash, as was Confidential’s usual approach during its fangless mid-1960’s years, but there are also a few interesting tidbits. We learn that Lili St. Cyr took more than thirty Nembutals during her 1958 suicide attempt, yet still managed to survive though as few as three pills can be fatal. Ramfis Trujillo’s wild Parisian parties are detailed, including the time he and his entourage shot up the lobby of the Hotel George V. And we find out that Frank Sinatra paid a $400 fine in Spain for disturbing the peace when he blew up after a woman threw a drink on him.
But even if Confidential wasn’t kicking ass and taking names in 1965, its visuals were still quite nice, with those impactful black, white and red graphics, and that super hip language that’s so much of its time but which is still amazing to read today. Try this on for size: “Call the men in the white coats and get the whacky wagon rolling, your favorite swinging correspondent is ready for Flipsville!” We’re always ready for Flipsville, and we’re always ready for mid-century tabloids, too. How many of these do we have left in our collection? You wouldn’t believe us if we told you. We’d sell some, but how could we possibly part with them? We’re stuck with them. And so are you. Twenty-plus scans below.
|Modern Pulp||Jan 14 2014|
|The Naked City | Sportswire||Aug 16 2010|
In Phuket, Thailand—a place known as one of the hellraising capitals of the world—a manhunt is underway after a British kickboxer killed an American marine following a fight at a nightspot called the Freedom Bar. The alleged killer is 28-year-old Lee Aldhouse, above left, who had lived in the Phuket area for about four years. According to witnesses, Aldhouse instigated an altercation with Dashawn Longfellow, 23, who was in the bar visiting a female employee. The fight between the two foreigners—who are “falang” in Thai parlance—ended with Longfellow as the victor, and shortly thereafter he and the employee left the bar.
Aldhouse then went into a nearby 7-11 store, where he was caught on security cam (above) either stealing or buying a knife. He immediately went to Longfellow’s apartment, knocked on the door, and allegedly stabbed the marine to death in front of a witness. Official accounts stop there, but unofficial accounts posted on a Phuket-based internet forum describe Aldhouse as a well-known troublemaker, someone police were well aware of due to previous run-ins and who locals avoided because of his violent temper and knowledge of Muay Thai kickboxing. He had fought professionally, and considered himself a disciple of the art. At least one witness described Aldhouse as enraged to have lost a fight to someone with no professional ring experience, and suggested that, for a man with such an erratic nature, embarrassment was motive enough for murder.
The killing is one of several so far this year in Phuket involving falang, including one just last month in which a former U.S. Navy officer killed a local girl and disposed of her body by stuffing it in a travel bag and dumping it by a deserted roadside. The expat propensity toward violence is a constant source of friction in Thai resort towns, and the Aldhouse/Longfellow murder has only served to ratchet up tensions even more. Police are scouring the Phuket area for Aldhouse, but so far haven’t located him.
|Modern Pulp | Vintage Pulp||Oct 31 2009|
Above is a worldwide assortment of the creepiest posters we could find in honor of Halloween. Interestingly, Halloween is getting more popular internationally all the time. Where we live it was virtually ignored as recently as ten years ago, but nowadays it’s not a rarity to see both kids and adults dressed in costumes for the occasion. Trick-or-treating hasn’t quite taken hold, just because the layout of the communities don’t really allow for it, but adopting new personas or playing characters is something everyone seems to love, no matter where they live. Everyone likes a good scare, too, and these films do the job nicely. They are Halloween, Halloween again, Rosemary’s Baby, Zombie Holocaust, The Girl Who Knew Too Much, Squirm, Return of the Living Dead 2, The Shuttered Room, Evil Dead 2, Hellraiser, Suspiria, The Incredible Shrinking Man, Vampire Women, The Omen, The Thing, The Shining, Backwoods, Fright Night, and Seuseung-ui eunhye. Happy trick-or-treating.
|Modern Pulp||Aug 7 2009|
We featured French actress Anne Parillaud as a femme fatale recently and now this morning we spotted this kick-ass Thai promo poster for Nikita, aka La Femme Nikita. Parillaud plays a thief and murderess who, instead of being sent to prison for her crimes, is transformed by a shadowy government agency into an assassin. It was remade in the U.S. as Point of No Return in 1993 starring Bridget Fonda, and while that version has it merits—mainly the underrated Fonda in the lead role—the original directed by Luc Besson has a sublime coolness that’s hard to beat. We just watched this recently, and we're going to watch it again. Highly recommended.
|Vintage Pulp||May 29 2009|
We know what you’re thinking. You’re thinking she has a penis coming out of her armpit. But no, it isn’t a penis—it’s a stinger. However, like a penis, it isn’t much to look at until it gets excited and wants to play. The game it prefers is the one where it gives you a dose of rabies so advanced you turn into a frothing homicidal maniac. We showed you the American promo art for Rabid not long ago, but you didn’t get a cockpit shot in that one, so we figured we’d be completist and post this amazing Thai art. Also, we figured another tribute to the recently departed Marilyn Chambers was appropriate. She’s been eulogized mainly as a porn star, but the best film she ever made was this one, in which she pricks the boys and makes them die.
|Modern Pulp||Apr 29 2009|
A couple of days ago we were riffing on a movie called The Beyond, aka Spirit City of the Damned, aka Seven Doors of Death, and showed you the colorful Thai poster. By contrast, the sinister and almost monochromatic promo art you see above accompanied the film’s earlier Italian release as E tu vivrai nel terrore—L'aldilà. The story concerns a hotel perched atop an entrance to hell (hope that isn’t giving too much away), but of course when Catriona MacColl inherits the property she doesn’t know anything about that and thinks she’s actually getting a sweet deal. But the difficulties of maintaining a dead & breakfast soon prove overwhelming, not least because staff turnover in a place inhabited by demons can be pretty high (though heating bills are low). L'aldilà is a bit incoherent, truth told, and the fx are clunky even by 1981 standards, but it does possess unbridled exuberance thanks to the unflinching direction of Lucio Fulci. That’s all we’ll say about the film, except that there’s a character here named Joe the Plumber who meets a gory death, so depending on your political beliefs, this could be a must-see. L'aldilà premiered in Italy today in 1981.