National Spotlite goes where few tabloids dare to follow.
How far did cheapie tabloids go in their quest for continually more outrageous stories? Pretty damn far, as this issue of National Spotlite published today in 1968 shows. The editors give the cover to Gloria Wilmot, but it's Eva Rast who brings the shocks by claiming that her father—in hands-on fashion—taught her about sex when she was thirteen. You know how this works by now. Eva Rast is supposedly one of “the top actresses in Europe,” but has no presence anywhere on the internet. Spotlite claims she starred in The Lotus Flower with Cliff Richard, but while that title is shared by several movies made in different eras, no film called Lotus Flower was made during the mid- to late-1960s, it doesn't appear on Cliff Richard's IMDB page, nor does the page list him as acting in anything between 1968 and 1973.
So what we have is a pretty detailed piece of fiction produced back when there was no handy internet to vet the claims proffered as facts. What does “Eva Rast” say about the event? About what you'd expect: “Mother was out. I asked dad where she had gone and he told me she went to my grandmother's for a week. He said, 'We're on our own and we'll have to make do.' I was real happy about it because it seemed like an adventure that daddy and I were sharing.” And so forth. In the mid-century tabloid lowering-the-bar sweepstakes National Spotlite has taken pole position. Can it be outdone? We have about forty tabs left to look through, so we wouldn't be surprised. We'll report back. See more Spotlite here, and more tabloids at our index here.
It's okay to bend me a little but please don't fold or crease me.
We've had a lot of Bettie Page on Pulp Intl., but there's no such thing as too much, so today on the anniversary of her death eight years ago we thought we'd share a favorite shot of her. She was easily one of the most photographed models of her era. Marilyn Monroe and perhaps a few others surpassed her for sheer volume of images. Despite those thousands of Page shots, this photo has an especially joyful quality we think sets it apart. You can see plenty more of Bettie Page in the website, including a couple of sets of images we were the first to put online, like here and here.
There's nothing standard about this model.
This 1953 wall calendar from the Standard Parts Co. of Memphis, Tennessee features a lovely painting from famed pin-up artist Bill Medcalf. While it looks as if the painting featuring a golfer with a perfect follow through has been pinned to a sunny wall for ages and the colors faded as a result—an assumption seemingly confirmed by looking at Medcalf's original lithograph at right—the image isn't actually faded. A glance at the orange border, which is as vibrant as something harvested by Sunkist, proves it. The makers simply decided for stylistic reasons to go with a monochromatic sepia for the color. Why? We don't know. Maybe because golf is an exercise in serial failure that sucks all the vitality out of you.
The real bonus with this piece, though, comes when you flip it over. There on the other side of the Standard Parts calendar is none other than anything-but-standard model Diane Webber, aka Marguerite Empey, who was America's most famous nudist from the mid-century period. She's popped up on our site several times, usually in rare treasures we've had the pleasure of putting online for the first time, like here, here, and especially here. We're happy to add another find to the collection, and we'll have more from her a bit later.
Delivering thrills all year round.
Stan Borack painted the cover of this issue of Male from January 1958, and the interior art comes from Samson Pollen, Bob Schultz, John Leone, James Bama, Bob Stanley, John Kuller, and Tom Ryan. Not a slouch in the bunch. The magazine contains a preview of Shane author Jack Schaefer’s novel Company of Cowards, the Civil War tale of a group of Union officers who have all been busted down to the rank of private, but who are formed into a special unit and given a chance to earn back their honor. That chance takes them into Comanche country where they face an assortment of deadly challenges.
Also in this issue you get famed model Diane Webber/Marguerite Empey—who we’ve been seeing a lot of recently—doing a nice photo feature and complaining that since being elected Queen of the Nudists by a national sunbathing association all anyone wants to talk about is her naked lifestyle. But we think that’s just the editors trying to come up with an angle for the text. Webber was an official advocate of nudist lifestyle and even promoted her special brand of spiritual nudism in television interviews, so we doubt she was fed up with it at this point. The photos were shot by Russ Meyer, and we’re pretty sure they’ve never been on the internet before, which is always a fun moment for us. Please enjoy. Twenty scans below.
Diane Webber brings a bit of warmth to winter in Baltimore.
Today’s Technicolor lithograph features a recognizable figure for once—the much adored Diane Webber, a California born model, dancer, and actress who was also known as Marguerite Empey and became one of the most important fixtures of the 1950s and 1960s nudist magazine scene. You can see a few examples of those here. Webber was also a two-time Playboy centerfold under her Empey persona, in May 1955 and February 1956. We’ve mentioned before that the blank spaces at the tops of these Technicolor prints were made for the insertion of advertising, and at right you see how that worked with a calendar for a Baltimore, Maryland establishment called Stanley’s Drive-In. The original image came from the A. Scheer Company, was called Exclusively Yours, and appeared in 1955. The calendar came out in the winter of 1958.
Lifestyles of the naked and unashamed.
We’ve done a few posts on nudist magazines, because we consider them to be related to the racy men’s mags that proliferated during the 1950s. A nudist would most likely disagree, but they’d be wrong—if they were to look inside a typical mid-century men’s magazine they’d very likely see a photo or journalism feature on the naturist movement. Yes, men’s magazine always portrayed nudism as sexual, while real nudists would say sex has nothing to do with it, but the men’s magazine link is undeniable, even if they sensationalized the lifestyle.
One of the countries where naturism was and remains a strong social undercurrent is Germany—in fact, at our local beach, which isn’t officially nudist but is generally accepting of the practice, unclothed sunbathers are almost stereotypically German, though French visitors give them a run for their money. Above you see the cover of one of the most popular naturist magazines of the mid-century era—West Germany’s Humana. Below are thirteen scans showing a lot of naked people having a very nice time—no sensationalism needed. You can see our previous post on the magazine here.
Times may change but sex always sells.
Above is the front of a copy of Uncensored magazine that appeared today in 1965 with cover stars Jackie O., Blaze Starr, and—in a sign of changing times—the Beatles. Inside the magazine you get sin and skin in the form of East German sex camps, nudity in international cinema, exotic dancer Marlene MacLane, transgender entertainer Christine Jorgensen, and call girl Christine Keeler, who, Uncensored reminds readers yet again, had lovers with skin darker than hers. And according to journalist Bill Jeffree, so did thousands of other British women. What had the world come to? These old tabloids often contain photos that haven’t made it online yet, and from this one we’re happy to upload a cool shot of Keeler, a snap of John F. Kennedy, Jr. as a toddler, and a rare vision of Elizabeth Taylor strolling a Mediterranean boardwalk in her bikini. We have about twenty scans below and more from Uncensored to come.
Goliath Books exposes Third Reich porn to the light of day.
Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.
According to Hitler’s formulation, the perfect Aryan female was a mother. His Nazi state gave medals to women who had eight children or more, as long as mother, father and offspring were of perfect Aryan stock. It bears mentioning at this point that increasing numbers of modern day scientists have done away with race because it seems less and less to exist biologically. It is, evidence suggests more each day, an entirely social construct into which humans willingly and unwillingly self-organize. Hence there was never a master race. The theory makes as much sense scientifically as the theory of a master wizard.
But racial purity was Hitler’s obsession, and to force procreative sex on a country he felt needed to replace millions of military age men killed in the Great War his regime repressed the idea of recreational sex, driving sexual freedom and sexual expression underground. Prostitutionwas banned, sending an estimated 100,000 women and 35,000 men into the shadows. But as always, the rich, powerful, and connected could obtain whatever they wished. Secret dens of sexual performance and prostitution sprang up, and a black market in pornography blossomed, gaining momentum once it became clear that selling it outside Germany was an efficient means of accessing foreign currency.
Private Pornography in the Third Reich is sliced into ten sections: postcards/portraits, nudism, petting, oral sex, heterosexual intercourse, lesbian couples, lesbianism with toys, sado-masochism, and threesomes. If that sounds like a lot of photos, it is—200 images in digest size from a collection originally put together by Hans von Bockhain. The book contains only a brief introduction then presents its photos without captions or explanations. But none are needed—if pornography is the sexual id of a society then what we see is a pornographic subculture in a bread-and-circuses moment, indulging in wild diversions as the grip of an authoritarian state tightens.
In another few years the Reich would have near total control of life in Germany, and operate a chain of concentration camps in which those deemed sexual deviants could be imprisoned. As a historical document of the sex industry during the anti-lust years leading up to that period,Private Pornography in the Third Reich is fascinating. The subject is taboo, the photos perhaps more so. They range from artful salon compositions to raunchy reverse cowgirl penetration shots, which means it may not be coffee table material for everyone, but for the adventurous it’s certain to live up to aesthetic expectations, and provoke vigorous debates as well. Read more at Goliath Books. |
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