 At this point she has no idea which way to turn. 
Above is an alternate promo poster for Tension, with cool upside down imagery of a figure representing star Audrey Totter. We say “representing” because it doesn't really look like Totter, but it's her alright. It was modeled after a promo photo. The movie also starred Richard Basehart and the incandescent Cyd Charisse. We talked about this last year, so if you want to know more, click here. And if you want to see more of Totter click here, or Charisse (a must), click here and here. Tension premiered today in 1949.
 Charisse strikes a perfect pose on MGM mailer. 
We have something a bit different for you today. We say that every time we have something from Israel, don't we? Well, in our experience items from there are pretty rare. And like our many Japanese discoveries, they're inherently interesting because of the different alphabet used. What you see here is a promotional postcard for the 1957 MGM musical film Silk Stockings, which starred Cyd Charisse and Fred Astaire. It's not a film we'll talk about, as it falls outside our purview, but we love this item, which we spotted on an auction site. It's crudely printed, but beautiful just the same, thanks to Charisse, who was one of the special beauties of her era.
According to the vendor, the text says, “See you this week in the Esther cinema hall in the magnificent musical film, Silk Stockings. Yours, Cyd Charisse.” The Esther was a Bauhaus style cinema built in Tel-Aviv's Dizzengoff Square. It opened in 1931 and was a popular social hub for decades before being closed, then reopened as a fancy hotel. As you know, we're into old cinemas, and we managed to track down a shot of the Esther, which appears below. Consider it an addition to our collection of vintage cinema photos. We don't have an Israeli release date for Silk Stockings, but if we had to guess we'd say it played there in 1958 or 1959.
 Anyone can be calm until the cops start poking around. 
Tension, for which you see an excellent promo poster above and two more below, is an unlikely but interesting film noir about a mild mannered pharmacist played by Richard Basehart, who's married to hot-to-trot Audrey Totter and discovers she's cheating on him. When she finally leaves him for an apelike creature played by Lloyd Gough, and the ape issues Basehart a solid beating, he decides he's been pushed too far. You'd think that pharmacists would be among that select group of people you really don't want to anger, but this particular pharmacist has a much more elaborate scheme in mind than just a dose of chemicals, and his determination to commit an untraceable murder leads to him building a very traceable double life. In that second life things get complicated when he meets lovely Cyd Charisse, who he wants to make a permanent addition to his future.
Basehart's plot will not go as intended, of course, but the way in which it fails is a surprise, and the complications keep piling up. Tension has flaws, to be sure. The detective played by Barry Sullivan does things that, as far as we know, would get any murder case tossed out of court, but you have to go with it, since he tells you from the jump he'll do anything to solve a case. The plusses of the movie outweigh any weird bits, and with Totter on board, it's probably a must-see. The sinuous clarinet melody she gets every time she appears onscreen is over-the-top, but she's a major scenery chewer anyway, so it actually fits. We didn't like her in Lady in the Lake, but she's delivered in everything else we've seen—this flick, particularly. And Charisse, by the way, gets one of the better entrances we've seen in vintage cinema, straddling two high railings with a camera in hand. She's as hot as a human being can get. Tension premiered today in 1949.
 This is what happens when you send a dancer to do a killer's job. 
This is just ridiculous from Cyd Charisse. She has nowhere near proper shooting stance. Her base is totally off. She doesn't have her firearm properly braced. Where do you even start with this? She isn't going to hit anything. Luckily, she didn't have to rely on marksmanship to make a living. Instead, she danced and acted in numerous hit movies, including Singin' in the Rain, Brigadoon, and The Silencers. This image was made as a promo for her 1956 musical Meet Me in Las Vegas, which was a who's-who of musical talent, including Lena Horne, Liliane Montevecchi, Frankie Laine, the Four Aces, Sammy Davis, Jr., and others. Interestingly, it was also known as Viva Las Vegas, a decade before the Elvis movie. We can already picture Elvis fans raising an interjecting finger, but it's absolutely true. We explained it way back in 2011, and if you check out that write-up you'll also see Charisse in a slightly better shooting stance. She still won't hit anything. But at least she's on two feet.
 Everybody who was anybody got inside. 
Above and below, scans from the French show-biz and showgirl magazine Paris-Hollywood, issue 26, from 1948. The front cover features Marguerite Chapman, the rear Arlene Dahl, and in between you get Cyd Charisse, Patricia Roc, Martha Vickers, Alexis Smith, Anne Jeffreys, Luce Feyrer, Edwige Feuillère, Marlene Dietrich, and other luminaries. That's quite a collection of celebs. In upcoming years the magazine would spend more time on cabaret dancers, but its early issues were all about international stars. We picked up a few of these in Paris a while back and we’ll get to some detailed scans of those soon. In the meantime, you can see more from Paris-Hollywood here, here, and here.                
 Two for the money. 
Here’s a curious item we ran across at our favorite vintage memorabilia shop. It’s a Japanese promo poster for Viva Las Vegas, which… hey, wait a sec. Where’s Elvis? Where’s Ann-Margret? And who are these imposters? Well, turns out Elvis’s immortal Viva Las Vegas was not the first. The first film of that title starred Cyd Charisse, Dan Dailey and Agnes Moorehead, and was released in 1956. During its U.S. run it was known as Meet Me in Las Vegas, but for its international release the title was changed. Plotwise, you’ve got a flick here with a central gimmick that’s just begging to be recycled in a modern romcom. Get this—Dailey discovers that whenever he’s at the gambling tables he cannot lose as long as he’s holding hands with Charisse. If it sounds intolerably cute, well, what do you expect? It’s a mid-century musical. Actually though, the movie isn’t top notch, due mainly to some less-than-stellar acting in parts, but you do get to see Las Vegas as it was before it became the consumerist dystopia it is today, and you get cameos from Vic Damone, Sammy Davis, Jr., Debbie Reynolds, Frankie Laine, Lena Horne and others. Well worth a look.
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The headlines that mattered yesteryear.
1930—Selassie Becomes Emperor
Haile Selassie I, whose birth name Tafari Makonnen and title "Ras" give the Rastafarian religion its name, is proclaimed emperor of Ethiopia. Selassie would become one of the most important leaders in African history, and earn global recognition through his resistance to Italy's illegal invasion of Ethiopia in 1935. Selassie died in August 1975 under disputed circumstances. 1984—Marvin Gaye Dies from Gunshot Wound
American singer-songwriter Marvin Gaye, who was famous for a three-octave vocal range which he used on hits such as "Sexual Healing" and "What's Going On," is fatally shot in the chest by his father after an argument over misplaced business documents. Gaye scored forty-one top 40 hit singles on Billboard's pop singles chart between 1963 and 2001, sixty top 40 R&B hits from 1962 to 2001, and thirty-eight top 10 singles on the R&B chart, making him not only one of the most critically acclaimed artists of his day, but one of the most successful. 1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays. 1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
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