| Femmes Fatales | Dec 29 2021 |
Rogue beach ballerina finally apprehended after tiring herself out.
Hollywood is a place to which some of the best looking people in the world gravitate. Even in that environment, Cyd Charisse was a standout. An accomplished dancer with the physique to match, she was a hotty in her mid-twenties in movies such as Tension, and was still hot in her mid-forties dancing in the opening sequence of The Silencers. The above trio of photos show her at twenty-four and were made on Santa Monica Beach in 1945, capturing her working through a couple of maneuvers none of us can ever hope to duplicate. And below, you see what all that dancing does to a person. Even superior humans like Charisse get pooped occasionally. She's done. But after a lot of good work. See another fun promo image here.
| Femmes Fatales | Dec 8 2021 |
You're the new secretary? Take a memo. Recommendation: bonuses for everyone in the HR department.
We've been making our way through the old television show Bewitched, which has been entertaining and surprisingly funny. As always, such series had numerous guest stars, some of whom would later become famous themselves. Beverly Adams, who you see above, guest starred on the show in 1965, episode 30, as a character named Danger O'Riley, and rarely has an actress made such a splash. It wasn't her first Hollywood credit, but it was one of her most memorable. See what we mean here. Adams went on to appear in such films as The Silencers, Murderer's Row, and The Ambushers, as well as television shows like Police Story and Quincy M.E. She was never a big star, but she was certainly a rare beauty. This photo dates from 1967.
| Femmes Fatales | Mar 24 2021 |
This is what happens when you send a dancer to do a killer's job.
This is just ridiculous from Cyd Charisse. She has nowhere near proper shooting stance. Her base is totally off. She doesn't have her firearm properly braced. Where do you even start with this? She isn't going to hit anything. Luckily, she didn't have to rely on marksmanship to make a living. Instead, she danced and acted in numerous hit movies, including Singin' in the Rain, Brigadoon, and The Silencers. This image was made as a promo for her 1956 musical Meet Me in Las Vegas, which was a who's-who of musical talent, including Lena Horne, Liliane Montevecchi, Frankie Laine, the Four Aces, Sammy Davis, Jr., and others. Interestingly, it was also known as Viva Las Vegas, a decade before the Elvis movie. We can already picture Elvis fans raising an interjecting finger, but it's absolutely true. We explained it way back in 2011, and if you check out that write-up you'll also see Charisse in a slightly better shooting stance. She still won't hit anything. But at least she's on two feet.
Singin' in the RainBrigadoonThe SilencersMeet Me in Las VegasViva Las VegasCyd CharisseLena HorneLiliane MontevecchiFrankie LaineThe Four Aces
| Femmes Fatales | May 24 2020 |
Don't change a thing for anybody.
You know we're Stella Stevens fans here. Though we prefer the thirty-plus version of her, she first turned heads as a model in her early twenties, posing for a Playboy centerfold published in 1960, sessions from which the above shot originates. Stevens had begun acting before then, appearing in three films released in 1959. The next year she won a Golden Globe for New Star of the Year, and eventually appeared in dozens of films and television shows. She was always a good actress, but never scored prestige roles. She did, however, grace some low budget classics, foremost among them the blaxploitation flicks Slaughter and Cleopatra Jones and the Casino of Gold. Mixed in were cheeseball hits like The Poseidon Adventure and The Silencers, and an occasional good movie, such as The Ballad of Cable Hogue. All in all she's had an amazing career, on pause since 2010. But she'll never be on pause on this website. More Stella here and here.
Edit: We recieved an e-mail from Herman, a man who knows a thing or two about mid-century celebs and has helped us with corrections, and he wanted to remind us:
I certainly appreciate that image of Stella. Although I have been a fan of PB since the mid 50s as a boy, I don't believe I have seen this particular photo. Of course, I have to say I believe you left some important points out of your commentary about her. I believe you said once you are not a particular fan of Elvis Presley (that may have been someone else) but without the 1962 Girls, Girls, Girls appearance I don't think she would have caught on so quick. Don't forget that the reason PB recognized her in the first place was because of her appearance in Li'l Abner in 1959. I know you didn't set out to do a biography on her, but these were points I think are important in her chronology.
Agreed, H, Stevens has a long and interesting story. We didn't set out to write a biography, as you said, but we may need to spend a little more time on her to give her proper due. She's not a subject we'll tire of easily.
PlayboySlaughterCleopatra Jones and the Casino of GoldThe Poseidon AdventureThe SilencersThe Ballad of Cable HogueGolden GlobeStella Stevensblaxploitationnudity
| Vintage Pulp | Aug 16 2019 |
With special guests the Slaymates of the year.
Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular. Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries.The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers. The movies were populated by a group of women known as Slaygirls, and the actresses on the posters below are posing as members of that deadly cadre. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn.
These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. There's been renewed interest in her, including portrayals in two 2019 films—The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood. Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen.
We glanced at The Silencers a while back and found it just a little too dumb to consider slogging through the series, but maybe we'll have another go at it. We're sort of newly interested in Tate too, and since The Wrecking Crew was her next-to-last screen role, we want to have a look. Allegedly, Dean Martin quit this highly successful franchise because it felt wrong to go on with it after the Tate–LaBianca murders in August 1969. From what we've read about the era, Martin was far from the only person who felt as if that event changed everything. These days Tate's death makes anything she's in seem ironic and portentous, even, we suspect, a piece of fluff like The Wrecking Crew.
The Wrecking CrewThe SilencersMurderer's RowThe AmbushersDean MartinElke SommerTina LouiseNancy KwanSharon TateKenya CoburnDonald HamiltonLeno LaBiancaRosemary LaBiancaCharles Mansonposter artcinema
| Femmes Fatales | Jun 10 2016 |
Doubting Thomas is a very bad idea.
We mentioned Larri Thomas when we wrote briefly about The Silencers a few days ago. We thought the image used on the promo pamphlet was great femme fatale material, so we brought back a version of it today. Thomas, born Lida Larrimore Thomas, typically appeared in films as a dancer, leading to the roles being uncredited. Still, she worked steadily through the 1950s and 1960s. This photo is from 1966.
| Vintage Pulp | Jun 4 2016 |
Dean Martin gives James Bond a spin—of the bottle.
Above, a Japanese program book for The Silencers, first film in the Matt Helm series about a constantly drinking government agent, starring Dean Martin in a role perfect for his boozing partyboy persona, along with Stella Stevens, Daliah Lavi, Nancy Kovack, and Cyd Charisse. That's Larri Thomas in a towering up-do on the front cover. She's in the film for probably ninety seconds, sadly. Whether you enjoy the rest of it will depend on whether you find the smarmy Martin charming—and can tolerate his cheeseball crooning. The Silencers premiered in the U.S. in February 1966 and hit Japan today in 1966.
