That's a lovely compliment, but I haven't showered since yesterday. I did make some muffins earlier.
This is an interesting cover for the 1962 novel Sweet Smell of Lust by Arnold Marmor, with its mirror perspective and extra large Oscar standing on the bureau. Basically, it's the story of two women vying for the same plum film role. One woman is older, desperate, and ruthless enough to pull dirty tricks for the role, while the other is young and naive to the point that she'll do whatever she's asked, even if it means ending up on her back. There's something in the air indeed—pheromones. Agents, directors, criminals, hardcore partiers, and the obligatory oversexed lesbian round out the cast. There are numerous vintage books in this Hollwood sleaze category, so many that the genre cries out for a cover collection. Maybe we'll put one together.
Good weather, excellent visibility, with a 100% chance of Santa.
What says Christmas more than 72 degrees and mostly clear? These photos were made at the 1950 Santa Claus Lane Parade, a decades long Los Angeles tradition, which we bet was never cancelled due to weather. Actually, it was cancelled several times—during World War II due to blackout restrictions. Otherwise, smooth sailing. At some point the name of the event was changed to the Hollywood Christmas Parade, but it still takes place today. The extravaganza's route begins on Hollywood Boulevard and turns onto Sunset. The above shots feature, from top to bottom, show business luminaries Eddie Cantor, Jack Benny, Jimmy Durante, Peggy Lee, Leo Carrillo, Phil Harris, Alice Faye, Red Skelton, and William Bendix.
Kenneth Anger explores Hollywood's darkest recesses in his landmark tell-all.
Kenneth Anger's Hollywood Babylon is the grandaddy of all Tinseltown exposés. It was published in 1965, banned ten days later, and shelved until 1975. It's exactly as advertised, outing everybody that was anybody for everything. Entire chunks are devoted to Charlie Chaplain, Lana Turner, Errol Flynn, Fatty Arbuckle and other cinematic luminaries. Some of its claims have been proved false—for instance the assertion that Lupe Velez died with her head in a toilet, and that Clara Bow screwed the USC football team (we doubt anyone really believed that one, even back then). But other tales are basically true, including accounts of various legal run-ins and feuds.
Anger's writing is uneven, but at its most effective mirrors the type of pure tabloid style that influenced the likes of James Ellroy and others. Besides the salacious gossip the book has a ton of rare celeb photos, and those are of real worth. We've uploaded a bunch below. They came from a digital edition because our little paperback was too fragile to get on a scanner. By the way, don't feel as if we're working overtime on our website this Christmas morning—we uploaded everything in advance and are actually nowhere near a computer today. We're glad you took a minute to drop by. Copious vintage Hollywood below.
Enough wattage to light all of Hollywood.
This promo image features U.S. actress Jane Powell, née Suzanne Burce, who started in show business as a child, as an adult appeared in films such as Holiday in Mexico, Rich Young and Pretty, and The Girl Most Likely, and eventually was given a star on the Hollywood Walk of Fame. Powell played mostly wholesome good girls, which is why this striking shot of her in a skirt way too short for the period is such an interesting rarity. It was made in 1954.
It's not a party until someone gets broken.
Ramona Stewart's The Surprise Party Complex is a mostly forgotten tale of West Coast weirdness, with wannabes, once-weres, and their children mixing in and around a Hollywood boarding house called the Pyrenees. The goings-on of a particular summer are chronicled by fifteen-year-old Pauline, who's been dragged out to Tinseltown by her father, a man intent on restoring a lost fortune by making a big score on a silver mine. Pauline ends up chumming aimlessly around with two other Pyrenees teens, both of whom have bad parents and lots of idle hours. They have some comic misadventures, and naturally one of them has problems a bit darker than the other two. The basic theme here is all that glitters in Hollywood is not gold, and the young generation has issues. Yes, it sounds like the same novel that has been written about every generation since at least World War I, but this is one of the better efforts, we think, and cleverly written too. It captures a place and mood that, as former L.A. residents, really enthralled us. This 1963 Pocket Books edition initially caught our eye because of the excellent cover art by Harry Bennett. This happens to us a lot—i.e. come for the art, stay for the story. Well, Harry certainly did his job here. We've talked about him before, and he once again shows what a unique painter he was.
Forget it, Jake. It's Tinseltown.
We were poking around the architecture forum skyscraperpage.com and ran across this interesting photo of a billboard advertising the film Chinatown. This was located in Los Angeles at the intersection of Sunset Boulevard and Marmont Lane, and as you can see it touts the opening of the film today in 1974. We lived on the west side of L.A. for four years, and used to pass this spot occasionally. Marmont Lane winds to the right toward the famed Chateau Marmont Hotel, where luminaries such as Howard Hughes, Natalie Wood, Elizabeth Taylor, and James Dean once made the scene, and a couple met their ends, including Helmut Newton and John Belushi.
We knew the intersection was one of the city's most important billboard spots and wondered what else had been advertised there. So we had a look. We expected to find an assortment of examples, but it turns out the locale was so coveted a relative few companies monopolized it. The first was the Sahara Hotel in Las Vegas, which erected a sign there in 1957, complete with a rotating showgirl and an illuminated marquee listing the headlining acts.
The sheer novelty of the sign helped establish the heavily trafficked intersection as one of L.A.'s go-to spots for promotion, and the sign itself became a landmark. In fact, in 1961 Jayne Mansfield unveiled a Rocky and Bullwinkle statue across the street that was inspired by the Sahara showgirl. It was commissioned by Jay Ward, producer of the television series Rocky and His Friends, for the opening of his office complex.
After the Sahara moved on in 1966 the location was divided into two-tiered advertising. For almost three decades the iconic Marlboro Man towered above the intersection on the higher billboard, first on a horse, and later sans mount. During the time Chinatown was advertised Mr. Marlboro was standing vigil above. The lower location hosted ads for Stroh's and numerous other products, but was a particularly popular home for movie billboards. We found shots of billboards for Looking for Mr. Goodbar, Black Sunday, and other popular films of the 1970s.
Tens of thousands of billboards dot the Los Angeles landscape, especially around Hollywood. An uptick of political billboards has some Angelenos considering whether these objects are more akin to visual pollution. They're already illegal in entire U.S. states, including Hawaii and Maine. We always thought they further cluttered an already chaotic landscape, but we imagine they will survive in Los Angeles longer than almost anywhere else in the U.S. Tinseltown is a place where you don't get people's attention unless you scream for it. Nothing screams better than a well placed billboard.
Every night in Paris is a treasure hunt.
This “Paris la nuit” themed issue of Folies de Paris et de Hollywood from 1959 has, in addition to the usual dancers and showgirls, a list on the cover of the clubs at which they worked. We already knew some of the places, like The Crazy Horse Saloon and Pigall's, but there are many more, all with amazing names: Boule Blanche, Drap d'Or, Shako, Grisbi, Shocking, Le Sexy, et al. If we had to choose just based on the name we'd go with Shocking. It can't be too wild in 1959, right? Anyway, the list gave us the idea of digging up photos of these venerable entertainment halls, but you'd be surprised how few historical shots exist. We're going to keep working on that. In the meantime, enjoy the photos below of the artists who occupied those stages. They include Dolly Bell, Kitty Tam-Tam, Nicole Dore, Carole Riva, and more.
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