Can there ever be too much of a good thing?
We're still cleaning out that pulp closet, so above you see some random scans from another National Police Gazette. We have an excess of this magazine, and since these late stage editions aren't as interesting as the ones from the ’50s and ’60s, they have to go. And speaking of overabundance, our favorite story in this issue is, “The 3 Ways Wives Murder Their Husbands.” What are they? Apparently, food, aggravation, and sexual excess. We're guessing very few husbands receive number three on that list. But the good news is now you can tell your significant other that one of the world's oldest tabloids, a magazine established in 1845 and full of wisdom, says you should be killed with sex. Good luck with that.
Elsewhere in the issue you get Jacqueline Bisset, Gene Tunney, Jean Harlow, and the strange death of Paul Bern. The Bern incident is part of Hollywood lore. He was married to Jean Harlow for four months when he committed suicide by shooting himself. He left a note behind that apologized for a “frightful wrong" he had done Harlow, and referred to the previous night as “only a comedy.” It led observers to believe Bern had a sexual problem that he tried to solve by artificial means, only to fail. A strap-on, was the inference made by tabloids. But the truth never emerged, certainly not from Harlow herself. There's more to the story, and maybe we'll get into it later. Scans below, and more issues of Gazette here.
Kenneth Anger explores Hollywood's darkest recesses in his landmark tell-all.
Kenneth Anger's Hollywood Babylon is the grandaddy of all Tinseltown exposés. It was published in 1965, banned ten days later, and shelved until 1975. It's exactly as advertised, outing everybody that was anybody for everything. Entire chunks are devoted to Charlie Chaplain, Lana Turner, Errol Flynn, Fatty Arbuckle and other cinematic luminaries. Some of its claims have been proved false—for instance the assertion that Lupe Velez died with her head in a toilet, and that Clara Bow screwed the USC football team (we doubt anyone really believed that one, even back then). But other tales are basically true, including accounts of various legal run-ins and feuds.
Anger's writing is uneven, but at its most effective mirrors the type of pure tabloid style that influenced the likes of James Ellroy and others. Besides the salacious gossip the book has a ton of rare celeb photos, and those are of real worth. We've uploaded a bunch below. They came from a digital edition because our little paperback was too fragile to get on a scanner. By the way, don't feel as if we're working overtime on our website this Christmas morning—we uploaded everything in advance and are actually nowhere near a computer today. We're glad you took a minute to drop by. Copious vintage Hollywood below.
And you think America is polarized today.
The iconic polar bear rug. What can you say about them? Well, it's not a good look nowadays, but back then people thought these sorts of decorations were quite chic. When did that end? Possibly shortly after the three-hundredth Playboy model posed on one, or when many people began to see trophy hunting as the obsession of vain and unsavory millionaires. One of those two. Personally, we blame Hefner. In the shot above Jayne Mansfield and Mickey Hargitay take polar bear style to its pinnacle. Just look at that room. Besides the bear they have a copper ceiling, satin curtains, and a white shag rug. It's a pimp's wet dream and all of it must have cost a fortune. We like to imagine what the look on Jayne's face would have been if anyone walked in with a brimming glass of red wine. We bet she'd have turned whiter than the bear.
We have more photos in the same vein below. If you need help identifying the stars, their names are in our keywords in order of appearance. Looking at the entire collection, we tend to wonder if there were three or four bears that ended up in all the photos. You know, like bears owned by certain photography studios or prop departments. Just saying, a couple of them look suspiciously similar. But on the other hand, how different from each other do bears really look? You'll notice that the poor creatures were generally posed to look fierce. But by contrast Inger Stevens' bear, just below, strikes us as a bit reflective and melancholy, which is understandable. Elizabeth Montgomery, meanwhile, gets extra points for wearing her bear. We have twenty-plus images below, including another shot of Mansfield, sans Hargitay.
No I won't turn to the left. This is my good side.
Above you see the legendary Jean Harlow in an awesome MGM promo shot made for the pre-code gangster film The Beast of the City, a movie often (but mistakenly) called a film noir. Harlow plays a gun moll who gets involved in an affair with a cop. The movie came out in 1932, which dates the photo as from that year or the end of the previous year.
Let me have one last kiss before you go out there, so I can enjoy your face the way it was.
W.R. Burnett followed up his 1929 gangster novel Little Caesar with 1930’s Iron Man, the story of a boxer named Kid Mason who is laid low not by his ring opponents but by the machinations of unsavory hangers on and a femme fatale—who’s unfortuntately also his wife. We showed you the hardback dust jacket to this a while back. This paperback from Avon goes full pulp with the teaser, promising a “toboggan-slide of passion, a headlong express that rips through the heavens and plunges to the bottom of hell.” That sounds fun, and indeed it was well reviewed, and was adapted into a film in 1931 with Lew Ayres as Mason and Jean Harlow as his wife. The cover art is uncredited.
Confidential goes full throttle on the high seas.
On this Confidential from February 1965 the publishers give their cut-and-paste artists a month off and grace the cover with a simple portrait of Brigitte Bardot and her famed pout. Inside the editors air out her love life in a way that today would be called slut shaming—pretty much stock-in-trade for Confidential. The suggestion is she won’t come to the U.S. to act because she’s busy Morockin’ around the clock with Moroccan-born producer Bob Zaguri. Elsewhere in the issue you get Romy Schneider, Jean Harlow, Alain Delon, Peter O’Toole, love behind the Iron Curtain, and an outraged report on pharmaceutical companies marking up medicines 200%, 500%, even 7,000%. Yes, medicines cost too much in the U.S. even back then. But don’t take our word for it. Take Confidential’s—their story ends by declaring that drug companies have Americans by the balls and the only way to avoid the drug price racket is to not get sick.
But moving on, as we mentioned last week, we wanted to look at tabloid attitudes toward gay culture, and this issue has two articles along those lines. The first involves gay cruises off the Florida coast, an activity Confidential informs readers was devised as a way to avoid Dade County vice cops. Once the boats were in international waters therewas no law, local or federal, which could be applied against shipboard activities. We’ll come back to that in a sec. The other story involves what Confidential describes as the middlesex—i.e. people who lack strong masculine or feminine characteristics. The story is concerned with this only as a social issue and makes no mention of physically intersex persons who genetically are neither male nor female.
For Confidential the issue is simple—men are no longer macho enough and women are no longer (submissively) alluring enough. Of course, gay men are the ultimate villains here, and to make the topic emotional for readers Confidential paints a picture of an America devoid of Jayne Mansfields and Lana Turners. The article’s author Harold Cimoli sums it up this way: “As female busts and hips grow ever narrower even Playboy may have trouble keeping its broad-watchers supplied with bosomy playmates.” And there’s also this tidbit: “Designers of both types of clothing are poaching unforgivably on the styles of each other. The main hope must be the evolution of an entirely new style of ensemble for these new phenomena and a new branch of the industry to supply it.” Were they really this comically worried about visual identification issues? Of course they were—what could be more disturbing to guardians of a prevailing social structure than people managing to wriggle out of their pre-assigned boxes?
The story on gay cruises is a bit more typical of mid-century tabloids—it’s just a takedown piece. Gay men are blithely described as “lavender lads,” “minces,” and other words we wouldn’t dare dirty our website with. The effusiveness of the magazine’s hateful and sneerful terminology suggestsjust how certain Confidential editors were that homosexuality was completely beyond the pale. And yet, nearly every issue harped on the subject, either directly or indirectly. For instance, here we get full reportage on a maritime cabaret show featuring drag queens, followed by detailed descriptions of music, dancing, and gambling. You’d almost think the writer Gaye Bird—nice, right?—was actually there.
The cruise is eventually reported to the boat rental agency in Miami, whose owner vows that he will never again allow his vessels to be used for such debauchery. The response from the organizer of the cruises was this: “There are approximately one-hundred thousand boats or ships of some sort or another. I think we’ll be able to find some way to balance supply and demand.” Ouch—zinged right in the Econ 101s. Doubtless Confidential expected the congressional switchboard to light up over this outrageous appropriation of boats meant for exclusively heterosexual usage, but whether it happened we can’t say—the story ends there. And Confidential readers were left to endure thirty days of disquiet until the next gay bashing issue came out. We won't wait quite that long—we'll explore this subject in another tabloid soon. More scans below.
You’re a spoiled boy, Tommy. You want things and you’re not content until you get them.
One thing about writing Pulp Intl. is it gives us an excuse to fill in blanks in our movie résumé. The Public Enemy, starring James Cagney, Jean Harlow, Edward Woods, and Joan Blondell, was one such blank—until last night. A rags-to-riches-to-ruin story, it was one of the earliest gangster flicks, one that was a big hit but which had suffered the scissors of Hays Code censors. It’s always interesting to note the scenes cut from a post-Code movie, because those say the most about attitudes of the times. For example, the scene in which Cagney is measured for a suit by a gay tailor differs in no discernable way from such scenes in today’s movies. There’s macho discomfort by the lead and effeminate fussing by the tailor that leads to the inevitable inseam measuring, all played for cheap humor. We don’t condemn or endorse this sort of thing—it’s just fascinating to see how little has changed in eighty some years. Two other scenes were cut due to sexual suggestiveness, and those are also quite interesting to watch.
But what’s most important of course is James Cagney, and he is indeed amazing as Tom Powers, a kid whose ambition propels him toward the big cash and high risk of the Chicago bootlegging underworld. Not only was The Public Enemy a career-solidifying role for Cagney; it brought Jean Harlow to the notice of a much wider audience than she had reached up to that point. Her true breakout would come months later in The Platinum Blonde, but to be blunt, it’s lucky for her she had Howard Hughes molding her career, because her performance in The Public Enemy could have killed her chances to land a starring role. To a certain extent, she’s supposed to be damaged goods, someone who isn’t ever particularly fazed or impressed or emotive, but the scenes she should ignite—like the one in which she tells Cagney he’s just a spoiled boy—feel like rehearsals for later, better work. Contemporary reviewers agreed, panning her performance, but Harlow doesn’t damage the film. She isn’t really given much to work with, so watch this for Cagney, who scorches. The Public Enemy premiered in the U.S. today in 1931.
The headlines that mattered yesteryear.
Winston Churchill resigns as Prime Minister of the United Kingdom amid indications of failing health. He had suffered a mild stroke during the summer of 1949, and another, more severe stroke, in June 1953. News of these events were kept from the public and from Parliament, who were told that Churchill was suffering from exhaustion. After his retirement he suffered yet another stroke in February 1956, but survived for nine more years before finally dying of a fourth stroke in 1965.
1976—Howard Hughes Dies
Eccentric American billionaire Howard Hughes, one of the world's richest men, and a former movie magnate and aviation pioneer, dies on an airplane en route from Mexico to Texas. After years of self neglect, he is almost unrecognisable and fingerprints are used to identify his body. In addition, he is determined to have died without a will, meaning twenty-two cousins inherit his fortune.
2005—Rainier III Dies
Rainier III, Prince of Monaco, whose 50-plus year reign made him one of the longest ruling monarchs of the 20th century, dies of heart and kidney conditions after more than a year of progressively worse health. Rainier is probably best known outside Europe for marrying American actress Grace Kelly, and he was buried in Monaco next to her, twenty-three years after she had perished in a car accident.
1943—Conrad Veidt Dies
German actor Conrad Veidt, who starred in films such as The Man Who Laughs and The Thief of Baghdad, but was most famous for playing the Nazi antagonist Major Strasser in the all-time cinema classic Casablanca, dies of a heart attack on a golf course in Los Angeles, just six months after Casablanca was released.
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