Ida done it better.
Occasionally we run across a VHS box we really like. This one for the 1954 film noir Private Hell 36, with Hollywood legend Ida Lupino in repose on the front, caught our eye with its simple but beautiful design. Anything with Lupino involved is worthwhile, including this film. We talked about it earlier this year, here.
Ida done it her way.
Above, an interesting German language promo poster for the Ida Lupino film noir Private Hell 36, which we talked about last month. Lupino is considered a film pioneer for her migration into directing, but she's always good in front of the camera too. This piece is signed, though illegibly, so another artist loses their chance for internet immortality. Private Hell 36 premiered in West Germany today in 1956
We'd to hate to find out what the other thirty-five are like.
Private Hell 36. It doesn't mean anything, but what a great title. And it comes with two great promo posters. These are probably in the first two chambers of hell to lure you in. Made in 1954, this film noir co-stars and was co-written by Ida Lupino, who plays a woman who is convinced to help the police on a stakeout for a counterfeiter. She'd been passed a fake fifty but the police can't identify the crook unless she sees him and fingers him. As the days pass cop Steven Cochran takes a liking to her, and she to him. Star-crossed love in the noirish night. Lupino wants the finer things in life. Cochran wants to give them to her. When counterfeit bills start blowing on the wind, Cochran and his partner split over stealing the cash. You know where this goes—nowhere good.
Cochran is really good in this. As his decisions hurt those around him and his circumstances constrict his possibilities in the worst way, the performance he gives generates tension and empathy. Lupino does her usual great job, and the support from Dorothy Malone and Howard Duff is perfect, so in the end what you have is a solid film noir tinged with affecting interpersonal drama and working class pathos. In real life we don't feel the least bit bad for dirty cops, but that's the beauty of art—it puts you in other people's shoes and for an hour or two you understand. Private Hell 36 is short and to the point. It asks: If $80,000 landed in your lap would you keep it? In film noir, you better not.
Do you, Edmund, take this woman to be—and stop me if you've heard this before—your lawful wedded wife?
The title of The Bigamist may seem to give the plot of the film away, but the point of this once-neglected-now-rediscovered drama is not the revelation of bigamy, but rather the details of how a man ends up with two wives. Edmond O'Brien plays a successful traveling salesman married to lovely Joan Fontaine, and their lives in San Francisco seem pretty good, despite all the time O'Brien spends away on sales trips. When they decide to adopt a child the agency's investigation uncovers O'Brien's other wife Ida Lupino in Los Angeles, and an entire domestic existence with her. Oh what a tangled web.
From that point forward The Bigamist is O'Brien's mea culpa to the insurance agent who busted him. This movie pops up a lot on television but not because it's great—because it's in the public domain, and because people are interested in the output of Lupino as a director. Yes, she helmed this one and did so with style, turning what was probably destined to be a forgettable melodrama into a quasi film noir. In the end the movie still isn't great, but it's a lot better than it should be thanks to Lupino. The Bigamist premiered in the U.S. today in 1953.
Breakdown dead ahead.
Speaking of driving, here’s another poster for the thriller They Drive by Night. We already talked about it a bit last month and shared a French poster from 1947. The movie is excellent, considering how the last act is written, and Ann Sheridan is especially good. We also like her in the center of this photo-illustrated poster. They Drive by Night had its world premier today in 1940.
Scenes from the class struggle in film noir.
This nice piece was painted by French artist Emmanuel Gaillard for Une femme dangereuse, which was originally released in 1940 as They Drive by Night. The movie, which is adapted from A. I. Bezzerides’ 1938 novel Long Haul, deals with two wildcat truckers caught in the American class struggle—you know, that thing all the millionaire pundits on television tell you doesn’t exist? The drivers want to rise above their station, but find many obstacles in their way, including leasing companies, fruit buyers, competing truckers, road accidents, injuries, fatigue, and eventually, murder. While the world-against-the-working-man aspect is interesting, the best part is watching George Raft and Humphrey Bogart play the two hard luck drivers. The movie also boasts the excellent Ann Sheridan, as well as film noir icon Ida Lupino in full-on crazy mode. But like the several trucks onscreen that veer off the road, the movie itself lurches into melodrama at the end. Une femme dangereuse had its French premiere today in 1947.
Anything you can do, I can do better.
England-born actress Ida Lupino began in film as a bleached blonde leading lady, and eventually appeared in fifty-nine productions. A nice career by any measure. But along the way she also produced, directed, and wrote, becoming one of the first women to take complete control of film projects in Hollywood. She contributed significantly to film noir with her work on 1953’s The Hitch-Hiker, and more importantly, contributed to the cause of women in the workplace with virtually everything she did. This Paramount promo shot dates from the beginning of her career, 1934.
Rita Hayworth is a human 4th of July fireworks show.
Over in the U.S. this is the day that makes cows tremble in fear—July 4, or Independence Day. Since moving away from the States we’ve had to get used to a whole new set of holidays, and while those events are truly amazing, none of them involve the searing of millions of hamburgers on outdoor grills. In our own way we’re trying to change that by teaching our friends what exactly goes into a great hamburger, but working one friend at a time it may be some years before we really make an impact on the local cuisine. However, we can participate in July 4 in a more immediate way by sharing a couple of images from a July 1943 Motion Picture-Hollywood Magazine of that most beloved of golden age American stars, Rita Hayworth. Other stars inside include Norma Shearer, Jeanette MacDonald and Merle Oberon, and you also get the most famous photo of Betty Grable ever shot. Okay, our work is done. Though we can’t find a decent burger in this corner of the world (yet), we do have a wide beautiful plaza just one block away and on that plaza is a quiet bar with outdoor tables and friendly staff members that keep us well-stocked with ice cold bottles of white wine. That’s going to be the rest of our day. Enjoy the rest of yours.
The headlines that mattered yesteryear.
1911—Team Reaches South Pole
Norwegian explorer Roald Amundsen, along with his team Olav Bjaaland, Helmer Hanssen, Sverre Hassel, and Oscar Wisting, becomes the first person to reach the South Pole. After a celebrated career, Amundsen eventually disappears in 1928 while returning from a search and rescue flight at the North Pole. His body is never found.
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties
of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl
Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
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