|Vintage Pulp||Oct 23 2019|
Original comedy-thriller concept wrapped in favor of something darker.
When we stumbled across The Mummy's Hand a while back, we were amused and charmed by the film. So naturally we went straight for the follow-up, The Mummy's Tomb, for which you a promo poster above. Sadly, this movie proves that Hollywood has always been terrible with sequels. The humor and charm of Hand is gone. Instead the filmmakers go for straight horror, having disposed of two of the four main characters from Hand before the story even opens, and rudely dispatching the other two after minimal participation. Were there contract troubles? Scheduling difficulties? Did the stars demand raises? If so, the mummy took care of the negotiations by killing the offending parties, but along the way the movie got embalmed. And we were so looking forward to seeing the original characters from The Mummy's Hand in a series of light thrillers. No such luck. Our guess—unsupported by any evidence—is that because Lon Chaney, Jr. was a breakout star and had been brought aboard for this film, the suits decided make the mummy central rather than ancillary, as he had been in Hand. Chaney's Mummy entries were successful, but most reviews rate the Chaneyless original as the best of the group. We agree. The Mummy's Tomb premiered in the U.S. today in 1942.
The Mummy's TombLon Chaney Jr.Dick ForanElyse KnoxJohn HubbardGeorge ZuccoTurhan Beyposter artcinemahorrormovie review
|Vintage Pulp||Sep 20 2019|
Plundering priceless cultural treasures can be loads of fun.
We haven't seen many mummy movies but if they're all like this one we'll look for more. The Mummy's Hand is a deft blend of comedy and thrills, with Dick Foran and Wallace Ford playing a pair of goofy archaeologists in Egypt who stumble upon clues that point to the jewel laden tomb of a dynastic princess. They don't have any cash, so they charm Cecil Kellaway, who here is credited as Cecil Kelloway, into financing the expedition. His daughter, the beautiful Peggy Moran, comes along for the ride.
Everyone is good in this, but Kelloway is especially enjoyable. He plays a famous magician, very adept but a bit distracted, which leads to several amusing moments, including one in which he gets locked in his own steamer trunk. There isn't a single Egyptian in this film, just white guys wearing brown shoe polish and scraggly beards, but casual cultural insensitivity is par for the course during this era. Depending on what you're willing to overlook The Mummy's Hand is about as good-natured and fun as a film gets. It premiered in the U.S. today in 1940.
EgyptThe Mummy's HandDick ForanWallace FordPeggy MoranCecil KellawayCecil KellowayGeorge ZuccoTom Tylerposter artcinemamovie review
|Femmes Fatales||Jul 13 2019|
Not with my daughter you don't.
They say the apple doesn't fall far from the tree. We wonder if legendary pin-up painter and connoisseur of the nude female form Earl Moran was upset about that. We ask because that's his daughter above, Peggy Moran, posing in the altogether in this shot made by famed photographer Alfred Cheney Johnston around 1936. Did Earl and Al know each other? Well. That must have made for an interesting discussion. But what could Earl say, really? Of course, another intriguing possibility is that he never knew. Generally, models kept their early nudes secret. Marilyn Monroe changed the paradigm when her naked shots came out and she shrugged and said, “And? Pervs. So what?” We're paraphrasing.
Maybe Peggy kept her nude session quiet, but we prefer the idea of Earl and Alfred having a little tête-à-tête about it:
“But Alfred, I thought we agreed she was off-limits.”
“I know, Earl, but look at her. I'm only a flawed fifty-something human male faced with youthful feminine perfection. I mean, she's 100% f'dilf.”
“Wha... what? She's a what?”
“You know. A friend's daughter I'd...” *winks and grins*
“I'm gonna fucking kill you.”
This stuff writes itself. In any case, two years after the above shot was made Moran got her break in films and by 1940 was a regular on the silver screen, appearing in One Night in the Tropics, Drums of the Congo, and about thirty other films. Talentwise, she had the goods, as a glance at the very enjoyable goofball horror movie The Mummy's Hand will confirm. Her career hit overdrive by 1941, but it didn't last long—she got married and gave up show business to raise a family. Her last role was in 1943. Her nudes finally saw daylight sometime after that.
The Mummy's HandOne Night in the TropicsDrums of the CongoPeggy MoranEarl MoranAlfred Cheney Johnstonnudity
|Modern Pulp||Oct 11 2018|
Seven monsters for the Halloween season.
As we get a closer to Halloween we thought it was time to put together a little tribute to the types of monsters that make the occasion fun. These are carved woodblock ink prints by artist Brian Reedy of seven classic horrors. We're sure you recognize the first six, but possibly not the seventh. That one is the shadow monster from the television series Stranger Things, a modern classic creation—in our opinion anyway—from a show well worth watching if you haven't seen it.
Stranger ThingsCreature from the Black LagoonFrankensteinThe MummyDraculaThe Wolf ManBrian Reedyhorror
|Femmes Fatales||Sep 6 2017|
Don't it make her brown eyes blue (or her blue eyes brown).
Ramsay Ames is not well known today, but she had a nice career, appearing in movies such as The Black Widow, Below the Deadline, and The Mummy's Ghost. She also worked as a model, dancer, pin-up, and television host—the latter in both the U.S. and Spain. During her years in Spain, she became close with Ava Gardner, who was also living there, and we imagine they got up to all sorts of mischief. This is an amazing photo of Ames. The photographer obviously wanted to comment on the luminescence of her eyes by setting them against several pieces of gleaming jewelry. We were curious what color they were. A quick check on the internet—and this is the thing about the internet—turned up definitive assertions that they were brown, but others that they were blue. We'd prefer brown, but maybe they were both, like one of each. In any case, it's a very successful photo. We don't have a date on it, but we can safely assume it's from around 1945.