This is a mean old world, baby, to live in all by yourself.
Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.
You can eat an apple a day but it won’t keep this doctor away.
Above is I Capolavori della Serie KKK Classici dell’Orrore number 127, entitled Gli esperimenti del Dott. Hass, aka The Monster, published in 1969, written by Patty North, who was really Franco Marotta. And of course the brilliant art is by Benedetto Caroselli, whose work you probably recognize by now. Marotta also wrote Il robotto maledetto, which means so far he’s written about an evil doctor and an evil robot. The book also has a short story beginning on page 121 called “Violenza,” which was penned by Roland Greaves, who was really Renato Carocci. That’s a lot of entertainment for just a few euros, and well worth it.
, Grandi Edizioni Internazionali
, I Capolavori della Serie KKK Classici dell’Orrore
, Gli esperimenti del Dott. Hass
, Franco Marotta
, Benedetto Caroselli
, Roland Greaves
, Patty North
, Renato Carocci
, cover art
A tongue is worth a thousand words.
Is it time for another Caroselli? Of course it is. So above we have his art fronting Grandi Edizioni Internazionali’s 1971 book Troppe donne per Casa… which means Too Many Women for Casa… Casa is of course the adventurer Giacomo Casanova, and he always had time for women, especially ones like these that get all Miley Cyrus with their wandering tongues. You know, we had forgotten how much we appreciate a blatantly visible female tongue until she reminded us. So we owe her thanks for that. But we still want every piece of music she’s ever made to be rocketed into the center of a quasar. Historical note: Casanova trysted with a mere one-hundred-twenty-two women during his life. Wilt Chamberlain probably did that in a slow year. But it’s all about quality, not quantity, right? See another Caroselli/Casanova pairing here.
Oscar Wilde was an okay writer and all, but you know what his fiction really needed? Women in catsuits.
Believe it or not, this book entitled Il vizio che brucia (translation: “The Vice that Burns”) is Oscar Wilde’s macabre classic The Picture of Dorian Gray, sexed up for the Italian reading market. Who is this supposed to be on the cover? Sybil Vane, the innocent young actress? The country girl Hetty Merton? Neither, we suppose, since they didn’t wear backless catsuits, as far as we remember. But even if this pulpification of Wilde’s classic has no relationship to the actual text, the Benedetto Caroselli art makes it collectible. The edition was published by Grandi Edizioni Internazionali as part of their I Romanzi Diabolici series and appeared in 1964. See more Caroselli here.
No matter how secure the lock, he had the key.
Grandi Edizioni Internazionali published a series called I grandi personaggi, or The Great Characters, and one of those personalities was Giacomo Casanova, the famed adventurer and lover. Looking around online, we learned that GEI printed seemingly Casanova’s entire thousands of pages of memoirs as Gli amori di Casanova broken up into small novels with pulp style covers like the one above. As far as we can tell there were (no joke) sixty-nine of these books, including this one, Il cavallo di Troia, or The Trojan Horse, which is presumably about how he secretly entered an impregnable, um, fortress. The art is once again by the great Benedetto Caroselli and we can only say that to have all sixty-nine of these with Caroselli covers would be quite a coup. If you haven’t seen the previous Carosellis we’ve shared, check here and here. In our minds, the guy is a master.
She's dressed to be killed.
We found another I Capolavori della Serie KKK Classici dell’Orrore cover with Benedetto Caroselli art for your enjoyment today. This time it’s La perversa by Reg Sattle, aka Oretta Emmolo, published by Grandi Edizioni Internazionali in 1964. We’ll see if we can dig up more of these somewhere.
Another obscure Italian artist produces a masterpiece.
Some random goodness today, a cover for Sangre de toro (“blood of the bull”), book 109 of I Capolavori della Serie KKK Classici dell’Orrore (KKK Masterpieces Series of Classic Horror), a popular collection published by Grandi Edizioni Internazionali beginning in 1962. This entry arrived in ’68, and was written by R.C. Perez, or in reality the Italian author Renato Carocci, who inhabited an array of pseudonyms that included René du Car, Christian Busch, Harry Carren, Roland Graves, Lucien Le Bossu, James Darren, and Elizabeth Cronin. The incredible art is by Benedetto Caroselli, who, believe it or not, is a fairly obscure figure—at least if we’re to judge by the extreme dearth of info about him online. This isn’t the first time this has happened with Italian art. What the heck is going on over there in Italy, guys? Surely you must love these artists as much as we do. Build a webpage or two (actually, there is one, but you don't get a good look at the art). Well, in any case, we’ll definitely have more on Caroselli soon. We won’t stop looking until we do. Too bad we can’t remember where we found this piece. We bet there’s some info there. But now a search brings up nada. Stay tuned.
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