|Politique Diabolique||Jul 9 2015|
Collier’s isn’t the most visually striking of magazines, but this issue that hit newsstands today in 1954 caught our eye because it contains several nice photos of Marilyn Monroe. There’s also a bit of interesting graphic art, specifically a colorful baseball illustration by Willard Mullin. The other item that attracted us was a story called “What Price Security?” about U.S. government overreach in its search for communists. No art to speak of, but the content gives a window onto the Red Scare period of American life. Author Charlotte Knight tells readers that government efforts against communism have been “so irresponsibly administered that it may have done more harm to the United States than to its enemies.” Sound familiar?
Knight slams witch hunting Senator Joseph McCarthy, and characterizes the fervor around alleged subversives in Washington, D.C. as creating a ripe environment for paranoiacs and liars to ruin innocent people. But of course, as well written as Knight’s article is, she should not have been surprised by anything she discovered. Witch hunts always become vehicles for revenge, personal advancement, and profiteering, because society and politics become warped in such a way as to clear a path for these pursuits. History invariably judges such periods as human tragedies and political failures, though sadly, too late for the ruined and the dead. Scans below.
|Vintage Pulp||Aug 19 2011|
Above, a rare poster for the Republic Pictures drama The Red Menace, which as you might guess was a cheeseball propaganda film designed to instill terror into Americans about communism’s plans for global domination. You get plenty of subterfuge here, along with lots of betrayals and a few brutal beatdowns, and one of the commies would later portray purest evil by voicing Cruella De Vil in Disney’s 101 Dalmations. Ironically, when The Red Menace premiered the U.S. government was entering into a period during which it would sponsor numerous anti-democratic coups in Latin America, Asia, and the Middle East. This was unknown to most Americans, but it’s debatable whether they would have been concerned. The years immediately following World War II marked a rising anti-communist wave in the U.S., a movement that would create fertile conditions for the political stardom of witch hunting senator Joseph McCarthy. He would flame out within a decade, but at the beginning of his crusade he had substantial public support. For its part, Republic Pictures was interested not in propaganda but in profit, and Menace was rush-released to take advantage of the public mood. The haste showed—the movie was spectacularly, hilariously bad, and is considered today by many to be the Reefer Madness of anti-communist films. It premiered this month in 1949.