Modern Pulp Nov 18 2017
Laura Gemser bites off more than she can chew in z-grade zombie epic.

Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.

Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”

So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.


Modern Pulp Aug 20 2017
Gemser makes a movie out of spare parts.

In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.


Vintage Pulp Aug 9 2017
Last anyone heard from him he had ventured deep into the bush.

The Japanese didn't mess around when it came to promo posters during the 1970s. This one for 1977's Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals gets the point of film across immediately. The promo stars Spanish actress Nieves Navarro, aka Susan Scott, and was taken from a production still—minus actor Percy Hogan, who's been disappeared from the original image. In the movie Hogan plays a bush guide named Salvadore, and now you know exactly what type of bush he guides himself into. It's curious he was excised from the poster, but we're kind of surprised Navarro is on there either, since all by herself she still makes for a shocker of an image. But you have to admit the overall effect is really striking. We'd even say beautiful. Looking at the minimal amount of poster text, it's pretty clear the title of the film changed. Emanuelle e gli ultimi cannibali was deemed a little too unwieldy it seems, so the distributors called it 猟奇変態地獄, which means “bizarre transformation hell.” You see the flipside of the sheet just above. If you haven't seen the movie, we'll tell you that bizarre is a pretty apt description. We did a short write-up of it back in 2013 and included more production photos, so if you're curious have a look here.


Vintage Pulp Apr 3 2016
Once you go Black Emanuelle you never go back.

Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976. 


Femmes Fatales Jan 20 2015
Rare jewels look best unadorned.

We featured Indonesian actress Laura Gemser as a femme fatale not long ago, and shared some eye-opening stills from one of her softcore romps even more recently—but then we came across this frontal 1973 shot from the Dutch magazine Chick. So we brought her back. That is all.


Vintage Pulp Oct 17 2013
Laura Gemser ventures into uncharted territory in Emanuelle and the Last Cannibals.

Laura Gemser’s Emanuelle series started innocuously enough, but soon she was running into slavers, zombies, and Amazon cannibals. It’s the latter she contends with in Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals, and she handles them and their voracious appetites for human meat the way she handles pretty much every obstacle in her movies—by getting naked. In truth, Gemser has nothing to fear from flesh eaters—she’s nothing but skin and bones. But of course her angular, stick-figure exoticism is her appeal.

You really have to appreciate how hard Gemser tries to breathe life into this one, gamely wading into fetid swamps, battling murderous anacondas, and letting ham-fisted Italian dudes paw her tender parts. Her co-stars Gabriele Tinti, Mónica Zanchi, Annamaria Clementi, and Nieves Navarro likewise give their all—including some innards, a uterus, and plenty of dignity—but the mixture of sex and gore is jarring, and the Mondo Cane style shock documentary realism is totally inappropriate. Oh, and we’ll add that the scene in which a chimpanzee smokes a cigarette—and French style, no less—is just wrong.

We gather that this was a pioneering effort by director Joe D’Amato at genre mash-up, but being neither scary nor erotic, we can only shrug at the final result. However, on the plus side of the ledger you get a groovy score from Nico Fidenco, some lush tropical scenery, and several unintentionally funny “cannibal cam” sequences. In the end, the film imparts one important lesson, which is that there’s never a bad time to get your hump on, even when homicidal cannibals are lurking in the undergrowth. Above you see the movie’s nice Italian poster, painted by an unknown. Emanuelle e gli ultimi cannibali premiered in Italy today in 1977.


Femmes Fatales Oct 5 2013
The girl has got skulls.

It’s amazing that after five years of Pulp Intl., a site partially dedicated to B-movies, we’ve only mentioned Laura Gemser once or twice before and have never featured one of her films. Probably, that’s because they’re all so bad, but we’ll take care of the omission pretty soon anyway. In the meantime here’s Gemser in a great promo shot from the Italian magazine l’Espresso, circa 1979. She was born in Surabaya, Indonesia 62 years ago today.  


Vintage Pulp Dec 8 2010
Continental Film Review specialized in international film coverage and uncoverage.

Cover and assorted interior pages of the spicy British cinema magazine Continental Film Review, with uncovered shots of Laura Gemser, Laura Antonelli,  Ursula Andress, Ingrid Steeger and others, December 1977. You can see another issue here. 


Femmes Fatales Oct 5 2009
Laura Gemser was one of Italy’s undisputed Queen B's.

You know we love our b-movies around here, and one of the all-time b greats is the lovely Laura Gemser. Originally from Java, Indonesia, she earned her fame acting in the Black Emanuelle franchise, which featured such memorable entries as Emanuelle on Taboo Island, Emanuelle and the Last Cannibals and Black Emanuelle’s Box (not what you think). After more than a decade in sexploitation, Gemser turned to costume design—ironic, considering costuming was one thing she didn’t need very often as Emmanuelle. After several years designing for Italian films, Gemser retired in Rome. But out of sight is not out of mind. Erotic cinema may be gone, but it isn’t forgotten. And neither is Laura Gemser. She turned 59 today.


History Rewind
The headlines that mattered yesteryear.
March 21
1963—Alcatraz Closes
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
March 20
1916—Einstein Publishes General Relativity
German-born theoretical physicist Albert Einstein publishes his general theory of relativity. Among the effects of the theory are phenomena such as the curvature of space-time, the bending of rays of light in gravitational fields, faster than light universe expansion, and the warping of space time around a rotating body.
March 19
1931—Nevada Approves Gambling
In the U.S., the state of Nevada passes a resolution allowing for legalized gambling. Unregulated gambling had been commonplace in the early Nevada mining towns, but was outlawed in 1909 as part of a nationwide anti-gaming crusade. The leading proponents of re-legalization expected that gambling would be a short term fix until the state's economic base widened to include less cyclical industries. However, gaming proved over time to be one of the least cyclical industries ever conceived.
1941—Tuskegee Airmen Take Flight
During World War II, the 99th Pursuit Squadron, aka the Tuskegee Airmen, is activated. The group is the first all-black unit of the Army Air Corp, and serves with distinction in Africa, Italy, Germany and other areas. In March 2007 the surviving airmen and the widows of those who had died received Congressional Gold Medals for their service.
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