Italian promo poster for the James Bond classic Agente 007: Licenza di uccidere, aka Dr. No, starring Sean Connery. It premiered in Italy today in 1963. 

James Bond soundtrack albums and singles, with production art covers, plus paintings by Frank McCarthy, Robert McGinnis and others.     

Three action-packed Japanese posters for Dr. No, with Sean Connery and Swiss beauty Ursula Andress. You can see Connery and Andress getting close in a rare promo photo here. Dr. No premiered in Japan today in 1963. 

Check out this issue of the tabloid On the Q.T. from May of 1963. As always, at least one of the stars referenced on the cover is no longer widely known. In this case it’s Sabrina. She was a British model and television actress whose real name was Norma Sykes, but who became a legitimate one-name celeb based upon the anomaly of her forty-two inch bust and eighteen inch waist. Sabrina had a thing for royalty, and allowed her hourglass measurements to be thoroughly explored by such personages as the Duke of Kent, the Marquis of Milford-Haven, Prince Christian of the House of Hanover, Knight of the British Empire Sean Connery, and King Dingaling of Las Vegas Frank Sinatra. Sabrina did indeed have a specific diet she credited with helping maintain her figure, and if you absolutely can’t go to your grave without that knowledge, it’s here.

Scanning the cover again, we see Shirley Bassey has made an appearance. Bassey is a Welsh performer who sang, among other hits, the title track to the Bond film Goldfinger. What may not be immediately apparent to those unfamiliar with her is that she is black. So the photo of her with a white man speaks implicitly of interracial scandal without trumpeting it to the heavens in a headline. Perhaps that sort of restraint is why On the Q.T. called itself the class magazine in its field. Of course, on the not-so-classy side of the ledger is the banner concerning lesbians, with quotation marks around the word “pass.” Either this is to emphasize the word as slang, or to suggest that a lesbian’s quest to blend in with straight folk is fruitless. In either case, there's no doubt it implies this is a burning desire for all lesbians. How times change. These days, lesbians are considered chic and quite a few straight folk have a burning desire to associate with them—preferably after getting a good charge on the dvdcam and making sure the lighting is sufficient. We’ll have more from On the Q.T. later.

Spies with numerical identities proliferated like mad during the ’60s, as studios tried and failed to compete with Sean Connery’s ultracool 007. But even if most of the resulting films were bad, some of the promo art was striking. Here are fifteen great posters featuring various numbered and lettered pretenders to Bond's throne.

Swiss actress Ursula Andress’ performance as Dr. No’s knife-wielding skindiver Honey Ryder made her a star and set the standard for all future Bond girls. At the time of this publicity photo she was married to John Derek, but we have a feeling Sean Connery didn’t care—and rumor has it Andress didn’t either. She was delivered up from the sea on a clamshell today in 1936.

Sean Connery has serious king-size Scottish stones. After greasing himself up and donning skintight swim briefs for the 1953 Mr. Universe contest, he squeezed into this red get-up for his 1974 sci-fi adventure Zardoz. In 2004 Total Film dubbed the costume the worst decision in movie history, but we disagree. Sure, he looks like he should be leading a gimp on a leash, and the easy-access tie-front diaper screams serial teabagger, but we suspect most women and not a few men enjoyed him in this outfit. He’s 44 at this stage, and holding together nicely. A little bearish perhaps, but manscaping hadn’t been invented yet. The point is, few actors could have pulled off the look. Besides, Zardoz was a good movie. Director John Boorman went all-in with the capital he had earned from the success of Deliverance, and Connery—along with co-star Charlotte Rampling—helped out with a committed performance. The result was first unveiled thirty-five years ago today. It was not well-received, but if you dare say so out loud Connery will jam a ball gag in your mouth.

Today in 1964, Goldfinger opened in the United States. It was the third outing for 007, and the one that truly established Sean Connery as a global cinematic icon. The characters’ names are still the most delightful in all Bondage—Pussy Galore, Oddjob, and of course Auric Goldfinger, the man with the Midas touch, as Shirley Bassey so memorably sang in the theme song. One could easily argue that there have only been five good Bond movies. Goldfinger was certainly among that group.