Femmes Fatales

September 9 2024

AND THE DANCE GOES ON

At least that's the general idea.

We’ve featured Playboy model and aspiring but unfulfilled actress Marilyn Waltz, aka Margaret Scott, a few times, and here’s yet another striking photo, dating from 1959. Waltz has been good to us. We were the first to make the Waltz-Marilyn Walk connection a decade ago, and seven years ago we dug up a rare Technicolor lithograph of her published by C. Moss that was very good for website traffic. We have other shots of her, but there are many other obscure celebrities to upload, and only so much time. If we don’t see Waltz again, this was a good shot to go out on.

On the subject of traffic, the recent outages, 404 errors, and general lack of posting here the last two weeks has been because of a tricky refurbishment and rehosting. We first began having problems with our website back in 2011 and had been promising a revamp ever since. Hey, sometimes things don’t happen when you want them to. But it’s done now, save for formatting aspects of several hundred posts. We’ll have to deal with that bit by bit going forward. It will take some time. Probably several months to get everything in the same shape as Ms. Waltz.

We can’t complain, though. This has been one of our better years. Our many travels took us to Lisbon and Marrakech, we moved into a big old stone pile of a house on the warm Atlantic coast of Spain, our jobs have been smooth, we’ve maintained extremely active social lives, our best friends have visited, and thanks to a very good developer we got the new website we wanted. We’ve also purchased a lot of pulp matter and have many new items to scan and upload. V.2 of Pulp Intl. will hopefully function properly for some years, and, knock on wood, so will we. We’re happy to be back.

Playboy, Marilyn Waltz, Margaret Scott, nudity

Vintage Pulp

August 30 2024

UNIVERSAL CREDIT

I can't believe the cruel way everyone gossips about me. I didn't invent it. I just perfected it.

You know what they say. If you invent it they will come. We imagine newsstand browsers could barely resist a title as promising as The Girl Who Invented Sex. It was written by Aaron Bell and published by Kozy Books. On the backside you see that Orrie Hitt’s sleazer Nude Doll gets a full advertisement, then, those clever brains at Kozy did the same when Hitt’s book was published, flipping the script, so to speak, with The Girl Who Invented Sex touted on the rear. You see that below. We love this idea. It’s the first time we’ve seen it, but maybe it wasn’t the only time Kozy did it. We’ll keep an eye out. These were published in 1963, and the cover art for both is uncredited.

Kozy Books, Aaron Bell, Orrie Hitt, cover art, literature

Femmes Fatales

August 30 2024

CLAWS OUT

She's barely scratching the surface.

Above: burlesque dancer Lilly Christine in a promo shot made for an unknown magazine. She often wore prop claws, as befits anyone nicknamed The Cat Lady. This image has no date, but it’s from her heyday, call it 1955-ish. Click her keywords and you can see plenty more of her.

Lilly Christine, burlesque

Vintage Pulp

August 29 2024

URBAN HEAT EFFECT

Anyone for barbecue? 1970s disaster epic charbroils entire city.

City on Fire is a good old fashioned ’70s disaster movie, and we have to tell you, it’s been ages since we’ve seen one. We’re talking rentals at Blockbuster ages. We never had a chance to see one in a cinema, but we have to wonder if a big room with a booming Sensurround system is what City on Fire needs to make it enjoyable, because on our television the movie didn’t get the job done.

Everything starts when three kids accidentally set a blaze while trying to smoke cigarettes, but the real firestorm ignites when a disgruntled oil refinery employee gets sacked, decides as revenge to sabotage the works. He twists some valves and whatnot, causing flammables to run through the city sewers. The stuff combusts and the rest, as they say, is hysteria.

The cast of this flick is outstanding. Leslie Nielsen is the mayor, Henry Fonda a fire chief, Ava Gardner an on-air news personality, Barry Newman an emergency room physician, and Shelley Winters a nurse. Their perspectives continually alternate as the city-eating fire runs rampant. To pull off the incendiary visuals the filmmakers use models of skyscrapers, rear projection, and practical fire stunts of types that died with the advent of computer graphics.

While we appreciated the work that went into the movie, and some of the cinematography was spectacular, we were largely unmoved. Maybe it needed Hindenburg correspondent Herbert Morrison to narrate: “Oh, the humanity!” However, we were very moved by the poster art, which is another top effort by John Solie. City on Fire was made in Canada and, after opening in Europe, premiered in the Great White North today in 1979.

Avco Embassy Pictures, City on Fire, Barry Newman, Leslie Nielsen, Ava Gardner, Susan Clark, James Franciscus, Shelley Winters, Henry Fonda, John Solie, poster art, cinema, movie review

Hollywoodland

August 28 2024

BOGART IN FULL

Take it aaalllll in, people. I know it's a lot, so I'll give you whatever time you need.

Humphrey Bogart goes way beyond in this promo image made for his 1936 drama The Petrified Forest. At this point he was on the precipice of widespread fame, but even he couldn’t have known he would become one of the biggest stars in the history of Hollywood. Or actually, looking at the photo again, maybe he did know.

The Petrified Forest, Humphrey Bogart

Vintage Pulp

August 28 2024

TRANSPARENTING STYLE

Now you see-through, now you don't.

Above is another mid-century 12” x 16.5 Technicolor lithograph. This one, which is titled “Sheer Beauty,” stars magazine model Jackie Johnsen in a sheer top and rather thick looking opaque bottom, reflecting the elemental and eternal changability of woman and the reality that her mind is never really made up. Well, in our house they’re never made up. We can’t speak for all women. Actually we can’t even speak for ours. Actually, they aren’t ours—they just agree to live with us. Actually, they let us live with them and there’s no suggestion of a power dynamic that favors us. Doh! It’s so hard navigating language in 2024.

Anyway, this litho was made from a photo that originally appeared in 1964 in the men’s magazine Campus Dolls. However, Johnsen seems to have made her way into show business a bit earlier. She appeared in the 1963 nudie cutie flick Intimate Diary of Artists’ Models. Since print modeling nearly always came before movies, the timeline suggests to us that Johnsen modeled at least as early as 1963. There are probably obscure magazine photos of her out there somewhere that haven’t appeared online yet. With luck maybe they’ll will turn up. Below, she’s finally decided on see-through, but changed her mind about the best environment for wearing it.

Intimate Diary of Artists’ Models, Campus Dolls, Technicolor pin-up, Jackie Johnsen

Vintage Pulp

August 27 2024

HER FINAL PERFORMANCE

Live fast, die young, leave a beautiful corpse.

Somebody call an accountant! That should be the tagline for Robert Dietrich’s (E. Howard Hunt’s) End of a Stripper, second in his series starring Washington, D.C. tax consultant Steve Bentley. In the first book, 1957’s Murder on the Rocks, Hunt made the involvement of an accountant in what turns out to be a criminal enterprise make sense. Here, people just treat him like a cop or private dick. Need someone protected? Call the accountant. Find yourself with a corpse on your hands? Call the accountant. Even the cops treat him like a cop.

In addition to answering poorly the question of how to engineer the participation of a financial manager in deadly intrigue (it happens randomly, by the way), Hunt, considering himself to be a man’s man and working with a character cut from the same cloth, doesn’t hesitate to toss off jarring homophobic comments at pointless moments. Generally that doesn’t occur in vintage fiction because it was considered gauche, but there are exceptions. This is one of them.

And perhaps we’re quibbling, but why did the book have to be titled End of a Stripper? Maybe that wasn’t Hunt’s idea, but it hurt the story because Bentley gets romantically entangled early with the peeler in question Linda Lee (real name Greta Kirsten), but she doesn’t turn up dead until nine chapters into a fifteen chapter novel. Why not avoid giving away that crucial plot point? If she’d been killed a chapter or two in, okay, call it End of a Stripper, no harm done. But it’s hard to care about Bentley’s involvement with Linda/Greta when we know she’s ticketed for oblivion.

Then there are Hunt’s angry digressions. Example: A lovely town to raise a daughter in, I thought as I started the engine. Send her to public school and she gets started with the janitor or a football hero. Put her in private school and she learns perversion from a female gym teacher. Keep her out of school and the corner grocer knocks her off in the back room on a pile of potato sacks. The most you hope for is that she knows about contraceptives and doesn’t grow up a doper. The whole goddam world’s gone crazy.

This sort of thing was absent from Murder on the Rocks. Maybe Hunt was being careful in the first book, but here cut loose with the polemics because he felt he had an established series on his hands. Well, it isn’t established with us. After such a precipitous drop-off from the debut we’re tempted to move on permanently, but we can’t lie and pretend End of a Stripper is poorly written. It’s just ill-conceived and irritating. We’ll give Hunt another shot. We have Steve Bentley’s Calypso Caper. Let’s see how that goes.

Washington D.C., Dell Publications, Robert Dietrich, E. Howard Hunt, Freeman Elliott, cover art, literature

Vintage Pulp

August 25 2024

TAMED GATOR

Burt Reynolds' iconic character loses his bite in sequel to gritty 1973 debut.

We talked about Burt Reynolds’ 1973 actioner White Lightning a few weeks ago, and though we mentioned that the sequel Gator isn’t nearly as good, what it did have was promo art painted by Robert McGinnis. That’s Lauren Hutton wrapped around Burt. She was transitioning from top tier modeling to acting and ended up in some good flicks, including American Gigolo, Welcome to L.A., The Chant of Jimmie Blacksmith, and The Gambler. She deserved better than Gator. As for Burt, he once said he was as good in roles like these as any actor could have been. He literally said Robert De Niro couldn’t have played the part of Gator McCluskey. And as great as DeNiro has been, Burt had a point. You gotta love the guy.

Gator, White Lightning, American Gigolo, Welcome to L.A., The Chant of Jimmie Blacksmith, The Gambler, Burt Reynolds, Lauren Hutton, Robert McGinnis, poster art, cinema

Vintage Pulp

August 24 2024

THERE’S ALWAYS A BUTT

She's a lady in the front, and a plumber in the rear.

The Italian publisher Grandi Edizioni Internazionali was a great source of paperback art during its existence, employing talents like Benedetto Caroselli, Mario de Bernardinis, and Enzo Nistri for its covers. This one for Van Reynolds’ 1974 novel Un marito per Marta Roses is probably by Caroselli, but it’s actually unattributed. The translator is Luca Martinego, and as we discussed before, since most of the credited authors on Italian crime paperbacks were pseudonyms, that means the translators were usually the authors writing in Italian. Overseas publishers were convinced that their crime novels needed American-sounding authors to entice buyers, so translator credits were a sneaky way to make sure the real writers were credited. Strange but true. We’ll have more from Grandi Edizioni Internazionali, as always. And as a final note, we’re sure we don’t need to point out that American model/actress Vikki Dougan actually wore dresses like this in public, but in case we do, check here.

Italy, Grandi Edizioni Internazionali, Van Reynolds, Luca Martinego, cover art, literature

Femmes Fatales

August 24 2024

LOY AND ORDER

I've always heard that power corrupts. But what nobody told me is that it also feels really good.

Legendary U.S. actress Myrna Loy strikes a stern pose in this beautiful photo. Because she made more than one hundred films, and some of them are lost, it’s impossible to pinpoint from where this shot comes. At least it is for us, and we spent quite a bit of time on it. At first we thought that because the 1934 comedy The Thin Man is the film that made her a big star, and this was surely shot earlier, we’d be able to narrow the possibilities down to a smallish number of pre-Code dramatic roles. Turns out she made many, many pre-Code dramas. In fact, she almost didn’t get The Thin Man because she was considered a strictly dramatic actress. So the provenance of the photo is a mystery to us, but someone will figure it out eventually. Meanwhile, see another image here. And incidentally, there’s a good Loy themed Tumblr out there with numerous photos, if you’re a big fan. Check here.

Hays Code, The Thin Man, Myrna Loy

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HISTORY REWIND

The headlines that mattered yesteryear.

September 9

1956—Elvis Shakes Up Ed Sullivan

Elvis Presley appears on The Ed Sullivan Show for the first time, performing his hit song “Don’t Be Cruel.” Ironically, a car accident prevented Sullivan from being present that night, and the show was guest-hosted by British actor Charles Laughton.

September 8

1966—Star Trek Airs for First Time

Star Trek, an American television series set in the twenty-third century and promoting socialist utopian ideals, premieres on NBC. The series is cancelled after three seasons without much fanfare, but in syndication becomes one of the most beloved television shows of all time.

September 8

1974—Ford Pardons Nixon

U.S. President Gerald Ford pardons former President Richard Nixon for any crimes Nixon may have committed while in office, which coincidentally happen to include all those associated with the Watergate scandal.

September 7

1978—Giorgi Markov Assassinated

Bulgarian dissident Giorgi Markov is assassinated in a scene right out of a spy novel. As he’s waiting at a bus stop near Waterloo Bridge in London, he’s jabbed in the calf with an umbrella. The man holding the umbrella apologizes and walks away, but he is in reality a Bulgarian hired killer who has just injected a ricin pellet into Markov, who develops a high fever and dies three days later.

September 6

1901—McKinley Fatally Shot

Polish-born anarchist Leon Czolgosz shoots and fatally wounds U.S. President William McKinley at the Pan-American Exposition in Buffalo, New York. McKinley dies September 12, and Czolgosz is later executed.