Recent excavation reveals rare and wonderful treasures.
Egypt is a land of ancient artifacts, but it isn't one of pulp or pulp influenced art. Even so, we did some deep digging and found a few items that may fit the bill. These movie posters were painted by artists such as Ahmed Hamed, Hassan Mazhar Gasour, and the tandem of Stamatis Vassiliou & Marcel during the ’50s, ’60s, and ’80s. You see here, top to bottom, Fattouma, 1961, Thawrat el-Madinah, aka A Town's Revolt, 1955, Klatwa doliny wezy, aka Curse of Snakes Valley, 1988, two posters for El gessad, aka Flesh, 1955, two posters for Fi baitina rajul, aka There Is a Man in Our House, 1961, starring Omar Sharif, and finally, Iterafat zauja, aka A Wife's Confession, 1954. These may not be executed as the highest level, but they're quirky and colorful, which is good enough for us. We'd take any of these in a frame and be happy. See another Egyptian poster with Pam Grier—or a reasonable likeness of her—at this link.
Everybody tells me you're great at taking it hard to the hole.
Hard to the hole? Of course we went there. Why wouldn't we? The sport of basketball—which is what Fletcher Flora's The Hot-Shot deals with—has loads of sexual terminology. We could have gone with, “I hear you're an amazing ball handler,” or, “I hear you perform best coming off the bench,” or, “I hear you go back door with the best of them,” or, “I hear when you get in a zone you can really stroke it,” or—
*catching breath and taking a sip of water*
“I hear you like to work it inside,” or, “I hear you're a great penetrator,” and so forth.
But while Flora did write some mildly sexual novels, such as Strange Sisters and Park Avenue Tramp, this one is actually a classic rags to riches to corruption tale of the sort you've probably read before. The main character, Skimmer Scaggs, finds that his basketball talent offers a way out of nowheresville, but soon finds himself in the middle of a big time point-shaving racket. The story comes with extra credibility because Flora was a basketball coach before turning his talents to fiction. We have three of his novels, so we'll try to get back to him a bit later.
There are worse fates than being Shanghaied by Hayworth.
This beautiful poster was made for Argentina to promote the film noir The Lady from Shanghai, which starred Rita Hayworth and Orson Welles. There's no official Argentine premiere date, but since the movie reached Mexico in April 1948 and Uruguay in July 1948, it's a reasonable bet that it hit Argentina sometime during the summer of that year. Read a bit about the film here.
Now would be a good time for Tiffin to act her age.
You would think U.S. born actress Pamela Tiffin would be too old for dolls at this point in her life, but here she is hanging onto one for dear life at age twenty-seven in this promo photo from 1969. The session was originally staged for Playboy, and this image is a clean version of one that had a seam across it in the magazine. We think Tiffin should ditch the doll. It would be better for her. And us. But it's an amazing shot anyway, with the dark green grass and the curly, golden locks, possibly extensions or a wig. Tiffin popped up in some American films, but really made her mark in Italy, where she landed leading roles in films such as Amore mio, uccidimi!, aka Kill Me, My Love!, and Il vichingo venuto dal sud, aka The Blonde in the Blue Movie, aka No One Will Notice You're Naked. This is her third appearance on Pulp as a femme fatale due to the fact that she made unusually interesting photos. See two more examples here and here. She also appears at the bottom of this page.
Why do you always have to squeeze so hard? Once in a while we could just cuddle, you know.
We just shared a paperback from Gordon Semple, aka William Neubauer, last week, but why not keep things Semple? Above you see Crusher's Girl, 1953, from Intimate Novels, with uncredited cover art. The girl referenced has the great name Lily Hood, which tells you right away she's the archetypal antiheroine of limited means, great determination, and flexible ethics trying to hustle her way out of the slums. We can't tell you more because we haven't read it. That's what happens when you expend almost all your available energy pulling off a massive move. On the plus side, our new city is pretty nice so far, and offers plenty of outdoor reading spaces. We'll have detailed write-ups on our book postings soon.
Carmellini issues a Terrore alert.
Above are two brilliant Italian posters for Il terrore sul mondo painted by an artist who signed as Carmellini. That's all we know about him, but what great work. The movie is better known as The Creature Walks Among Us. Is it as good as the posters? Are you kidding? It doesn't even deserve posters.
In today's forecast there's a thirty percent chance of radioactive rain.
These two covers from Badger Books with art by Henry Fox and uncredited (probably Fox again) serve as an addendum to our collection of covers featuring nuclear explosions. Author Karl Zeigfreid is an interesting figure. He was really British stage, television, and radio actor Lionel Fanthorpe. As Zeigfreid and other personae he wrote more than one hundred paperbacks, and is still churning them out, with his most recent effort hitting shelves (or online sellers) last year. He published both of the above books in 1963, as well as several others that hit on themes of mass death and apocalyptic destruction and searing heat and melty skin and bloody vomiting and burned out eyeballs. Always keeping it light here at Pulp Intl. Still, it's useful to be reminded occasionally that the threat of nuclear conflict remains high, because humans are bad at sharing, particularly when it comes to planetary resources. Despite all the supposedly complex reasons for geopolitical conflict, the reality is the adults of our species are no better than children. Well, let's hope the melty eyes thing never happens. Then you wouldn't be able to see our website.
Don't look so smug, buster. I've had better.
Natalie Anderson Scott's 1955 novel Hotel Room was originally published in 1953 as The Little Stockade, and it's a tale set in New York City's infamous Hell's Kitchen, involving a woman named Marie who is made into a prostitute by a man she loves but shouldn't. This was Scott's follow up to her hit novel The Story of Mrs. Murphy, which instead of examining a woman stuck in the trap of vice examined a woman stuck in the trap of alcoholism. Unfortunately, this gritty follow-up wasn't as well received. But she still had a decent career, publishing several more books over the years.
Popular Library had the knack of getting artists who painted in the same general style—perhaps the company even required it. Sometimes that makes it hard to know who a cover artist is, but in this case it's Rafael DeSoto. Here he's painted a nimbus around the head of his female figure. We realized we'd seen the same effect before from him, for example here and here—and even here, if you look closely—so we had a scan around the internet to see how often that occurred. While DeSoto did it on some covers, we wouldn't go so far as to call it a trademark. Still, it's a cool effect on a very nice piece of art.
Photographer blinded. Says pearly gates opened and heavenly light struck him in the eyes.
Marilyn Monroe was possibly the most photographed person of her era, but we bet most of you have never seen this shot. The divine Miss M. accidentally flashed a photographer while socializing at a May 1962 Democratic Party fundraiser in New York City. It was a semi-formal affair, but formality only applies to one's outer layer, clearly. To make matters even more interesting, this was the night she famously sang “Happy Birthday” to President John F. Kennedy.
The Pulp Intl. girlfriends love this shot, but when we pointed out that it might not be distinct enough, they got the implication right away and begged us not to do a zoom. Well, we can add that vain hope to the many others they've expressed over the years. Look below. The really interesting part is pondering whether Monroe's sugar cookie was out of the oven from the get-go, or if it happened during the fundraiser. Hmm... Were Monroe and Kennedy ever simultaneously absent that night? There's nothing quite like eating an extra dessert.
Don't let her name fool you—she wreaks Havoc all year round.
Above, a very nice promo photo of Vancouver born actress June Havoc from her 1949 drama The Story of Molly X. Also among her long list of films were Gentleman's Agreement, Once a Thief, Lady Possessed, and The Iron Curtain. Though her real name obviously wasn't Havoc, it was close—she was originally Ellen June Hovick. Molly X looks interesting, so we'll see if we can track that down and report back.
The headlines that mattered yesteryear.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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