Sometimes you have to write your own second act.
This shot shows the beautiful Denise Nicholas, who as an actress is known for Let's Do It Again, Blacula, A Piece of the Action, and the television series Room 222. After all those credits she became a novelist and wrote Freshwater Road, which was selected as one of the best books of 2005 by the Washington Post, the Chicago Tribune, and several other papers. That's a feat—not just writing a novel but writing a widely acclaimed novel—we don't think very many other film performers have managed. At the moment Nicholas seems to be retired, but you never know when it comes to writers. The above image is from around 1975.
Another relationship goes sour for Yuki K.
Above is another promo poster with roman porno queen Yuki Kazamatsuri, this time for her film Chijoku no heya, aka Room of Shame. Yuki's cab driver hubby has an accident and becomes impotent, leading to infidelity spiced up with various kinky deviations. You can always count on Yuki to pick the wrong man. Audiences loved her serial predicaments. By the time this effort appeared she was a huge box office draw, as evidenced by the fact that during 1981 and 1982 she appeared on the screen in no fewer than twelve starring or co-starring roles. That's a lot of failed relationships. She later had small parts in Quentin Tarantino's Kill Bill movies, and this year appeared in a mini-series. All-in-all a very nice run in show business, still ongoing. Chijoku no heya premiered in Japan today in 1982
Who says they don't have any worth?
London born actress Penny Brahms looks like a million bucks—that's one hundred million pennies—in this shot that appeared in the French magazine Moi. Brahms had a forgettable film career—her most noted roles were a brief appearance in 2001: A Space Odyssey and a co-starring turn in the sexploitation flick Lady Chatterly Versus Fanny Hill—but she looks like the biggest star in the firmament in this great shot. It's from 1970.
It could have been worse. They could have flown United.
This chaotic West German poster for Der söldner des syndikats caught our eye for a couple of reasons. One was its sheer garishness, and the other was because the unknown artist depicted diminutive Mickey Rooney all swoll up like a Marvel Comics superhero. It just screams cheeseball classic, so we had to check out the film, which is known in English as 24 Hours To Kill. When a plane makes an emergency landing in Beirut the flight crew learns that one of their number (Rooney, decidedly un-swoll and unheroic) is hunted by a criminal smuggling syndicate he's double crossed. The repaired plane leaves in twenty-four hours, and the crew decide to protect Rooney until that time. Abandoning him is out, because he's a pal, and going to the police is out, because they'd be stuck in Beirut for days or weeks, thus making the syndicate's job easier.
So the plan is to protect Mickey Louse for a day and then jet—if they can manage it. What follows is a series of botched abductions worthy of Raiders of the Lost Ark, ornamented with location shooting in Byblos, Baalbeck, Casio Du Liban, and a Beirut long since reshaped by war and bulldozed for high rises and privatized resorts. Those locations possibly make the movie worthwhile all on their own, and other beautiful sights are provided by co-stars Helga Sommerfield and France Anglade. A minor ’60s thriller, this one feels like a television movie, which means the level of tension is not nearly high enough. Nor the level of action—there's more on the poster than in the film. But even if the art misleads, the movie is entertaining enough. Made in English by the West German production company Grixflag Films Ltd., Der söldner des syndikats premiered in West Germany today in 1965.
Intimidating movie poster Mickey. Not very intimidating movie Mickey.
Did the legal system use him as a pawn, or was it the other way around?
Caryl Chessman and a detective named E.M. Goossen appear in the above photo made shortly after Chessman's arrest in January of 1948. Chessman had robbed several victims in the Los Angeles area, two of whom were women that he sexually assaulted. He forced one woman to perform oral sex on him, and did the same to the other in addition to anally raping her. Chessman was convicted under California's Little Lindbergh Law, named after Charles Lindbergh's infamously kidnapped and murdered son. The law specifically covered intrastate acts of abduction in which victims were physically harmed, two conditions that made the crime a potentially capital offense.
The law was intended to prevent deliberate acts of kidnapping and ransom, as had occurred in the Lindbergh case, but Chessman's prosecutors—demonstrating typical prosecutorial zeal—argued that Chessman had abducted one victim by dragging her approximately twenty-two feet, and had abducted the other woman when he placed her in his car, then drove in pursuit of the victim's boyfriend, who had fled the scene in his own vehicle. Chessman was indeed sentenced to death. The Little Lindbergh Law was revised while he was in prison so that it no longer applied to his crimes, but his execution was not stayed.
During his nearly twelve years on death row he authored four bestselling books—Trial by Ordeal, The Face of Justice, The Kid Was a Killer, and Cell 2455: Death Row, the latter of which was made into a 1955 movie. The books, many interviews, and a steady stream of articles fueled public debate about his looming execution. Among those who appealed for clemency were Aldous Huxley, the Rev. Billy Graham, Ray Bradbury, and Robert Frost. Their interest was not wholly about Chessman so much as it was about the issue of the cruelty of the death penalty, which had already been abandoned in other advanced nations.
In the end the campaigning was ineffective, and Chessman was finally gassed in San Quentin Prison. But even dying, he further catalyzed the death penalty debate. The question of whether a capital punishment is cruel and unusual hinges on whether it causes pain. Gas was held by its proponents to be painless. Chessman had been asked by reporters who would be observing his execution to nod his head if he was in pain. As he was gassed, he nodded his head vigorously and kept at it for several minutes. It took him nine minutes to die. That happened today in 1960.
Anselmo Ballester helped set the artistic standard in the competitive world of Italian movie illustrators.
Anselmo Ballester is yet another virtuoso poster artist from Italy, where cinema promos were taken perhaps more seriously as art pieces than anyplace in the world. We've documented many of these Italian geniuses, including Mafé, Luigi Martinati, Sandro Symeoni, Mario de Berardinis, and others. Ballester, born in 1897, predated nearly all of his colleagues (only Martinati was born earlier) and enjoyed a fifty year career working for studios such as Cosmopolis, Titanus, Twentieth Century Fox, and RKO Radio Pictures. He also worked in commercial and political advertising. For the titles of the above works just check the keywords below. They're in top-to-bottom order in Italian and English.
Run silent, run deep.
This Japanese poster for 20,000 Leagues Under the Sea is damaged but still amazing. It was made for the 1954 movie's premiere in Japan today in 1955. Jules Verne's classic novel about Captain Nemo and his futuristic submarine has been mined often. There have been other films, a mini-series for television, a cartoon, and we understand a new cinematic version is in development. We have low expectations for that. In today's Hollywood environment, with its thirst for bland global blockbusters, its aversion to storytelling depth, and its addiction to mindless and often pointless computer graphics, Verne's great story could finally be ruined. But we shall see. We're pretty sure the promo poster won't be as good either.
Kirk Douglas passes the century mark.
Kirk Douglas turned 100 years old today. To put it in perspective, that makes him ten years older than Marilyn Monroe would be today, and one year older than John F. Kennedy would be. Douglas's Hollywood career is virtually unmatched. He appeared in more than ninety roles, along the way playing boxers, jazz musicians, gladiators, aerialists, Vincent Van Gogh, and just about everything in between. We don't have a date on the above shot of him juggling film reels as easily as he juggled film roles, but let's just say when you're 100, you probably look back on it as a very good year.
New info has arrived from Ken:
You were trying to date the photo on this page. I think it is very close to this date—1954 during filming of 20,000 Leagues Under the Sea. It is the t-shirt that gives it away check out how the stripes make a small triangle on top of the shoulder/neck area.
Thank you, Ken. We think you've nailed it. The promo photos from the film confirm it. We're calling this 1954.
Another blonde stirs up trouble in the benighted jungle.
Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.
Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
The headlines that mattered yesteryear.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
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