|Femmes Fatales||Feb 4 2017|
Above, a photo of German actress and dancer Taina Béryl, aka Taina Beryll, aka Tayna Beryll, happily playing with a sidearm, which given a choice is better than her unhappily playing with it. Her name is often spelled "Tania" around the internet but that's incorrect. As a dancer Taina-not-Tania Béryl performed at the Teatro San Carlo in Naples, and in cinema was seen in such productions as Une blonde comme ça, L'inconnue de Hong Kong, and Berlin, cites with los Espias. 1963 on the image.
|Modern Pulp||Jan 29 2017|
The Noir City Film Festival in San Francisco closes tonight. We couldn't be there, living as we do across the ocean, but like last year we screened some of the films at home and that has been a treat. We said at the end of last year's group of write-ups that we probably wouldn't do it again, and that turned out to be a lie. Next year we definitely won't do it. It's fun, but makes the website almost like actual work, which isn't what this is about at all. It isn't you, Noir City, it's us.
Victoria doesn't know this at first. It becomes clear soon enough, but only after she's in too deep and stuck as a getaway driver. Of course, the audience knows she's in trouble long before that. If there's a flaw with the movie it's merely that Victoria doesn't seem lonely, reckless, or clueless enough to get herself into this mess. But maybe that's a function of the movie's nature. We can't know her in two hours, filmed in real time,with no structural concessions for subplots, flashbacks, or any of the standard expository digressions. We have to take her at face value, and accept her as revealed to us. If you do, then the blossoming of her inner danger junkie is logical and seamless. Victoria is really an astounding achievement, and not just because of the single take. Schipper is almost twenty years older than the cast he directs, but he's made a generational landmark of a film.
|Vintage Pulp||Dec 16 2016|
The seventies were an incredibly creative time for popular arts. Comics and graphic novels of the period have a certain caution-to-the-wind quality. Mercocomic's six part series Hitler is a prime example. It's an amazing tale in which Adolf Hitler successfully escapes Berlin at the end of World War II but is wounded by a bomb blast that induces amnesia. With his face drastically altered and his memory totally obliterated, he becomes a Nazi hunter in the service of the KGB. Of course all this digging around is bound to jog the memory of even an amnesiac, and then there will be hell to pay. Yeah. It's crazy—even crazier than Mercocomic's other offerings starring Che Guevara and John F. Kennedy. You can just hear the discussion going back and forth: “We can't do this.” “Of course we can.” “No we can't.” “I tell you we can.” In the end they did do it, because that was then and popular art consumers would give anything a chance. 1977 copyright on these, with covers by Prieto Muriana.
|Vintage Pulp||May 16 2016|
|Vintage Pulp||Jan 11 2016|
|Intl. Notebook||Oct 26 2014|
The De Baca nuclear test was part of Operation Hardtack II, a series of thirty-seven Nevada Test Ground blasts squeezed into seven weeks in order to beat a looming deadline—the beginning of a U.S./U.S.S.R. nuclear moratorium. The test ban failed when the Soviets began testing again three years later, a political crisis precipitating that failure, specifically a showdown concerning the status of East Berlin.
The test ban would have failed anyway, though, as all test bans have failed, and all future test bans will fail, because nuclear weapons are seen by weak nations as the ultimate defense against invasion by stronger nations. And of course, they’re right. Since only the year 2000, nuclear-armed nations have invaded non-nuclear nations nine times. Conversely, since the dawn of the nuclear era in 1945, a period comprising nearly seventy military encroachments, no nuclear nation has had its mainland invaded.
That's the entire uncomplicated why of nuclear weapons. There may be periods of relative inactivity, but as time goes by more nations will build them. Nuclear disaster has no choice but to follow one day. There are two scenarios for survival—either all the nuclear nations agree to reduce and eventually dismantle their nukes, or one nuclear armed nation comes to dominate all the others. Guess what? The second scenario isn't going to happen. Not ever. The De Baca test occurred today in 1958.
|Sex Files||Oct 25 2014|
Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.
|Musiquarium||Mar 26 2014|
Berlin After Dark is an obscure record, but the sleeve caught our eye because the cover star boldly showing every millimeter of leg she possesses looked familiar. Turns out she’s American actress Barbara Nichols. She doesn’t sing on the record, but it was not uncommon during the period when this was released (1962) to use celebrity photos on record sleeves. Four years ago we put together a collection of sixty album covers featuring famous actresses (with the difference that they all actually sang on the records) and you can see those examples here. We also have two great promos of Barbara Nichols, once again showing a lot of leg, here.
|Intl. Notebook||Mar 12 2014|
It’s been a few months, so we’re bringing Hitler back on The National Police Gazette. This example from March 1951 is the twenty-first Hitler cover we’ve located, all of them from the 1950s and 1960s, which means he starred for the Gazette at least yearly for two decades. But of course, that’s just an average based on the issues we’ve found so far. We know for certain there were others, and ultimately we’ll probably determine that he was featured closer to twice a year. As you can see yourself, this time Gazette is concerned with Hitler’s fake suicide, which journo Harvey Wilson says was propaganda put out by the Soviets to cover for their failure to capture him as Berlin burned.
Leaving aside the question of who’s really doing the propagandizing here, it’s a clever little pivot by the Gazette, which went from merely claiming Hitler had escaped to blaming the escape on Moscow, resulting in a nifty mash-up of two of post-War America’s biggest boogeymen—Hitler and Khrushchev.
Later the Gazette would claim Hitler or his henchmen were tight with other enemies of the American power elite, including Abdel Nasser and Juan Peron. One year after the above issue came out, Gazette turned around and in its May 1952 issue, at right, blamed Hitler’s escape on the Allies. And let's not forget the infamous Hitler-in-Antarctica story, truly one of the all-time creative highlights of mid-century tabloid journalism. Well, wherever Hitler fled, the Gazette’ll straighten it out for us in due time. We just have to keep digging up issues. Meanwhile, a couple of scans below, and more from the Gazette to come.
|Vintage Pulp||Nov 7 2013|
Well, that was fun. Berlin is an interesting city, dynamic, hectic and ultramodern, but also much greener than we expected. Certainly a recommendable destination, though we did encounter an €8 glass of white wine, which makes us happy to be back where the same pour costs exactly eight times less. We’re a bit tired today, so we’re just going to do a couple of brief shares, just so you know we’re still alive. Above is the cover from the West German celeb magazine Gondel (Gondola) featuring Elisa Mainardi. Inside you get shots of Teresa Velasquez, Lisa Gastoni and more, and on the rear cover you get goddess Elke Sommer. Most of the shots are unimaginative portraits that don’t do the subjects justice, but the images are rare, which makes them worth sharing. You can see more Gondel covers here. This issue came out in 1964.