It's a tough job but some tabloid has to do it.
Above is the cover of a March 1953 issue of Sir! magazine, and in an example of the ephemeral nature of such items, shortly after we scanned this we spilled a glass of red wine on it. So behold! It's even more rare than it was when we bought it. Above the slash you see boxer Kid Gavilan, he of the famed bolo punch, and on the right is model Joanne Arnold, who we've featured before here, here, and here. She doesn't appear inside. But what you do get is a jaunt through such exotic locales as Melanesia, Tahiti, and Lisbon in search of knowledge and thrills.
We were drawn to the Lisbon story, which the magazine describes as a capital of sin. To us the word “sin” means late nights, good intoxicants, fun women, and excellent entertainment. To Sir! it means being cheated, robbed, framed, and arrested. To-may-to to-mah-to, we guess. We've spent some time in Lisbon and we love it. We don't know what it was like in 1953, but Europe was still coming out of World War II, which means many countries—even non-combatants like Portugal—were wracked by poverty. So we wouldn't be surprised if thieves were out in droves.
Elsewhere inside Sir! you get art from Jon Laurell and Joseph Szokoli, photos of model Jean Williams and Tahitian beauty queen Malie Haulani, a story on the danger of nuclear weapons, anthropological snobbery in exposés about New Caledonia and the Kogi people of Colombia, and fanciful theories about Russian scientists working to keep Josef Stalin alive for 150 years—which didn't work, because he died a mere five days after this issue of Sir! hit the newsstands. Clearly, the magazine is cursed. It certainly cursed our wine glass. We have thirty-five scans below for your enjoyment and other issues of Sir! here and here.
James Bond heats up the Cold War in Istanbul.
We take it on faith that everyone has seen all the old James Bond films, and that most people love them. But we haven't actually sat down and watched some of them in twenty years. So when we saw all these Japanese posters for 007ロシアより愛をこめて, also known as 007/危機一発, but much better known as From Russia with Love, we said why not take a fresh look at it like we'd never seen it before. Plus, you know, lockdown. Bond seemed like just the sort of reliable adventure we needed to spice up the idle hours. The film definitely proves that when it comes to action movies budget is almost everything, and a decent script helps. Call it Q=BS2. Budget and script squared equals quality. From Russia with Love scores well there.
We had forgotten how fun Pedro Armendáriz is as Ali Kerim Bey, Bond's counterpart in Istanbul, which is where much of the film is set. Interesting factoid about Armendáriz: he'd been diagnosed with cancer and was already fatally ill when he made the movie. After filming he shot himself to skip the suffering that was on tap and never got to see the finished product. Another bit of trivia is that Eunice Gayson, who was reprising her role as Sylvia Trench from the earlier Dr. No., was supposed to appear in six films, serving as Bond's recurring love interest and the central figure in a running gag. In short, every time Bond would try to get hot and heavy with her, headquarters would interrupt and call him away, leaving the loyal Gayson serially unfulfilled.
We love that idea, but studio heads changed their minds, possibly because they wanted to make Bond a little sluttier than originally written. Don't quote us on that, but it was the ’60s, after all. Make love not war. Of course, in the end, Bond makes both. In any case, if you have time to kill, From Russia with Love might just do the trick. It's exotic, reliable, and familiar, but since you probably haven't seen it for years it will also be fresh enough to keep you interested. Also, Robert Shaw as the secondary villain doesn't hurt, nor does Daniela Bianchi as the primary female character, and Lotte Lenya as a Russian assassin with a dagger that extends from the toe of her pump is a hoot. Talk about the cruel shoes. From Russia with Love premiered in England in 1963, and reached Japan today in 1964.
Albert Camus' fatal 1960 auto accident may have been a KGB assassination.
Italian author Giovanni Catelli has just published a book that claims French writer Albert Camus was assassinated by the KGB, rather than dying in an auto accident, as largely believed. When you say the words “Cold War intrigue,” we're all in, so the story caught our eye. Catelli's theory, which he first began airing in 2011, is that the KGB silenced Camus because he was a globally famous figure who made a habit of criticizing the Soviet Union. The order was allegedly given by Dmitri Shepilov, the USSR’s minister of internal affairs, after Camus slammed him in the French newspaper Franc-Tireur in March 1957. Camus died in 1960, so the killing took three years to come to fruition, according to Catelli.
His book length argument, La mort de Camus, is getting white hot press right now, however it's very interesting to look back at contemporary articles about the crash. Camus was riding as a passenger in a car driven by his publisher Michel Gallimard, with Gallimard's wife Janine and their daughter Anne in the rear seat. Michel Gallimard died, but his wife and daughter survived to describe the crash. Michel was driving fast and had been told to slow down, and had drunk wine at dinner.
A gander at the wreckage of the heavy Farcel Vega HK500 attests to its speed. We checked the various articles popping up online and found none that mentioned either the velocity of the car or the drinking of the driver, but that's how the internet works—a fantastic claim circles the world five times faster than anything resembling balance or a fact check.
Catelli, though, has an answer for the reckless driving theory—the Soviets had attached a device to the car that would puncture a tire only in the event of sufficient speed. If the Soviets came up with the device described, it would not kick in without the added ingredient of driver haste, which often happens in conjunction with alcohol consumption, which in turn is a near certainty when talking about French people, all of which means the chances of a crash with muddied circumstances were pretty high. The device, if it ever existed, was certainly clever. It would be like a device that tied your shoelaces together, but only if you went downstairs in a rush, and you happened to live in a fourth floor flat with a balky elevator.
Catelli's belief that Camus was disposed of via assassination is bolstered by the fact that the car he was riding in somehow careened off a stretch of straight road thirty feet wide. Nobody described Michel Gallimard trying to dodge a hedgehog or pothole, so despite speed and possible drunkenness, some unforeseen factor seems required to send the vehicle into the weeds. On the other hand, three years is a long time to enact a death plot. We've seen Yankees and Red Sox fans patch their shit up in less time. But let's move this death from the settled bin into the mysterious bin, which is where we like everything to be anyway. Camus, the famed absurdist, once wrote that, “There can be nothing more absurd than to die in a car accident.” And if Catelli is correct, nothing can be more convenient either.
It's all skin no wit as tabloid stumbles along on its last legs.
It's July 14, 1974 and it's getting late in the game for National Informer. This issue shows that the magazine is exhausted of ideas and inspiration, and is bereft of all but the crassest humor. We suspect staff reductions. As magazines decline in circulation they lose pages and bleed staff. This issue is a full eight pages shorter than two years earlier. We aren't sure how much longer Informer lasted, but by this point the writing seems to be on the wall.
One mainstay, though, is resident seer Mark Travis, who offers his thoughts about the far future, predicting that Greenland will become the next frontier by 2050 due to underground volcanoes turning it into a tropical paradise, and Brazil will become a world power by 2075, ranking only after the U.S., China, and the U.S.S.R., thanks to cheap labor and the vast resources of the Amazon.
This guess is not far wide of the mark. The current president of Brazil is selling off the Amazon. But Travis's prediction is undermined by the fact that the U.S.S.R. no longer exists. Future visions tend to be notoriously select, but a non-U.S.S.R. future should be glaringly readable even within swirling clairvoyant mists. Well, no seer is perfect. Maybe Travis will do better in the next issue. You'll find out, because we have more to come.
I'd prefer to eat her with a Château Latour Pauillac and some grilled vegetables, but a werewolf has to make do.
This lycanthrope painted by William Randolph for the cover of Avon's 1951 edition of Guy Endore's The Werewolf of Paris has been caught red-handed eating his entree without a side and a garnish, not to mention the lack of a fine red wine. Being a murderous werewolf is one thing. That can be forgiven. But eating this way could cost him his French citizenship. Endore's take on werewolfery was originally published in 1933, was almost forgotten as recently as a few years ago, but seems to be gaining stature of late. We're happy to do our part. It's a deliberate tale—its setting in late 1800s France first has to be framed by a 1930s snoop doing a retelling from a found court manuscript, then within the account the wolfman character of Bertrand must be conceived, born, and raised, before being set on his bloody path in Paris, a city that offers a perfect hiding place. Endore explains why with this lyrical passage:
Before the greater importance of thousands going to death, before a greater werewolf drinking the blood of regiments, of what importance was a little werewolf like Bertrand?
Which is to say Bertrand has disappeared into the labyrinth of Paris during the chaos of the Franco-Prussian War. His appetites soon grow to include not only the living, but the dead, which he digs from fresh graves in Père Lachaise and Cimetière de Montmartre. Pretty interesting stuff, this novel. Of course, werewolf stories always end tragically, but it's the journey that matters. Endore crafts an atmospheric tale—and one that's frank too, for 1933. Endore counts on his readers to not be puritannical about Bertrand's sexual explorations. Nor about sacrilege, nor children being eaten, nor incest, it seems. But as horrific as all these atrocities are, ultimately Endore asks which is the greater werewolf—Bertrand or war? Since in reality one exists and the other doesn't, we know the answer. The Werewolf of Paris is a fascinating tale, not pulp style, but certainly worth a read for fans of any types of fiction.
You have to know when it's time to branch out.
Andrea Dromm is wearing a jumpsuit, which is fitting because she's going to have to jump if she ever wants to get out of this tree. A model and actress, she had one of the shorter careers, appearing in two movies and one television show. But one of the movies was the hit comedy The Russians Are Coming! The Russians Are Coming! and the television show was Star Trek, so she's better remembered than someone with such a small filmography normally would be. After acting she went on to devote her time to modeling, and has been stuck in this tree since posing there in 1966.
Television makes a celebrity of a natural born Kira.
Above is another cover of the Portuguese magazine O Século Ilustrado, this time with a non-Hollywood face. She's Kira Shirk, who gained fame when Europe learned she had been a sniper in the Russian infantry during World War II's Battle of Leningrad. The magazine explains that she's appearing on NBC's Big Surprise, a game show that culminated in a high pressure question worth $100,000 if the contestant answered it correctly. Shirk had pledged to donate part of her winnings to an organization called Crusade for Freedom. Did she win? No idea, but her question was supposed to be about weapons and war, so we're going with yes. Great image, published today in 1955. More here.
There's life on Earth. But is it intelligent life?
And speaking of Halloween frights, there's a theory in science that's gaining traction of late. Maybe you won't find this interesting but we did. First consider that even with life sustaining conditions assumed to be incredibly rare, cosmically speaking, the fact that almost every observed star has planets leads to the estimate of 100 billion planets in our galaxy. That number renders the long odds of perfect life generating conditions moot—there are certainly millions of planets with life, probably many thousands with intelligent life, and virtually any scientist you talk to outside of a political environment will tell you that. So why haven't we detected anything? The age of the civilization is a factor, distance is a second factor, point of origin of signal emission is another, and the perfect timing for us intercept a signal is yet another.
But here's the theory: a civilization advancing to the point that it can emit signals into space is a function of technological development, which in turn hinges on energy. Whatever form an alien race takes, it must advance through stages of energy generation. And since nuclear physics are a constant throughout this universe, every advancing civilization will eventually discover nuclear power. It's the most obvious energy form of all, because every sun in every sky shines as an example of it. It's possible that very few civilizations survive advancing through the various stages of dirty and dangerous energy generation. Nearly all collapse their ecosystems, which in turn leads to extinction. Just some food for thought this lovely Thursday as you look at these photos of a Russian nuclear test at Semipalatinsk, Kazakhstan, conducted today in 1951.
It was full speed ahead in the Cold War.
This spectacular photo shows the test of a nuclear torpedo detonated today in 1955 by the Soviet Union at Novaya Zemlya, an archipelago above the Arctic Circle. The weapon sent a massive debris cloud erupting into the atmosphere, which you can see in a video here. It was one of seven tests the Soviets conducted that year, and they and the United States were just getting heated up in their insane nuclear race.
Well, technically I belong to Lester back there, but if you've got the money I'm available as a rental.
Sam Ross was the pen name of Samuel Rosen, a Russian born writer who was brought to the U.S. by his parents, attended school, joined the army, served during World War II, and turned both his immigrant and war experiences into journalism, fiction, and screenplays. He was immediately successful, and later shared his valuable insights by teaching at UCLA. You Belong to Me is a wrong-side-of-the-tracks tale of a married man who gets involved with another woman while his wife is out of town and finds himself in all sorts of trouble. The backdrop for his descent into craziness and danger is Manhattan, and often Harlem, which rarely fails in literature to provide writers the tools they need to craft a picturesque tale. Ross takes his protagonist through jazz clubs and all the rest. The book appeared as a paperback original from Popular Library in 1955, and the top notch cover art is by Owen Kampen.
The headlines that mattered yesteryear.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
1961—Bay of Pigs Invasion Is Launched
A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection.
1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.
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