Above and below are assorted scans from an issue of Screenland published this month in 1940. The issue we posted previously was from 1923. In the intervening years contributor Delight Evans had become editor, and as a result had become one of Hollywood’s most powerful starmakers. Evans was uniquely talented and got her break when, as a fifteen-year-old, she had a story purchased by Photoplay. That was in 1915. By 1917 she was working for Photoplay in Chicago, and quickly ascended to an associate editor position there. At least one online source says she was an editor at Screenland by 1923, but even for someone that gifted twenty-three is a bit young to be helming one of America’s biggest magazines. We have an issue from December 1923 and it was Frederick James Smith in the corner office. But Evans was in charge by at least 1934, which we can confirm because we have an issue from that year too. When did she actually take the reins? No idea. This is where it would be nice to click over to a Wikipedia page or something, but she doesn’t have one. A trailblazer like this—can you believe it? But we shall dig. Evans needs some online exposure, so we’ll see what we can do. Twenty-one scans with a galaxy of stars below. 

New York Daily News from today, 1969, announcing the death of Judy Garland, one of the most famous and successful child stars ever. Like many child stars that came after her, Garland had problems with her weight, her self-image, along with drugs and alcohol throughout her life. She died of a Seconal overdose at age 47, but a doctor privy to her autopsy results commented that her liver was in such an advanced state of cirrhosis that she was already living on borrowed time. 

Today we have a new entry for our collection of mid-century tabloids—Private Lives, published forty-five years ago this month, with a strikingly bright cover starring Jane Russell, and an accompanying article about aquatic sex timed to take advantage of her role in Underwater. Every tabloid had its visual gimmicks, and Private Lives began with the motif you see here of a black and white face floating on a Technicolor background. By the end of 1955 it had abandoned this look for a fuller color palette, but this older design is much more appealing, in our view. We’ll keep hunting for more of these.