I'll tell you one thing. After today we won't complain so much when someone steals a couple of our towels.
The two photos above show an LAPD detective and two witnesses re-enacting a robbery (notice the detective is aiming a gun in the top photo) that occurred today in 1951 at the Garden of Allah Hotel on Sunset Boulevard. Two gunmen had gotten away earlier in the day with a bundle of cash. Newspaper accounts differ about how much. The San Bernadino County Sun, in its evening edition published later, pegged the amount at $1,073 ($12,275 today), but the Los Angeles Times morning edition printed the next day claimed it was $500 ($5,731). The Times is probably a more reliable source, and with more time to get the amount right we'd tend to think its report is correct, but $500 is a conveniently round number, whereas the $1,073 reported by the Sun is very specific. Either way, we imagine the terrified hotel employees surrended every dollar on hand.
The reason the story caught our eye, though, is because the Garden of Allah was one of the most famous hotels in Los Angeles at the time. The Spanish revival complex consisting of a main building, villas, restaurant, bar, pool, and landscaped grounds, opened in 1927 and quickly became a favorite stopover for Tinseltown glitterati. Everyone from Lauren Bacall to Orson Welles spent time or stayed there, and the place was described by one resident as in “continual tumult” because of all the intrigues, disturbances, and minor scandals. But all of its celebrity history and architectural significance amounted to nothing among the ranks of those who sought so-called progress, because like so many other Hollywood landmarks, this iconic property fell to the wrecking ball when it was demolished in 1959 to make way for a bank.
Minuit puts the country's hospitable reputation to the test.
Ever since we discovered a while back that the U.S. tabloid Midnight was actually a spin-off of Montreal based Minuit we've been looking around for issues. We finally had some luck. This example hit Canadian newsstands today in 1968, and on the cover is British actress Mollie Peters, or Molly Peters. Inside, various Hollywood stars are spotlighted in unflattering ways. Edy Williams was allegedly attacked by a lesbian; Paul Newman resorted to transcendental meditation to cut down on his drinking; Jason Robards, Jr. broke everything Humphrey Bogart related in Lauren Bacall's house; Robert Vaughn paid off his extensive gambling debts and cancelled his credit cards; Janet Margolin allegedly ate a pound of ground beef every day for health reasons; and Ursula Andress attacked Anita Ekberg in a Paris restaurant for making eyes at Andress's boyfriend Jean-Paul Belmondo. There's also a note on Babsi Zimmermann, who Minuit claims just refused a nude role in a French film. We noticed the blurb because of her name, which seems too good to be true, and familiar too. We looked her up and she did exist. It turns out she was better known as Barbara Zimmermann. She changed her stage name after the release of her first film, a counter-culture sexploitation romp called Heißer Sand auf Sylt, aka The New Life Style (Just to Be Love). Maybe she wanted a fresh start because the movie was such a stinker. We know it was bad because we wrote about it, which is why her name sounded familiar. She's naked as a donskoy cat in it, so Minuit's claim that she refused the French movie makes sense if she wanted to rebrand herself. The change still has people confused. Currently IMDB has separate entries for Babsi and Barbara. Minuit reserves special attention for U.S. actor George Hamilton, who had been generally targeted by tabloids for avoiding military service in Vietnam. Why him? We wrote about the reason a long while back, and if you're curious you can check. Minuit wryly informs readers that, “George Hamilton somehow managed to break his toe the day after he received a notice to report to the U.S. Army recruiting center. This gives him an interesting three-month [deferral]. It's clever, isn't it?” Obviously, toes heal. Hamilton eventually received a full deferral for other reasons.
Also in this issue, Minuit editors treat readers to a story about a man cut in half by a train. We feel like it's urban folklore, but there are photos—for any who might be convinced by those—and a long story explaining how a man named Regerio Estrada caught his wife Lucia in bed with another man, beat him unconscious, and tied him to a train track to await the next express. Do we buy it? Not really. The internet contains only a fraction of all knowledge and history, but we think this tawdry tale is so bizarre that it would have found its way online. There's nothing. Or maybe we're just the first to upload it. Anything is possible. We have additional colorful Canadian tabloids we'll be sharing in the months ahead. You'll find eighteen scans below.
Many miles to go before you Sleep.
This unusual Danish photo poster was made for Sternwood-mysteriet— Actually, a quick digression. That would be a good pub quiz question, wouldn't it? It could be part of a foreign titles round. “Okay, next question. What is the original title of the film released in Denmark as Sternwood-mysteriet?” Did we ever mention that PSGP has hosted numerous pub quizzes? That's why it came to mind. Funny story: He once lost a bet and had to host one in a Speedo. Anyway, any noir fan would get the question right—Sternwood-mysteriet is better known as The Big Sleep, starring Humphrey Bogart and someone named “Laureen” Bacall.
The movie didn't premiere in Denmark until today in 1962. Why? Apparently it was banned. There could be a couple of different reasons why, or both at once. Bogart's character Sam Spade gets laid—by implication—with a bookstore clerk played by the lovely Dorothy Malone. And a central part of the complex mystery deals with illicit photos, implied to have been pornographic shots of a drugged Martha Vickers. The bookstore seduction isn't in Raymond Chandler's source novel, but the smut photos are. Haven't seen the movie? You should watch it. But carefully. Humphrey Bogart and Lauren Bacall play in the “Sternwood-Mystery” - the film that was previously banned but is now released by the censor - uncut!
Have yourself a very Humphrey Christmas.
In the other work we do discussions about starting a podcast have come up. We shoot the idea down because we can't possibly fit anything else into our lives, but the concept got us thinking about things that might be fun to listen to. Above you see a record sleeve for Bold Venture, pressed from a radio series starring Humphrey Bogart and Lauren Bacall. Developed by Bogart's Santana Productions, he and Bacall star as Slate Shannon and Sailor Duvall. He's the proprietor of a hotel in Cuba where various shady characters, revolutionaries, and all around scalawags wander through, and she's the woman he promised her dead father to watch over and protect. And by protect, we mean at close quarters. Sounds a bit like To Have and Have Not, right? All we can say is—sold!
The series ran for fifty-seven episodes in 1951 and 1952, and this record contains one episode on each side. If you like podcasts, or listening to stuff while doing stuff, this may be for you. We can give no qualitative info. We haven't heard it. We're traveling now for two weeks (we mentioned that preloaded posts thing, right?) and grabbed this to listen to during our wanderings. It may be amazing, or it may be bad. But we very much like Bogie and Bacall, and given all the great work they've done together and apart, how can it possibly be bad? Like, seriously. You can have your own copy of the series in a jiffy, because it's available on Archive.org, the public domain repository, here, or at a dedicated UK website here. Merry Christmas, pulpsters!
Royal Crown helps consumers to stay awake at the movies.
Lauren Bacall brings her special brand of smoky sex appeal to this magazine advertisement for Royal Crown Cola, made as a tie-in with her 1946 film noir The Big Sleep. RC was launched in 1905 by Union Bottling Works—a grandiose corporate name for some guys in the back of a Georgia grocery store. The story is that the drink came into being after grocer Claud A. Hatcher got into a feud with his Coca Cola supplier over the cost of Coke syrup, and essentially launched RC out of equal parts entrepreneurialism and spite. Union Bottling Works quickly had a line of drinks, including ginger ale, strawberry soda, and root beer. However humbly RC Cola began, the upstart had truly arrived by 1946, because The Big Sleep, co-starring Humphrey Bogart, was an important movie, and Bacall was a huge star. She was only one jewel in the crown of RC's endorsement efforts. Also appearing in ads were Rita Hayworth, Veronica Lake, Joan Crawford, Virginia Mayo, Paulette Goddard, Gene Tierney, Ann Rutherford, Ginger Rogers, and others. Bacall flogged RC for at least a few years, including starring in tie-in ads for Dark Passage, another screen pairing of her and Bogart that hit cinemas in 1947. You see one of those at bottom. We can only assume these ads were wildly successful. After all, it was Bacall.
It's shocking how many Hollywood stars did smack.
Everybody wants to slap somebody sometime. Luckily, actors in movies do it so you don't have to. The above shot is a good example. Edward G. Robinson lets Humphrey Bogart have it in 1948's Key Largo, as Claire Trevor looks on. In vintage cinema, people were constantly slapping. Men slapped men, men slapped women, women slapped women, and women slapped men. The recipient was usually the protagonist because—though some readers may not realize this—even during the ’40s and 50s, slapping was considered uncouth at a minimum, and downright villainous at worst, particularly when men did it. So generally, bad guys did the slapping, with some exceptions. Glenn Ford slaps Rita Hayworth in Gilda, for example, out of humiliation. Still wrong, but he wasn't the film's villain is our point. Humphrey Bogart lightly slaps Martha Vickers in The Big Sleep to bring her out of a drug stupor. He's like a doctor. Sort of.
In any case, most cinematic slapping is fake, and when it wasn't it was done with the consent of the participants (No, really slap me! It'll look more realistic.). There are some famous examples of chipped teeth and bloody noses deriving from the pursuit of realism. We can envision a museum exhibit of photos like these, followed by a lot of conversation around film, social mores, masculinity, and their intersection. We can also envison a conversation around the difference between fantasy and reality. There are some who believe portryals of bad things endorse the same. But movies succeed largely by thrilling, shocking, and scaring audiences, which requires portraying thrilling, shocking, and frightening moments. If actors can't do that, then ultimately movies must become as banal as everyday llife. Enjoy the slapfest.
Broderick Crawford slaps Marlene Dietrich in the 1940's Seven Sinners. June Allyson lets Joan Collins have it across the kisser in a promo image for The Opposite Sex, 1956. Speaking of Gilda, here's one of Glenn Ford and Rita Hayworth re-enacting the slap heard round the world. Hayworth gets to slap Ford too, and according to some accounts she loosened two of his teeth. We don't know if that's true, but if you watch the sequence it is indeed quite a blow. 100% real. We looked for a photo of it but had no luck. Don't mess with box office success. Ford and Hayworth did it again in 1952's Affair in Trinidad. All-time film diva Joan Crawford gets in a good shot on Lucy Marlow in 1955's Queen Bee. The answer to the forthcoming question is: She turned into a human monster, that's what. Joan Crawford is now on the receiving end, with Bette Davis issuing the slap in Whatever Happened to Baby Jane? Later Davis kicks Crawford, so the slap is just a warm-up. Mary Murphy awaits the inevitable from John Payne in 1955's Hell's Island. Romy Schneider slaps Sonia Petrova in 1972's Ludwig. Lauren Bacall lays into Charles Boyer in 1945's Confidential Agent and garnishes the slap with a brilliant snarl. Iconic bombshell Marilyn Monroe drops a smart bomb on Cary Grant in the 1952 comedy Monkey Business. This is the most brutal slap of the bunch, we think, from 1969's Patton, as George C. Scott de-helmets an unfortunate soldier played by Tim Considine. A legendary scene in filmdom is when James Cagney shoves a grapefruit in Mae Clark's face in The Public Enemy. Is it a slap? He does it pretty damn hard, so we think it's close enough. They re-enact that moment here in a promo photo made in 1931. Sophia Loren gives Jorge Mistral a scenic seaside slap in 1957's Boy on a Dolphin. Victor Mature fails to live up to his last name as he slaps Lana Turner in 1954's Betrayed.
Ronald Reagan teaches Angie Dickinson how supply side economics work in 1964's The Killers. Marie Windsor gets in one against Mary Castle from the guard position in an episode of television's Stories of the Century in 1954. Windsor eventually won this bout with a rear naked choke. It's better to give than receive, but sadly it's Bette Davis's turn, as she takes one from Dennis Morgan in In This Our Life, 1942. Anthony Perkins and Raf Vallone dance the dance in 1962's Phaedra, with Vallone taking the lead. And he thought being inside the ring was hard. Lilli Palmer nails John Garfield with a roundhouse right in the 1947 boxing classic Body and Soul. 1960's Il vigile, aka The Mayor, sees Vittorio De Sica rebuked by a member of the electorate Lia Zoppelli. She's more than a voter in this—she's also his wife, so you can be sure he deserved it. Brigitte Bardot delivers a not-so-private slap to Dirk Sanders in 1962's Vie privée, aka A Very Private Affair. In a classic case of animal abuse. Judy Garland gives cowardly lion Bert Lahr a slap on the nose in The Wizard of Oz. Is it his fault he's a pussy? Accept him as he is, Judy. Robert Culp backhands Raquel Welch in 1971's Hannie Caudler.
And finally, Laurence Harvey dares to lay hands on the perfect Kim Novak in Of Human Bondage.
Humphrey is pitch perfect as always but it's Edward who makes this movie sing.
Above, one of many promo posters for the classic drama Key Largo. This movie, as you doubtless know, is great. It hinges on Edward G. Robinson's bravura performance as a washed up gangster trying to make a comeback, but he gets ample onscreen help from co-stars Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Thomas Gomez, Claire Trevor, Dan Seymour, and others. And John Huston in the director's chair is no slouch bringing the foreground drama and hurricane background to life. Key Largo is often called a film noir. Is it though? Hmm... Bogart certainly fits the bill in terms of characterization, but since the movie lacks most other noir elements we're inclined to call it a straight crime drama. But that's just our opinion. It was first seen by the public at a Hollywood preview in mid-July 1948, and went into full national release today.
Hitchcock says no festival for you this year!
The 73rd edition of the Festival de Cannes, aka the Cannes Film Festival, would have kicked off today in the south of France, but was cancelled a while back. It's just one of a wave of event cancellations that will cascade through the year. Festivals as diverse as Burning Man and San Fermin, aka the Running of the Bulls, have also been shelved. But getting back to Cannes, we thought this would be a good moment to commemorate past fests with some historical photos. Above you see Alfred Hitchcock on a boat with the town in the background, in 1972, and below are about fifty pix from the 1940s through 1970s, documenting various iconic moments, and a few quieter ones. Maybe the Cannes Film Festival will back next year, maybe not. At this point, predicting anything is an exercise in futility. But at least we'll always have the memories.
Edith Piaf sings on the terrace of the Carlton Hotel on the iconic Boulevard de la Croisette at the first Festival de Cannes to be held under that name, in 1946. Back then the event took place in September and October, but would shift to May a bit later. Diana Dors and Ginger Rogers arrive at the fest the only way anyone should—breezing along the beachfront in a convertible, in 1956, with an unknown driver. Kirk Douglas holds court on the beach in 1953, and Brigitte Bardot soaks up rays in the foreground. Michele Morgan poses at the first Festival in 1946. Photo ops of this sort were essential sources of publicity for stars, and would soon become opportunities for non-stars seeking to be discovered. Case in point. Robert Mitchum poses with actress Simone Sylva in 1954. Sylva was allegedly not supposed to be there, but shucked her top and photo-bombed Douglas in an attempt to raise her profile. It didn't work. She made only a couple of credited movie appearances after her topless stunt. Romy Schneider and Alain Delon at the 1959 fest. An unidentified model or actress poses in the style of Anita Ekberg from La dolce vita in 1960. This looks like it was shot at Plage du Midi, which is a beach located a little ways west of the Cannes town center.
A unidentified partygoer is tossed into a swimming pool after La Dolce Vita won the the 1960 Palme d’Or. The Festival is almost as well known for legendary parties as for legendary film premieres. Another unidentified model or actress poses on the boardwalk in 1979. Generally, you don't have to be known to draw a crowd of photographers—you just have to be nearly bare. She's wearing lingerie, so that explains the interest, though this is modest garb for a Cannes publicity stunt. It's never a surprise to see a headline-seeking film hopeful strip all the way down to a string ficelle féminin, or thong, which is the limit of what is legal in Cannes Sidney Poitier and Jean Seberg have a laugh in 1961. This was the year Poitier's flick Paris Blues was released, so it's possible he had jetted down from the capital for the Festival. Philomène Toulouse relaxes on the sand in 1962 while a boy practices the classic French look of disgust he'll be using the rest of his life.
Actor Bernard Blier, 1975.
An unidentified bikini wearer boldly enjoys a lunch in a café on the Croisette, 1958.
Natalie Wood aboard a sailboat in 1962. Grace Kelly, 1955. Kelly times two—Grace Kelly and Gene Kelly, hanging out, also in 1955. Sammy Davis, Jr. poses in front of a billboard promoting his film A Man Called Adam, 1966.
Joan Scott gets sand between her toes in 1955. Scott is obscure. She isn't even the most famous Joan Scott anymore. The IMDB entry for the only Joan Scott near the appropriate age is for an actress born in 1920 who didn't begin acting until 1967. The Joan Scott above doesn't look thirty-five, though, and we doubt she would have been the subject of this somewhat well-known photo without parlaying it into a film appearance before twelve years had passed. So we don't think this is the Joan Scott referenced on IMDB.
Sharon Tate, with Roman Polanski, and solo, 1968. Marlene Dietrich brings glamour to a tiki themed bar in 1958. Tippi Hedren and Alfred Hitchcock release caged birds as a promo stunt for The Birds in 1963. Sophia Loren sits with husband Carlo Ponti, who was a member of the 1966 Festival jury. Raquel Welch poses on a motorcycle in 1966. Jane Birkin takes aim with one of her cameras in 1975.
Dorothy Dandridge frolics in 1955, when she was promoting her film Carmen Jones. Cinematic icon Catherine Deneuve and her sister Françoise Dorléac in 1965. Dorléac died in an automobile accident a couple of years later.
Robert Redford lounges on the beach in 1972. Based on his outfit you'd think he was in Cannes to promote The Sting, but he was actually there for his western Jeremiah Johnson, which screened May 7 of that year. Sophia Loren waves to well-wishers in 1964. Bogie and Bacall paired up and looking distinguished in 1957. John and Cynthia Lennon in 1965, and John with Yoko Ono in 1971. Every story John told on that second trip probably started with, “When I was here with the first love of my life...” until Yoko smacked him across the mouth. Rock Hudson and bicycle in 1966. Unidentified actresses pose on the beach in 1947. To the rear is the Hotel Carlton, mentioned in the Edith Piaf image, built on the Croisette and finished in 1910. George Baker, Bella Darvi (right—your right, not his), and an unknown acquaintance have a surfside run/photo op in 1956. Jayne Mansfield and Russian actress Tatiana Samoïlova enjoy a toast in 1958. Mansfield probably shared the story of how she once made Sophia Loren stare at her boobs, and Samoïlova said, “Cheers to you—well played, you provocative American minx.” French actor Fernandel, whose real name was Fernand Contandin, on his boat Atomic in 1956. Arlette Patrick figures out a different way to generate publicity—by walking her sheep on the Croisette in 1955. A pair of water skiers show perfect form in 1955, as a battleship floats in the background. Jeanne Moreau, for reasons that are unclear, poses on a banquet table in 1958. Most sources descibe this in such a way as to make it seem spontaneous, but we have our doubts. It's a great shot, though. Two unidentified women take in the scene from the terrace of the Hotel Carlton, 1958. This shot is usually said to portray two tourists, but the woman on the left is the same person as in the bikini lunch shot from earlier, which tells us she's a model or actress, and both photos are staged. Like we said, publicity is everything in Cannes.
Danielle Darrieux and Sophia Loren at the 11th Cannes Film Festival, 1958. Italian actress Monica Vitti chills on a boat in 1968. Aspiring stars catch some rays on the Croisette beach in 1955. The two large posters behind them are for The Country Girl with Grace Kelly, and Jules Dassin's Du rififi chez les hommes, both below. The renowned opera singer Maria Callas, 1960.
Bogart finds himself stuck on Key Largo when hurricane Edward blows into town.
Above is a West German poster for Hafen des Lasters, which translates as “port of vice,” but is better known as Key Largo. We love this piece of art. It's imitative of earlier posters, particularly a Belgian promo from 1949. But that one is by Wik. This one is signed by a different artist, but illegibly, so we can't tell you who painted it. We'll work on that. We've uploaded the signature in case you have an idea what this scrawl says. This is simply a great film, a crime drama set in a hurricane. Many books using the same idea were written later, such as Theodore Pratt's Tropical Disturbance and Russell Trainer's No Way Back. Whether they were inspired by Key Largo or earlier works like W. Somerset Maugham's Rain we can't say, but any writer will tell you never let a good gimmick go to waste. In any case, Key Largo premiered in the U.S. in 1948 and reached West Germany today in 1950. |
The headlines that mattered yesteryear.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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