 That second round of drinks is always murder. 
This Pocket edition of Roy Huggins' detective mystery The Double Take is from 1959 and the art is by Harry Bennett. Huggins tells the story of a man who wants to dig into his wife's history and hires private dick Stu Bailey for the job. Bailey learns that the wife has been hiding for a long time. She's overweight now, but gained the pounds as a disguise. She'd also gotten married as a disguise, attended college and joined a sorority as a disguise, dyed her hair as disguise, changed her name as a disguise, and of course changed her city as a disguise. Somewhere way back before she was a plump wife with a suspicious husband she was a showgirl who called herself Gloria Gay. Bailey discovers all that, but the elusive question is why she's hiding in the first place.
Huggins probably should have done a bit better here. The concept is rich—a woman who essentially goes into hiding inside her own body by eating herself into a disguise. But he doesn't take advantage of the idea. Also, the second third of the book feels padded. That could have been shortened and the multi-twist final act would have been better for it. We did like those twists, though, and the L.A. setting was well rendered. It brought back memories from some wild years we spent running around Tinseltown. But in the end The Double Take was a middling time eater, and with time so precious, it isn't one we'd recommend dashing out to buy—or download, or whatever. Huggins has a Stu Bailey anthology called 77 Sunset Strip, and for the title alone we'll read that, and be hoping for something a bit better.
 These are people who definitely pay attention to the poles. 
When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.                          
 The shape of bad things to come. 
Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-six—see what we mean?—more shadow covers below, and thanks to all original uploaders.
                             
 Never trust a man in expensive clothes. 
The Pulp Intl. girlfriends want more depictions of men on the site. Can we oblige them? Probably not. Vintage paperback art features women about ninety percent of the time, and they’re often scantily clothed. Men, on the occasions they appear, are not only typically dressed head to toe, but are often sartorially splendid. There are exceptions—beach-themed covers, bedroom depictions, gay fiction, and romances often feature stripped down dudes. We’ll assemble some collections of all those going forward, but today the best we can offer is an assortment of g’d up alpha males, with art by Victor Kalin, Robert McGinnis, and others. Enjoy.            
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The headlines that mattered yesteryear.
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A. 1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations. 2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters. 1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
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