Below: assorted covers of Hayat, which became one of Turkey’s most popular celebrity magazines beginning in the 1950s. From top to bottom the cover stars are Jayne Mansfield, Ursula Andress, Anita Ekberg, no idea because we can't read Turkish and her name isn't on the cover, Marilyn Monroe, Debra Paget, Ava Gardner, Natalie Wood, Ann-Margret, and Brigitte Bardot.

Summer is dwindling in the parts of the world that have actual seasons. As a reminder of everyone’s favorite time of year we’ve searched the internet and cobbled together a collection of thirty vintage images featuring some of yesteryear’s fittest femmes and hommes enjoying the sun, and sometimes each other. If you haven’t had a summertime moment like one of those below, there’s still time. Get to it.

Above are the cover and several interior pages from Spain’s Triunfo, with Swiss actress Ursula Andress, who according to the magazine was the most beautiful woman in the world. Andress was starring opposite Jean-Paul Belmondo in the French action adventure Les tribulations d’une Chinois in Chine, based on Jules Verne’s Tribulations of a Chinaman in China, and released in the U.S. as Up to His Ears. The article discusses among other things how Andress injured herself during the first week of the physically demanding shoot, and you can see a scab on her knee and calf, as well as a bandage on her thigh. While she perhaps didn’t have a gazelle’s grace, she did seem to possess a siren’s allure—her rumored affair with Belmondo supposedly ruined her marriage to John Derek, and this may not have been her first affair. However, it seems possible that the marriage failed for reasons other than fidelity, since John Derek did not seem to be a possessive husband (if his willingness to share his fourth wife Bo is any indication). Anyway, not be overlooked is Pamela Tiffin, who appears in the centerfold. We’ll have more on Tiffin later. 

Here’s a little piece of modern pulp we found in a bar in Donostia-San Sebastián, Spain. We had just finished a round of tasty apple-flavored shots, and there it was on the bartop at a place called Akerbeltz. The magazine is called Gehitu, and it’s published by a GLBT rights organization based in Northern Spain. The magazine is nicely put together, promotes a cause we respect, and is filled with events information, but what interests us most is their usage of an iconic photo of Ursula Andress, who they’ve given winglike appendages and depicted as wounded but unbowed. If we assume this is a visual reference to Hamlet’s famous “To Be or Not To Be” soliloquy, then it’s a poignant and clever rebranding. Since we started this website we’ve discovered that small magazines, flyers and pamphlets are goldmines of pulp styled art. In those media we tend to find creators who truly get what pulp is about. We’ve been picking up these bits and pieces, and with today’s post have shared one of our many finds. We’ll have more for you down the line.     

Three action-packed Japanese posters for Dr. No, with Sean Connery and Swiss beauty Ursula Andress. You can see Connery and Andress getting close in a rare promo photo here. Dr. No premiered in Japan today in 1963. 

Swiss actress Ursula Andress’ performance as Dr. No’s knife-wielding skindiver Honey Ryder made her a star and set the standard for all future Bond girls. At the time of this publicity photo she was married to John Derek, but we have a feeling Sean Connery didn’t care—and rumor has it Andress didn’t either. She was delivered up from the sea on a clamshell today in 1936.