With special guests the Slaymates of the year.
Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular. Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries.The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers. The movies were populated by a group of women known as “Slaymates,” and the actresses on the posters below are posing as members of that deadly cadre. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn.These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. There's been renewed interest in her, including portrayals in two 2019 films—The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood. Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen.
We glanced at The Silencers a while back and found it just a little too dumb to consider slogging through the series, but maybe we'll have another go at it. We're sort of newly interested in Tate too, and since The Wrecking Crew was her next-to-last screen role, we want to have a look. Allegedly, Dean Martin quit this highly successful franchise because it felt wrong to go on with it after the Tate–LaBianca murders in August 1969. From what we've read about the era, Martin was far from the only person who felt as if that event changed everything. These days Tate's death makes anything she's in seem ironic and portentous, even, we suspect, a piece of fluff like The Wrecking Crew.
The saying goes that no parent should have to bury a child. Somebody didn't hear the saying.
The above Colombia Pictures promo photo of U.S. actress Eloise Hardt first appeared in 1941, when she was still performing in uncredited roles. Her first star turn came in 1947 in the twenty minute short The Luckiest Guy in the World, followed by a role in Homecoming in 1948. But her career in movies never really took off. It was in television that she made her mark, appearing in dozens of series beginning in 1956. Some of those included Alfred Hitchcock Presents, Miami Undercover, and Dr. Kildare. But for all her acting credits, it was for events outside of show business that she seems to be remembered today.
In 1968 Hardt's daughter Marina Habe was kidnapped, murdered, and her body left in the woods off Muholland Drive. Speculation over the years is that one or more members of the Manson Family did the deed. This would have made Habe an early victim, as their famous murder spree didn't occur until 1969, but according to Ed Sanders, author of The Family, members of Manson's circle admitted they knew Habe, and newspaper reports in 1969 suggested the same weapons that killed Habe were used on Sharon Tate. However no arrest was ever made in the murder. As for Hardt, she's still alive and residing in California, which means she's outlived her daughter by nearly fifty years.
Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
It isn't whether you win the game. It's who you play.
And speaking of summer, Sharon Tate is the picture of summertime in this shot of her playing ping pong on the beach. We've seen the photo around the internet, but of course with zero information, so for the record, she's attending the 21st Cannes Film Festival, held in 1968, not in the summer, but in spring—May to be exact. But summer comes early on the Côte d'Azur. Her husband Roman Polanski was on the festival jury that year, but since that isn't actual work, he made time to be at the other end of the table here. He may have lost the game for all we know, but when Tate is your partner you've already won.
Getting down to the fine details.
Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.
The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.
Sharon Tate was the unknowing model for at least two more paperback covers.
A long while ago we showed you a paperback cover that featured a painting of Sharon Tate. That book specifically used Tate both as cover art and interior subject matter. In contrast, the two figures above aren’t explicitly supposed to be Tate, but it just so happens that both unknown artists modeled their work from an on set photograph from her 1966 Dracula spoof The Fearless Vampire Killers. The photo was shot by Roman Polanski, who also directed the film. As you can see, it was used on John Dexter’s sleaze pulp Chuck-a-Lust, painted by Darrel Millsap, and on Paul Collins’s, aka Renato Carocci's giallo Ordine di uccidere, painted by Bendetto Caroselli. The former was published in 1967, and the latter in 1968. One year later, Tate was gone.
The fickle finger of Tate.
We’ve seen this cover of National Bulletin all over the web, which is normally sufficient reason for us not to post something. But then we stumbled across the photo of Sharon Tate that was used to make the cover and it seemed like all the excuse we needed, so we’ve posted that image below. The Bulletin cover is from December 1968, just about nine months before Charles Manson orchestrated Tate’s murder, but the photo is undoubtedly a handout dating from earlier. We’re guessing mid-1968. We actually have an issue of National Bulletin we're going to share that has never been posted online, so keep an eye out for that. Meanwhile, click keyword “National Bulletin” below to see our other postings on this, er, interesting tabloid.
The rise and fall of the Roman vampire.
Japanese poster for the 1967 horror spoof The Fearless Vampire Killers, directed by Roman Polanski, and starring Jack McGowan, Polanski and Sharon Tate.
The headlines that mattered yesteryear.
1961—Plane Carrying Nuclear Bombs Crashes
A B-52 Stratofortress carrying two H-bombs experiences trouble during a refueling operation, and in the midst of an emergency descent breaks up in mid-air over Goldsboro, North Carolina. Five of the six arming devices on one of the bombs somehow activate before it lands via parachute in a wooded region where it is later recovered. The other bomb does not deploy its chute and crashes into muddy ground at 700 mph, disintegrating while driving its radioactive core fifty feet into the earth, where it remains to this day.
1912—International Opium Convention Signed
The International Opium Convention is signed at The Hague, Netherlands, and is the first international drug control treaty. The agreement was signed by Germany, the U.S., China, France, the UK, Italy, Japan, Netherlands, Persia, Portugal, Russia, and Siam.
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
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