Vintage Pulp Jan 24 2016
WINDOW SHOPPING
When Hollywood fleshed out source material it often changed the flesh tones too.


Just a bit more on Rear Window today. The movie was based on Cornell Woolrich's story "It Had To Be Murder," which appeared in Dime Detective Magazine of February 1942. As might be expected story and film are substantially different. Lisa Fremont doesn't exist at all and neither does the insurance company nurse Stella. They were both derived from one character—a valet named Sam who does all the hard work while Jeffries watches from his wheelchair. The relationship between these two is warm, but with strong overtones of status and race, with Jeffries at one point showing his pleasure with Sam by saying, "Go and build yourself a great big two-story whisky punch; you’re as close to white as you’ll ever be." Screenplay choices are always interesting, and we can see the addition of Grace Kelly's Fremont character making sense (though this being Hitchcock, he'd have put a blonde in the movie no matter what, since they represented a fantasy woman for him), but we wish Stella had been left out and Sam kept intact. We understand that changing Jeffries into a rogue photographer from a rich Manhattanite meant taking away his valet, but Sam could have been transformed into the insurance company employee. But that's just our opinion. You can decide for yourself by reading or downloading "It Had To Be Murder" yourself at this link. It's well worth the time.

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Femmes Fatales Jan 23 2016
GRACE PERSONIFIED
The view from here is just about perfect.

Since we were talking about Rear Window yesterday, here's a shot of co-star Grace Kelly wearing one of the famed Edith Head designed dresses made for the movie. This is the most written about outfit from the film, the one Kelly tells Jimmy Stewart cost $1,100 dollars, which would be almost $10,000 in today's money. Her character quickly follows that up by saying it's a good thing she didn't have to pay for it (because she works in the fashion industry and gets free clothes). That was the clever solution to making Kelly as glamorous as possible, but without alienating the ticket-buying audience. Though this dress is nice, it's the green and white backless number she wears later that really sticks in the memory. Unfortunately, there are few good shots of that ensemble, and none showing her without the covering jacket. That may seem amazing, but Rear Window promo photos are somewhat rare. We have a couple of screenshots below, but if you want to see Kelly in action you'll just have to watch the movie.

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Vintage Pulp Jan 22 2016
VOYEUR'S DELIGHT
Stewart violates the norms of neighborliness and ends up with a mystery on his hands.


Above are two iconic posters for Alfred Hitchcock’s Rear Window, 1954. This is a great movie, but definitively not a film noir—instead it’s a big Technicolor drama, bright and vibrant in a way movies aren’t today. It’s also only nominally a mystery, as the question is never who is the murder suspect, nor who is the murder victim, but whether there was actually a murder at all. This is one of Hitchcock’s greatest achievements, with James Stewart at his likeable best even as a voyeur, and Grace Kelly fueling the fantasies of male cinemagoers as the perfect girlfriend Lisa Fremont. Is the movie perfect? No. It fumbles its attempt to underline Stewart’s reckless nature, putting him in a wheelchair for the unbelievable act of running onto the middle of a Formula 1 track to get a photo. It also requires the audience to believe he can see all from his apartment, but his neighbors never notice him. Yet Rear Window overcomes those annoyances and is deservedly considered an all-time classic. Seeing it on the big screen as patrons of the Noir City Film Festival will tonight would be a treat, but see it in any case. 

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Hollywoodland Sep 15 2015
THE BARE CONTESSA
Minor noble causes major scandal.


On the Q.T. labeled itself “The class magazine in its field.” In practice that was less than true. This cover from September 1962 offers teasers about Liz Taylor’s inability to be made happy, the fatal ring beating of boxer Kid Paret, and the inside story about Ivy Nicholson’s suicide attempt. But the banner goes to the nude countess who shocked America. That would be Christina Paolozzi, aka Christina Bellin, who was a New York City fashion model and the offspring of United Fruit Company heiress Alicia Spaulding and Italian conte Lorenzo Paolozzi. The photo was shot by Richard Avedon and appeared in Harper’s Bazaar. Paolozzi was already considered “the first of the ’60s free spirits” by the tabloids, and by stripping for Avedon she became the first recognized fashion model to pose nude, a practice that is now common.

While Avedon earned widespread recognition for the shot, which you see at right, Paolozzi was dropped from the New York City Social Register, shunned by Manhattan’s upper crust, and subjected in the press to what is today sometimes called “body shaming.” Columnist Inez Robb wrote that Paolozzi was “no more favored by nature than the average daughter of Eve,” and added for good measure, “Harper’s Bazaar, with its excursion into overexposure, has unwittingly proved that not diamonds but clothes are a girl’s best friend.” If that wasn’t bad enough, just imagine what people wrote in the comments section. They had those then, right?

In any case, Paolozzi was a bold personality, and she went on to make waves yet again with her many wild parties and open marriage to cosmetic surgeon Howard Bellin, commenting in a mid-1970s newspaper article, “[It’s] just the way life is today—one man is simply not enough.” But she didn’t just spend the years having a good time. She also raised money for hospitals in Cambodia and Gabon, orphanages in Afghanistan, and supported eighteen foster children. In a sense, she gave the shirt off her back. Twenty-eight scans from On the Q.T. below.


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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Vintage Pulp Sep 21 2011
FEUDING THROUGH THE YEARS
Confidential claims there was a rivalry between Jackie Kennedy and Princess Grace. For once, they’re right.

Above, a September 1966 Confidential with a rivalry theme featuring Ursula Andress vs. Claudine Auger, and Jackie Kennedy vs. Princess Grace. Andress and Auger are compared merely for their Bond girl qualities, but Kennedy and the Princess actually did have their resentful moments. These were detailed not just in the tabloid press—even supposedly sober magazines like Time reported on the feud. Perhaps it was inevitable. The two began as friendly acquaintances and ascended to positions of American royalty, a level that was surpassed by Grace Kelly when she became an actual royal with her marriage to Prince Rainier III of Monaco. A widowed Kennedy later married Greek tycoon Aristotle Onassis, who happened to be an epic business and political rival of Rainier. How epic? Rainier actually suspended Monaco's constitution to put an end to Onassis’ meddling in its internal affairs. So taking that into consideration, it’s amazing Jackie and the Princess never tried to choke each other out. But like everyone says, that was a much more polite age. 

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Vintage Pulp Jan 18 2011
FRESH PERSPECTIVE
The National Police Gazette looks up to Raquel Welch.

This National Police Gazette from January 1970 features bombshell sex symbol Raquel Welch on the cover photographed from an odd up-the-nose angle you don’t often see. This was also, we are almost certain, the first Gazette to feature a full color cover photo, as the magazine was trying to upgrade its staid image. Inside you get Linda Harrison, Sugar Ray Robinson, Rocky Graziano, Grace Kelly and a dubious report on the 200,000 legally insane teachers working in America’s schools. Welch’s bikini shoots were always a major event, and images from this particular session ended up on or inside scores of publications, including an issue of the Japanese film magazine Screen we shared last year. We have several more frames from the shoot, and we’ll get around to posting those soonish. 

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Femmes Fatales Dec 31 2010
EIGHTEEN FOREVER
The women inside the movie camera.

Below are eighteen timeless Hollywood leading ladies, some well-known, some less so, but all gleamingly beautiful. They are, top to bottom, Mari Blanchard, Carmen Phillips, Grace Kelly, Jane Adams, Joan Vohs, Martha Hyer, Laurette Luez, Tippi Hedren, Marguerite Chapman, Janet Leigh, Venetia Stevenson, Annabella, Muriel Barr, Lana Turner, Kim Novak, Paula Drew, Ann-Margret, and Vera Miles. Happy New Year.  

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Featured Pulp
japanese themed aslan cover
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five aslan fontana sleeves
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ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
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History Rewind
The headlines that mattered yesteryear.
December 06
1989—Anti-Feminist Gunman Kills 14
In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.

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