Flossie regularly is good for your mental health
Yes, Marie Forså is back in another of her popular sexploitation romps. We just checked her out in 1973's Der Fluch der schwarzen Schwestern, saw her a while back in Bibi, and here she is again in 1974's Flossie, aka Swedish Sex Kitten. We could tell you the movie is good, but there's barely any movie to recommend. In the same way a chocolate chip cookie is just a delivery system for sugar, a production like this is just a delivery system for boners. This one takes two passes at that goal, with a softcore version, and a harder iteration with some actual penetration scenes edited in. Despite the audience's most fervent wishes, these aren't Forså's furry nether regions having a grand opening, but some other natural blonde's, woven in cleverly enough that some viewers may not notice. But you know the old rule—if the face isn't in the edit, a body double gets the credit. We've now watched three Forså movies and we think that'll about fill our lifetime quota. They're all the same—sweet, easy to enjoy, and with some gooey parts. Just like chocolate chip cookies. The above poster was made for Flossie's West German premiere, where it began delivering boners today in 1974.
Ménage à trois? With that little thing I don't think he can ménage à one of us.
Oh yeah, baby, this is great. Give it to me. Make me— Hmm, has that crack always been in the ceiling?
I forgot to wear sunscreen today. I didn't get too red, did I?
Nose all clean? Yes, all clean. And look—no bats in my cave either!
Can we stop soon? Doing it on the rug sounded fun but I'm getting a friction burn on my spine.
Mwah! That was wonderful. I guess you're right. Who needs men?
What do I look like—a waitress? Get your own damn drinks. These are all for me.
Hello there, Righty. Don't tell Lefty this, but you're my favorite.
Above is a Colortone Line lithograph entitled “Beautiful Gems,” which we guess is a double entendre, since the model's jewelry isn't really the most noticeable element of the photo. She's unknown to us, but is far too beautiful to have been unknown to the world. She was somebody famous, we're sure. But who? No idea. We also don't have the year on this. So basically, we know nothing. But we had to share it anyway. Recognize her? Let us know.
Pearls sometimes complete an outfit, but it's the girl that always completes the pearls.
Anastasia Reilly began her show business career tap dancing in New York City at age fourteen, by seventeen was nationally famous as a Ziegfeld Girl, and in this Strauss-Peyton (Benjamin R. Strauss and Homer Peyton) image is on top of the world in a $50,000 string of pearls. That would be about $680,000 today, which sounds like a lot until you learn some pearl necklaces top $2 million, including an $11 million ruby-studded collar that once belonged to Elizabeth Taylor. The above shot was made when Reilly was appearing in the Ziegfeld musical Louie the 14th, which ran for more than three-hundred performances at the Cosmopolitan Theatre through most of 1925. Her role was minor, but we daresay her visual impact was major, even in costume.
The French always know a good thing when they see it.
Today we have assorted scans from an issue of Folies de Paris et de Hollywood published in 1964 with cover star Sally Douglas, a British actress who appeared in numerous films and who's popped up on Pulp Intl. a couple of times before, including, memorably, fronting the French magazine Evocations. Her film roles were often uncredited, and when she was acknowledged it was often in less-than-flattering terms. For example, in Doctor in Love she was “dancer in strip show,” and in Genghis Khan she was simply “concubine.” Probably the most cringeworthy of her credits was in A Study in Terror, in which she was “whore in pub.” It's a hell of a way to make a living, but between movies, television, and modeling she managed to become mildly famous and fondly remembered. Elsewhere in Folies de Paris et de Hollywood you get glamour models and burlesque performers, and they all add up to another visually pleasing slice of naughty nostalgia. We have many more of these in the website. Just click the keywords below and start scrolling.
She's a Ray of hope.
Above, a nice image of a Japanese model with the amazing name Tenro Ray, from an issue of Heibon Punch. Ray appeared in numerous magazines during the 1970s but never starred in any movies, as far as we know. We wish she had. 1974 on this shot.
Nothing can dim the luster of precious things.
Remember the Technicolor lithographs we shared a while back that had acetate overlays? Today we have another. In the top version the model is wearing a cartoon nightie and in the version below that you see her in the altogether. These after-the-fact cover-ups rarely look good, but today they're collectible, which just goes to show how years and scarcity are a sort of temporal alchemy that turn lead into gold. Speaking of precious metals, the print is titled “Platinum Beauty.” As a bonus, below is a version of the litho with an advertising strip at top (where a business of some sort would insert a logo). The date on that one is 1962, but we aren't sure about the overlay versions above. The seller claims 1951 but we're highly doubtful of that. Also, we think acetate versions tended to come later than advertising versions, but we have no evidence to support that theory. It's just a feeling. In any case, you get three versions of a beautiful platinum haired model, so that makes it a good day, right?
She's the pause that refreshes.
This Technicolor lithograph shows Arline Hunter, who was a Playboy centerfold in August 1954 and an actress on television and in movies. Her first brush with show business was in the 1948 erotic reel Apple Knockers and the Coke. Yeah. That's a real title. And a literal one, too—the reel shows a topless Hunter suggestively playing with an apple and drinking a Coke. It's available for the moment on YouTube as an age restricted upload and you can watch it in all its grainy goodness there, or just get the gist from the photos below. If you think she looks a bit like Marilyn Monroe you aren't the only one. The resemblance helped propel Hunter to recognition, and in fact her Playboy appearance was what you might call a revisitation of Monroe's famous centerfold from the previous year, featuring similar poses and a similar red velvet background. The above image comes from Champion Line and dates from 1952.
Xenophobia: Don't leave home without it.
The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.
Anyway, what we have here is a cautionary tale featuring beautiful young travelers and the pitfalls they encounter, slavery among them, with the various misadventures taking place in Hong Kong, London, Beirut, Paris and Rome. Arden gets the Beirut segment and it consists of her telling the local police her story: raped by her stepfather when she was fifteen, a runaway drifting from place to place, ending up in a harem where she becomes a sexual servant, enduring a year of bondage before her escape. Many sexploitation films are joyful or comical or contain messages of female empowerment—Die jungen Ausreißerinnen isn't one of those. You've been warned. After opening in West Germany earlier in the year it played in Japan for the first time today in 1972.
I just love reading the literary classics. They're always so interest... zzzzzzz...
Above is one of our prouder acquisitions—a poster of Dutch actress Sylvia Kristel made to promote the film Emmanuelle. The piece has multiple fold lines, which we could remove from the digital reproduction if we wanted, but we like the lines. We're sharing this because Kristel died today four years ago and we think this shot is a nice reminder of what a lovely and ethereal star she was.
The headlines that mattered yesteryear.
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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