Modern Pulp Apr 10 2022
YOUR PRAYERS ARE ANSWERED
She's arrived on this earthly plane to love you to death.


We said you'd see sexploitation star Laura Gemser again sooner than you thought, and here she is—or at least here's an interesting depiction of her—on a poster made in Turkey to promote her film Ateşle Oyun. That translates as “game with fire,” but the movie was known in English as Divine Emanuelle and Love Camp. There's no Turkish release date, but we're talking about it today because it premiered today in 1981 in West Germany, where it was released as Die Todesgöttin des Liebescamps, or “the death goddess of love camp.” Death goddess, eh? That doesn't sound fun, but we'll get to that in a minute.

As you can see in panel two, the West German promo is nothing to write home about, which is why we decided to focus on the Turkish art. It's signed by an illustrator named Ömer Muz. We looked him up and got many hits, but with no way of knowing whether any of them were the Muz we were seeking. A few of them were artists, and one was even an art director in movies back in the early 1980s, but final identification eluded us.

Die Todesgöttin des Liebescamps was written, directed by, and co-starred Christian Anders, an Austrian musician/singer/composer and man-in-over-his-head in terms of technical ability. His character oversees a free-love cult on Cyprus called Children of Light. He's the servant of the Divine One, played by Gemser, who bathes in milk, parades around topless while flanked by an oiled up bodybuilder, and preaches an apocalyptic schadenfreude doctrine that sounds a lot like the Rapture. In her cult, you can give love freely, but cannot be in love. “Love for only one person is egosim,” she puts it. “When two people love each other they shut the world out. That's a sin.” Basically, that means the cult is an ongoing orgy. Rulebreakers get slapped around or whipped. Gemser even whips herself occasionally. She's a true believer.

The plot kicks into gear, sort of, when one of the cult babes decides she wants to leave and is instead thrown off a cliff by the oiled up bodybuilder guy. There had to be a dark side to all this sex, and that dark side is you can check in anytime you like but you can never leave. We next learn that the police have become suspicious about missing cult members and have inserted an undercover operative who's poking around even as Gemser tries to indoctrinate an heiress and soak her down for her fortune. Will the undercover cop learn the truth of the cult? Will Gemser expose him? Will she expose herself? On the latter score, fans will be satisfied, rest assured. But for objective film buffs, we have to tell you that, like most Gemser efforts, this flick is terrible.

But it's also significant because there's bizarre trivia associated with it. Most notably, David Koresh has a small role. You perhaps remember him? As the leader of the Branch Davidian cult he sought to create a new lineage of world leaders, had sexual partners as young as ten years old, and finally died in 1993 with seventy-five disciples during a fire that broke out at the cult's compound during an FBI raid. On top of all that, writer director Anders propagated various conspiracy theories in books and interviews. The lesson is don't take a movie script too seriously. Especially a sexploitation script. Die Todesgöttin des Liebescamps premiered today in 1981.

Witness me, little ones! Are my abdominals not out of this world?

Bring forth the divine ointments and sexual lubes!

I and my slippery, steroid enraged servant shall now engage in the holy rite of hot raw sex. You may want to rewind this part a few times.

I came here to find myself, and she gives me this room. Feels like she's mocking me.

There's something to find right under these holy raiments, little lost blonde one.

Divine One, I prefer this female version of myself. Diversity is good and all, but we're a matched set. Hope you're okay with that.

Throw them both into the pit of eternal-despair-without-hope-of-redemption-or-surcease! Hmm... probably need to shorten that name. And who forgot to order the lube for today's orgy? Throw him in the whatever pit too!

I'm a cruel goddess, it's true. But behold the everloving fuck out of this!

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Vintage Pulp Apr 3 2022
POOLSIDE PLAYMATES
Gemser always makes sure a fun time is had by all.


Above is another Japanese poster for Laura Gemser's Italian sexploitation flick Emanuelle nera, which premiered in 1975 and reached Japan today in 1976. The art shows Gemser getting frisky poolside with French actress Isabelle Marchall, who made numerous sexploitation and giallo movies. The title of this in Japanese means “love of Emanuelle,” and we echo that sentiment—which is to say, though Gemser's Emanuelle films are abysmally bad, we love them as products of an era of freewheeling, guilt-free erotic cinema.
 
Watching the films on cable television during our youth, they somewhat affected our views on travel and sex, neither of which we had experienced yet. We explained this influence in our write-up on Mia Nygren's Emmanuelle IV way back. At their best, Gemser's Emanuelle movies (yes, it's spelled differently than Nygren's) were straightforward celebrations of sex, while at their worst they were influenced by horror and action movies, such as the one where she takes on cannibals, and the one where she smashes a ring of snuff filmmakers. Emanuelle nera has few pretensions—Gemser goes to Nairobi and gets laid. You can see everything else we have on the movie here, here, and here. Gemser will be back. Probably sooner than you think.
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Vintage Pulp Jan 17 2022
IT'S GOTTEN PERSONAL
This has nothing to do with genocide and land theft, English! I just hate your fucking face!


On this cover for Lauran Paine's novel The Farthest Frontier, illustrator Roger Hall depicts how even in the midst of tectonic historical upheavals there are moments of interpersonal drama. Like this knife fight, which started over confusion about whether trade talks were dressy casual, or just casual. 1957 copyright. 

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Vintage Pulp Jan 5 2022
THE AMERICAN WAY
Gemser exercises her right to bare arms—and everything else too.


We try to document the top erotic stars of yesteryear—Lindberg, Forså, Annie Belle, Izumi Shima. Today it's Laura Gemser's turn again, this time starring in Emanuelle in America, which premiered in Italy today in 1977. This entry is third, fourth, or seventh in her Emanuelle series, depending on how you count them, and sees her investigating a multi-national sex trafficking ring that kidnaps women and kills them for the production of underground snuff films. That synopsis and the fact that the movie is helmed by Joe D'Amato are all you need to hear to suspect this is going all sorts of disturbing places, and indeed, your worst fears will be realized, as scenes of documentary-style transgressive violence occur, and there's a scene of a woman stroking off a horse. Fortunately, the snuff sequences are fake. They were staged by Italian special effects experts Giannetto de Rossi and Maurizio Trani. The horse thing? That's real.

*heavy sigh*

Okay, so let's forget those problems for now. What's the thrust of the movie? It's a scathing indictment of the decadent wealthy, people who money has deadened inside and who must buy increasingly depraved thrills to bring stimulation to their lives. During the course of Gemser's investigation she goes undercover as a high priced call girl, jets from the U.S. to Venice to the Caribbean and back to the States, gets naked or topless numerous times, and has her skinny body handled and squeezed by man and woman alike, including her real-life husband Gabriele Tinti. As usual her sexual powers are transformative. For instance a carjacker wants to kill her but has never experienced sex and has his lid flipped by his first blowjob. Later a call girl with no self worth comes to see the world in a brighter light after a slippery steam room session with Gemser. She's like a superhero—with a superpower you really have to marvel at.

We won't tell you how the whole snuff plotline resolves. You'll just have to watch—all the way to the baffling postscript. Should you decide to partake, you'll probably end up with a version of the movie that has hardcore sequences featuring porn actresses Paola Senatore and Marina Lotar inserted, so to speak. Usually such scenes shred continuity, and they do here too, as well as failing to add much to the overall erotic value of the film. We'll admit though, that the bit where a woman sticks daisies in a man's nest of pubes then says, “Your bush is in flower,” was funny. The other high point is Gemser, hitting her stride here as the Emanuelle character, looking her best, making stick-thin more alluring than she has any right to. She does the same in many additional entries. A few of those efforts are better, but many are far worse, so we'll have to call Emanuelle in America above average.

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Vintage Pulp Nov 21 2021
NERA TO STARDOM
Laura Gemser rides Emanuelle to international fame.


We're looping back to Italian promo art today with this poster for Emanuelle nera, known in English as Black Emmanuelle. We already talked about the movie here, but didn't share this particular poster, a nice, understated effort for what is a pretty wild film. This was Gemser's third cinematic outing, but her first as the character of Emanuelle, which she'd reprise multiple times. Notice she's billed on the poster as “Emanuelle.” She acted under that name briefly before appearing under her real name, and the rest is softcore history. We have her entire film output, so you can be sure we'll get back to her later. Emanuelle nera premiered in Italy today in 1975. 

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Vintage Pulp Sep 16 2021
TWICE AS SEXY
Documentary explores the allure of erotic dance through time.


Here's some random Italian pleasantness today, two posters for the documentary Sexy, which focused on erotic dancers from ancient Egypt through the French Revolution and into the age of modern burlesque. This was soundtracked with music from Ricki (Ricky) Gianco, and some of the dancers include Rita Himalaya, Lin Chen, and the Sexy Twisters, whose act we'd give plenty to see. No such luck, though, because as far as we know the movie isn't available in any format. Too bad. We don't know if it's meant to inform so much as titillate, but we'd love to see what it has about Egypt. Well, we can hope. Obscure movies become accessible all the time. Sexy doesn't have a premiere date, but it came out sometime in 1962. 

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Femmes Fatales Jul 22 2021
ETERNAL FLAME
Sure, I'll put the cigarette out. But I'll still be smoking.


There are a few shots of U.S. actress Gene Tierney posing with the column you see behind her, but we like this one the best. It's usually attributed to her 1944 film noir Laura, but other people say it's from 1942's The Shanghai Gesture. Sharp-eyed film noir fans will remember that there's a column like this in Laura Hunt's apartment in Laura, but that isn't why the promo is from Laura. It's the hair. Tierney basically wore a pompadour in The Shanghai Gesture, and remember, these promos were almost always made with the subject in character. So this is from Laura, for sure. But the confusion is understandable, because Tierney was also photographed on this set for The Shanghai Gesture too. Check the photo below, note the hair, and note the dress—she wore that in The Shanghai Gesture, which you can prove by going here and seeing it worn in front of a Chinese themed backdrop. So the set above was used for Tierney twice, once in ’42, and once in ’44. She was hot both times.
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Femmes Fatales Feb 7 2021
COAT OF ARMS
Is that a shotgun in your coat or are you just unhappy to see me?

Gene Tierney had a great career on stage and screen, but as time has gone by the role that movie buffs seem most drawn to has been her turn as Laura Hunt in the 1944 film noir Laura. This photo was made as promo for that film, which we agree is one of her best. You can see a couple of Laura posters here, and if you follow the links in that post you can find out more about the film.

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Vintage Pulp Dec 5 2020
UP PERISCOPE
The view from below is plenty thrilling in Gemser sex comedy.


We're sure you can take a gander at the above poster for Malizia erotica and instantly come to the conclusion: Ahhh yes, good ole European sex comedies. The movie was originally made in Spain but released as El periscopio in Italy today in 1979. It stars lanky erotic icon Laura Gemser in a story that would surely ruffle feathers—if not spark litigation—were it to be made today. In short, a teenaged schoolboy played by Ángel Herraiz lives with his parents in an apartment beneath that of supersexed nurses Gemser and Bárbara Rey, and like any rational kid would, he uses a periscope to spy on them.

There are other plot threads here, but forget those. This peeping teen angle leads to an amazing scene: Herraiz gets so heated up by his voyeurism that he develops pains in the groin area. His parents know the upstairs pair are medical professionals and ask Gemser to diagnose the kid's problem. She discerns immediately that Herraiz has a debilitating case of blue balls and gives the kid some manual relief—in front of his parents! Ahhh yes, good ole European sex comedies. Sure, her nursely fap session happens out of direct view under the kid's blanket, but still.

It just goes to show that little is out of bounds in this genre. The older woman introducing a boy to sex has been the subject of scores of films, but what was once thought of as a lucky manchild's rite of passage is now considered sexual predation. We don't disagree, however we know two guys this has happened to and neither of them regret it. Real life is full of contradictions that way. In any case, what would have been nice is if this particular coming-of-age story were better written, acted, and filmed. But ahhh yes, good ole European sex comedies—they're nearly always inept. El periscopio does not reverse the trend.

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Vintage Pulp Nov 10 2020
FEAR OF THE CAT
Don't be scared—I just want you to be absolutely still for the next five hours while I curl up on your lap.


Above, another promo poster for the classic comedy mystery The Cat and the Canary, with Bob Hope and Paulette Goddard. We showed you a Swedish promo last year but didn't talk about the film. It's based on a 1922 play by John Willard, which makes it old enough that even the cleverest jokes are probably too recognizable for modern viewers to generate legit laughs. A century is a long time in the evolution of humor. Well, except for your embarrassing country grandpa who thinks it's funny to spit chaw on his arthritic old smellin' hound. Time has stopped for him. Did a while ago. Point is, you've seen these gags reused hundreds of times.

But here's what matters. Hope and Goddard have great chemistry and emanate a lot of charm. As films of this sort go, this one has everything: creepy old house in a swamp, a contested inheritance, secret passages, misty gardens, disappearing bodies, a painting with peephole eyes, confounding clues, a love story, and a bang-up climax. It's a great flick. The first version was made in 1927 with Laura La Plante and Creighton Hale, and the latest version was made in 1978 with Honor Blackman and Michael Callan, but this version—the best of the lot we think—premiered in the U.S. today in 1939.

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Next Page
History Rewind
The headlines that mattered yesteryear.
June 25
2009—Farrah Fawcett Dies
American actress Farrah Fawcett, who started as a model but became famous after one season playing detective Jill Munroe on the television show Charlie's Angels, dies after a long battle with cancer.
June 24
1938—Chicora Meteor Lands
In the U.S., above Chicora, Pennsylvania, a meteor estimated to have weighed 450 metric tons explodes in the upper atmosphere and scatters fragments across the sky. Only four small pieces are ever discovered, but scientists estimate that the meteor, with an explosive power of about three kilotons of TNT, would have killed everyone for miles around if it had detonated in the city.
June 23
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
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