This frolic has been sponsored by Off! bug repellent and Nasonex hay fever tablets.
In this centerfold image from the Belgian magazine Ciné-Revue published in September 1972, Barbara Bouchet finds herself in a field of wildflowers and high grasses, and does what comes naturally—sneezes like a maniac until the medication kicks in. Then she frolics, and what a lovely frolic it is. We've featured Bouchet before, which means you already know she's a famously beautiful model-turned-actress who appeared in films like Non si sevizia un paperino, aka Don't Torture a Duckling, Gangs of New York, Casino Royale, and television's Star Trek. Also—and we didn't mention this the other times we wrote about her—she's another celeb who benefitted from a name change. She was born in 1943 in Sudentenland, a part of Czechoslovakia that was occupied by Germany at the time, and grew up as Bärbel Gutscher. That name simply doesn't roll off the tongue, so when she went to Hollywood she chose something that sounded French and the rest is history. These days she lives in Rome, where she still occasionally acts, though probably does a bit less frolicking. See a couple more shots of her here and here.
Demongeot heats up and cools down.
There are Bardot people and there are Demongeot people. We're Demongeot people. Well, not really, because there's no need to make a choice. But we like French actress Mylène Demongeot quite a bit. Like Bardot, she made many romantic comedies, but also succeeded in dramas and was nominated for a BAFTA in 1957 and two César awards in 2005 and 2007. What's more she's still working. Her latest film is this year's Maison de retraite. The above issue of the French pop culture magazine Cinémonde features Demongeot on the cover keeping cool with a Spanish fan. She's one of the hottest stars in French cinema at this stage, in July 1960, with hits like 1961's Les trois mousquetaires and 1962's Copacabana Palace just around the corner.
The magazine also offers four pages of Demongeot inside, including a photo with the interesting caption, “Mylène Demongeot – une flamme pure de l'enfer,” which means “a pure flame of hell.” We assume that's a compliment. Another of the photos is our favorite of Demongeot. It shows her in some sandy niche of Torremolinos, Spain playing guitar (or seeming to) during the filming of The Singer Not the Song. Are you feeling a sense of déjà vú with her and this magazine? That may because we've featured her in two other issues. You can see those here and here. If you aren't Demongeot aficionados we recommend watching Bonjour Tristesse or Upstairs and Downstairs. Also, for those of an aesthetic mindset, you can see her at her most beautiful here and here.
This tree right here? It's mine. This patch of land around the tree too. Actually this whole forest is pretty much mine.
You never know what wildlife you'll come across during a walk in the forest. If it happened to be U.S. actress Margaret Markov, well, she beats the hell out of a white-tailed deer or a black-rumped woodpecker or any other kind of fauna. Markov starred in the unforgettable prisonsploitation flick The Hot Box, the indelible blaxploitation flick Black Mama, White Mama, and the ineradicable swordsploitation flick The Arena. You won't get this photo out of your mind either. It appeared in the Belgian magazine Ciné-Revue in 1975.
Cardinali sizzles in the south of France.
Our sun is categorized as a G2V type star, and in this blinding photo Italian actress Nuccia Cardinali—sometimes Cardinale, occasionally Karen Carter—is too G2V to be true as she poses for a shot in Cannes, France. Her cinematic career was scant, consisting of a dozen or so films. But that's okay—she personifies summer, surf, sand, and all things good and glowing in this image. It appeared as a centerfold in Ciné-Revue magazine in 1970.
You guys have fun on the mountain. I'm skiing directly over to the chalet and hot tub.
There are those that ski and those that get loaded on Champagne in the jacuzzi. U.S. born actress Jane Wald seems to be in the latter category. Though she may have been a high altitude partier, she was more of a medium altitude actress, with a career comprising mostly guest slots on television shows, including two appearances on Batman. But this shot is epic. It's from 1966 and first appeared in the Belgian magazine Ciné-Revue.
I find plants ideal for alleviating stress. I've already successfully killed three ferns, a cactus, and four pots of posies.
A Pascal is a physics unit that measures, among other things, internal pressure or stress, and it's pretty clear that Pascale Roberts is feeling none of that. She's a César Award nominated French actress who appeared in such films as Weiße Fracht für Hongkong, aka Mystery of the Red Jungle, and the television series Allô police. This shot of her tending some unlucky plants appeared in Belgian film magazine Ciné-Revue in 1964.
Redhead risks serious sunburn to get a base tan.
Belgium's Ciné-Revue is one of the best film magazines of the mid-century era. It's also one of the hardest to scan. Not only do the pages need to be scanned in halves and joined via computer, but the tiny text makes lining the halves up a real challenge. We didn't think about that when we bought a stack of these in Paris several years back, and now the sheer effort involved causes us to doubt we'll ever get them all uploaded. But we managed to carve out a few hours, so today we have this issue from May 1975 with French actress Marlène Jobert doing a little topless boating on the cover, hopefully well slathered in sunscreen. Jobert also features in the beachy center spread wearing even less clothing (and theoretically more sunscreen), but the real star of this issue is Bette Davis, who receives a career retrospective with shots from seemingly every movie she ever made. You also get William Holden, Jane Birkin, Dominique Sanda, Sidney Poitier, Sophia Loren, Rita Hayworth, Agostina Belli, a feature on Steven Spielberg's Jaws, and much more, in forty-plus scans.
Can you believe my stuffy old family won't let me wear this in the palace?
Above, a nice shot of Rome born Ira von Fürstenberg, whose full name is Virginia Carolina Theresa Pancrazia Galdina Prinzessin zu Fürstenberg. Yes, a princess, as well as an actress who appeared in films such as Playgirl 70 and Giornata nera per l'ariete. This image appeared on the cover of the Belgian cinema magazine Ciné-Revue and it dates from 1971.
Sex and cinema in an open age.
When we went to Paris a couple of months ago we mentioned that we found a stack of Ciné-Revue magazines in Le Marché aux Puces de Saint-Ouen. Their dimensions make for extra work because we have to scan every page in two pieces and put them together in Photoshop, and even more daunting, any two-page spreads have to be scanned in four pieces and assembled (this is actually true for all the tabloids we post). That’s why we get a bit lazy about it sometimes. Yeah, yeah, we know—get a bigger scanner. Easier said than done, unless someone wants to mail us one. Anyway, we managed to get some pages together from the above issue of Ciné-Revue published today in 1973.
Ciné-Revue originated out of Belgium in 1944 and was the premiere French-language cinema magazine there and in France for many years. Today it remains popular, making it one of the longest-lived cinema magazines as well. On the cover of this one you get German softcore and hardcore actress Karin Schubert, and inside you get John Wayne, Pia Giancaro, Brigitte Bardot, Jean Gabin, and an artful nude shot of impossibly handsome Austrian actor Helmut Berger. You’re welcome, girls, but please don’t start doing internet searches trying to find out what he looks like now—you won’t be happy. Berger also appears on the back of the mag.
Regarding the Schubert cover, the line between mainstream cinema and porn was never blurrier than back then, and Ciné-Revue reflected that with its features of hardcore and softcore performers. Could you imagine such actresses routinely appearing in, say, Rolling Stone, and being given equal standing with mainstreamers? Nevertheless, popular American media is heavily porn-influenced, even if the seed, so to speak, goes unacknowledged. What is a Sports Illustrated swimsuit issue about, for example, with its models wearing not swimsuits, but rather paint on their fully waxed bodies?
When cinema first developed into an industry many filmmakers thought of movies as simply a motile version of photography, or painting, or sculpture. Nudity was an occasional occurrence onscreen during the pre-code 1920s, but a funny thing happens when you add motion and character development to the static nude—Michelangelo turns into Brazzers. Today, all nudity in American cinema is on some level political. No? Then why is it that only in American cinema there is such a proclivity for the clothed sex scene? It raises a question. Is it possible for both men and women, gay and straight, to celebrate their sexuality without conflict? Maybe, but only with more economic equality for women, less stigmitization of homosexuality, less racism, and more understanding that we are—male and female, gay and straight, green and purple—biologically driven by sexual desire.
Looking at the Schubert image above, we’re reminded of a time (in which we were basically zygotes, but go with us here) during which mainstream movies asked questions about freedom for versus exploitation of women, and how commerce in an age of mass media impacts women’s security versus the ideal of sexual freedom. For instance, how do we have sex and sexual aspiration but also have a safe pressure release for the millions who aren’t having sex in any given week or year? Can sex and porn safely co-exist? No idea. Option two is to beat the need for sex out of every man and woman on the planet. Not our preferred solution. Why did we write all this? Probably because there’s nudity/exploitation in the next two posts, so these questions just came into our minds.
On another note, we had to go back to France on short notice, but to Bordeaux this time, and we’re there at this moment. So maybe hanging out with the always philosophical French made us write this missive. Possibly some fine red wine has contributed. Anyway, we will scour Bordeaux for more wine—er, pulp—but especially Ciné-Revue, as we’re very interested in 1970s international movie stars, and this magazine gave them as much exposure as any publication we’ve seen. We have eighteen scans below, and more from Ciné-Revue to come.
The headlines that mattered yesteryear.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard
, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
1919—Luxemburg and Liebknecht Are Killed
Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.
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