Hollywoodland Sep 15 2015
Minor noble causes major scandal.

On the Q.T. labeled itself “The class magazine in its field.” In practice that was less than true. This cover from September 1962 offers teasers about Liz Taylor’s inability to be made happy, the fatal ring beating of boxer Kid Paret, and the inside story about Ivy Nicholson’s suicide attempt. But the banner goes to the nude countess who shocked America. That would be Christina Paolozzi, aka Christina Bellin, who was a New York City fashion model and the offspring of United Fruit Company heiress Alicia Spaulding and Italian conte Lorenzo Paolozzi. The photo was shot by Richard Avedon and appeared in Harper’s Bazaar. Paolozzi was already considered “the first of the ’60s free spirits” by the tabloids, and by stripping for Avedon she became the first recognized fashion model to pose nude, a practice that is now common.

While Avedon earned widespread recognition for the shot, which you see at right, Paolozzi was dropped from the New York City Social Register, shunned by Manhattan’s upper crust, and subjected in the press to what is today sometimes called “body shaming.” Columnist Inez Robb wrote that Paolozzi was “no more favored by nature than the average daughter of Eve,” and added for good measure, “Harper’s Bazaar, with its excursion into overexposure, has unwittingly proved that not diamonds but clothes are a girl’s best friend.” If that wasn’t bad enough, just imagine what people wrote in the comments section. They had those then, right?

In any case, Paolozzi was a bold personality, and she went on to make waves yet again with her many wild parties and open marriage to cosmetic surgeon Howard Bellin, commenting in a mid-1970s newspaper article, “[It’s] just the way life is today—one man is simply not enough.” But she didn’t just spend the years having a good time. She also raised money for hospitals in Cambodia and Gabon, orphanages in Afghanistan, and supported eighteen foster children. In a sense, she gave the shirt off her back. Twenty-eight scans from On the Q.T. below.


Sex Files Feb 27 2015
Straight to the toplessness.

This issue of the Swedish magazine FIB Aktuellt appeared today in 1973 and its cover star, Sophia Loren, is exposed inside in exklusivt! photos from her 1951 campfest Era lui... sì! sì, aka It’s Him!... Yes! Yes! You probably know the story by now. Loren described the decision that led to her toplessness this way: “The scene involved several girls like myself in harem costume and, for the Italian version it was all right to wear clothes. The director asked that we do one take topless for the French version. I did not want to, but I was hungry. The other girls obliged him and, after a moment’s hesitation, I did too.” Loren said later that in general she couldn’t bear to be naked. “I’m not exactly a tiny woman. When Sophia Loren is naked, this is a lot of nakedness.”

It’s interesting that the photos are labeled exclusive by FIB Aktuellt, considering images from Era lui... sì! sì! had been floating around for years. We shared a page from the low rent Goodtime Weekly Calendar of 1963 featuring the same topless shot you see above. But we suppose in the days before the global internet the images were a scoop each time a new magazine acquired them. Playboy made a big deal of printing them in 1966. Loren’s nudity remained mildly controversial for decades due to her superstar status, but time marches on, and in 2011 she appeared on prime time television on Italy’s RAI 1 with a humungous topless still from Era lui... si! sì! in the background. That’s progress.  


Vintage Pulp Dec 20 2014
For a magazine that had practically zero credibility Midnight sure was generous with sexual advice.

Most 1970s tabloids espouse the idea of easy sexual availability of women for men, but Midnight, more than others, made that its reason for existence. You’ve seen the covers here before—a wild and willing Nobu McCarthy, the girl that seduces an entire town, mail-order love slaves, et al. In this issue published today in 1965, cover star Raquel Welch tells readers she thinks married men should be free to roam. She explains: “Most adulterous men get that way because their wives don’t know how—or simply don’t give a damn—on satisfying them emotionally. Adultery serves to get rid of tensions and restore a man’s faith in his desirability.” Music to Midnight’s male readers’ ears, we’re sure, but did Welch ever say that? The article sounds more like a bad high school essay than an interview. It even ends with this bit: “That’s why I claim that adultery can very easily save a marriage!” Which is more like the summation after a debate rebuttal than anything from a real interview. It’s like—“Tah dah! Thank you. Thank you very much.” So we’re thinking this all came from the typewriter of a really bad Midnight assistant editor. But we love the cover.


Vintage Pulp Nov 5 2014
Only in Italian film can hard labor make you better looking.

If you’re thinking this West German poster for Sophia Loren’s 1954 drama Die Frau vom Fluss, aka La donna del fiume, aka The River Girl looks a bit like this promo for Riso Amaro, you're right—and the actual films are quite similar too. During the 1950s Italian filmmakers produced at least a few movies with identical blueprints—i.e. improbably hot peasant girls performing hard labor somewhere in the Po Valley while wearing bodyhugging clothing. Generally, the girls dream of better circumstances but possess little means to achieve such an end—until into their lives tumble dudes with big plans.

Sounds like light fare, but sultry summer settings and sexy attire notwithstanding, these were serious films—usually tragedies. Where the staple food in Riso Amaro (and Elsa Martinelli’s 1956 drama La risaia) was rice, here it’s eels. Loren works in an eel cannery by day, dances a mean mambo during her spare hours and, like Silvana Mangano in Riso Amaro, finds herself torn between a decent bore and a thrilling criminal. The choice she makes opens up a whole different can of eels and she spends the rest of the film having to manage the consequences. That’s about all we’ll say, except that we watched the flick last night and more or less enjoyed it. As for Loren, she’s 100% more and 0% less, a big personality whose stardom was a matter of destiny. The movie is worth seeing just because of her.


Vintage Pulp Oct 31 2014
What’s scarier than National Informer Reader? Actually daring to look inside.

On the opposite end of the tabloid spectrum from yesterday’s Top Secret, we have an issue of National Informer Reader published today in 1971. You may remember our previous entries on National Informer Weekly Reader. What you see above is simply the earlier, monthly iteration of the same rag. You wanna be scared on Halloween? Just peel back the cover on this baby.

Reader editors start by donning their anthropology hats and telling readers that by the year 2000 there will be 2.5 women on Earth for every man. You know what that means right? “In the year 2000 men will be catered to by women as in no other era in the history of mankind. Every week will be a special week dedicated in some way to the male sex. For instance, one week will be called National Sex Week, and if a man gives at the office he doesn’t have to give at home. 2000 is the start of the era when men will have the whip hand.”
Because men need more control, right? Well, if that prospect isn’t frightening enough, Reader tells us California is a breeding ground for devil-worshipping cults, drugs are destroying family life via osmosis from bad neighbors, virgin women are lamentably impossible to find anymore, and psychopathic outlaws and sex perverts have invaded America’s freewheeling outdoor music festivals. Readers also get to solve a murder mystery (which you can try below). All very scary.
Elsewhere in the issue, readers get Raquel Welch (just below) in a promo shot from Myra Breckenridge, and two photos of Malta-born British twins Mary and Madeleine Collinson, who posed together for Playboy’sOctober 1970 centerfold and were the first (but not last) identical twins to do so. Both also appeared in movies, always together, because, well, twins. Their most remembered feature is Hammer’s schlock vampire classic Twins of Evil (although only one twin is a vampire in the movie). Sadly, Madeleine Collinson died last month on Malta
Lastly, Sophia Loren urges women to have sex before marriage. Loren describes women as “ridiculously moral. So they go out and marry a man without having a love affair first to find out if they are compatible.” Any potential husband, she says, might be anything from a sadist to a eunuch, and she recommends premarital sex, trial cohabitation, and state mandated probationary marriage that doesn’t legalize until three years have passed.

We have a few scans below, about fifteen issues of National Informer and National Informer Weekly Reader we’ve already shared (we’ll get you started in the archives here, here, here, and here), and we have nine more issues we hope to get through eventually. If that prospect doesn’t scare you nothing will.


Vintage Pulp Sep 18 2013
Aiiieee! I can’t stand the clutter!

You can find plenty of amateur reviews of La mansion de la niebla, aka Murder Mansion, aka Maniac Mansion around the internet, so we won’t add another. We watched it, though, and basically, it’s about a bunch of people stranded in a fogbound manor house, and a plot to frighten one of them to death. Hope that didn’t give away too much. What really struck us was the poster, which was painted by an artist who signed his work Mac. Mac was short for Macario Gomez, and for four decades beginning in 1955 this Spanish painter created posters for such films as Dr. Zhivago, For a Few Dollars More, El Cid and others. Gomez’s effort for La mansion de la niebla is a bit cheeseball, but we rather enjoy the numerous elements he managed to fit in, including a disembodied face, some skulls, a ribcage, a full moon, assorted gravestones, some random ironwork, a spider web, a bare tree, a couple of bats, and, of course, copious fog. Faced with all that, it’s no wonder the central figure is fleeing for her life. But just to show that Gomez really does have top tier talent, we’ve shared a few of his more successful posters below. La mansion de la niebla, an Italian/Spanish co-production, premiered as Quando Marta urlò dalla tomba in Italy, and in Spain six weeks later, today 1972.


Vintage Pulp Apr 6 2013

Below are the covers of some promotional brochures made by Illustrierte Film-Bühne for movies released in West Germany during the 1950s and 1960s. The examples here, some of which have killer designs, feature Elizabeth Taylor, Marisa Mell, Cary Grant, Virna Lisi, Sophia Loren, Doris Day, Tony Curtis, et.al. IFB was founded in 1946 in Munich by Paul Franke, and over the years produced thousands of these pamphlets. We’ll share more later.


Vintage Pulp Jan 9 2013
If you think I’m having a good time now, you should see how much I enjoy it when the water isn’t fuh-reezing.

Above, the cover and some interior scans from the Dutch cinema magazine Cheerio! #117, featuring an eclectic selection of international stars, 1956. 


Vintage Pulp Sep 7 2012
From Hollywood brawls to wet celebs Lowdown gives readers their money’s worth.

This issue of The Lowdown from September 1957 has three stories of particular note, we think. First, readers learn about Diana Barrymore’s fast, out-of-control life, which she had shared with the world earlier that year in an autobiography entitled Too Much, Too Soon. She had just gotten out of a long stint in rehab, and the book was a sort of catharsis, as well as an attempt to let the show business world know that she was cleaned up and ready to work again. But the revelations in the book were of a sort that had never before been encountered by the American public in an autobiography, and the controversy never really faded. Even Mike Wallace asked Barrymore in a televised interview if, like the title of her book, it all wasn’t a bit much. Three years later, at age 38, Barrymore died from an oh-so-familiar lethal Hollywood combo of booze and sleeping pills.   

Readers are also told about a brawl at the house of Peruvian singer Yma Sumac. She had just filed from divorce from her husband Moisés Vivanco and had gone by to pick up a few items. In no time at all, she, singers Esmila Zevallos and Benigno Farfan, and private detective Fred Otash got into a hair-pulling scuffle, with the family dog at the center, to boot. Even the L.A. Times covered the fight. It seemed no couple could be more in need of a permanent split than Vivanco and Sumac, but the divorce didn’t take—they remarried later the same year.

And finally Lowdown takes Life magazine to task for not having the guts to publish racy photos of Sophia Loren from her 1957 romance Boy on a Dolphin, about a woman in the Greek Isles who while diving for sponges discovers a potentially valuable, ancient gold statue of a boy on a dolphin. We’re talking Sophia Loren in wet clothes. And really, that brings us to the entire reason we’re featuring Lowdown today—so we have an excuse to publish one of the photos in question. There it is below, and now your Friday has gotten that much brighter, right? More from Lowdown soon.

Update: a great color photo from the film just showed up online. We've added that at bottom.


Vintage Pulp Aug 18 2012
Continental Film Review was a leading voice of foreign film in Britain, as well as a leading source of cheap thrills.

We’re showing you this August 1966 Continental Film Review for one reason—Raquel Welch. She appears in both the front and back of the magazine, and the latter photo was made while she was in the Canary Islands filming One Million Years B.C. That photo session featuring a blonde, windblown Welch was incredibly fruitful, at least if we’re to judge by the many different places we’ve seen frames from the shoot, including here, here, here and especially here. There had not been a sex symbol quite like Welch before, and in 1966 she had reached the apex of her allure, where she’d stay for quite a while.

On the cover of the magazine are Christina Schollin and Jarl Kulle, pictured during a tender moment from the Swedish romantic comedy Änglar, finns dom? aka Love Mates. Inside you get features on the Berlin and San Sebastian film festivals, Sophia Loren, Nieves Navarro, Anita Ekberg, and more. CFR had launched in 1952, and now, fourteen years later, was one of Britain’s leading publications on foreign film. It was also a leading publication in showing nude actresses, and in fact by the 1970s was probably more noteworthy for its nudity than its journalism. The move probably undermined its credibility, but most magazines—whether fashion, film, or erotic—began showing more in the 1970s. CFR was simply following the trend, and reached its raciest level around 1973, as in the issue here. Fifteen scans below. 


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History Rewind
The headlines that mattered yesteryear.
December 01
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
November 30
1936—Crystal Palace Gutted by Fire
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.
November 29
1963—Warren Commission Formed
U.S. President Lyndon B. Johnson establishes the Warren Commission to investigate the assassination of President John F. Kennedy. However the long report that is finally issued does little to settle questions about the assassination, and today surveys show that only a small minority of Americans agree with the Commission's conclusions.

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